The broad range of A.M. Klein’s interests, ideas, and activities is reflected in this selection of articles, editorials, and reviews – a selection that also displays the qualities that distinguished all his creative writing and the highly idiosyncratic nature of his style. The writings in this volume span a most critical juncture in human affairs; a period that witnessed the Great Depression, the rise of fascism, Nazism, and communism, the Second World War, and the emergence of the State of Israel. As a journalist, Klein did more than record the events – he gave expression to the feelings of his people and helped shape their responses. His wide reading, sensitivity, and intelligence made him a perceptive observer and keen analyst, while his command of language, his passion, rhetoric, and wit, made him an eloquent spokesman. These qualities enabled him to carry out the responsibilities, as he saw them, of chronicler and champion. Though Klein’s major concern was with the Canadian Jewish scene, his interests were part of the mosaic of Canadian history and his work forms a chronicle and a commentary on events of world-wide significance. Klein’s journalism relates frequently, in both substance and language, to his poems and fiction, and thus provides a context for the study of his creative writing. It also reveals aspects of his personality, values, and commitments, contributing to our understanding and appreciation of one of Canada’s foremost writers.

Irving Howe. Saul Bellow. Lionel Trilling. These are names that immediately come to mind when one thinks of the New York Jewish intellectuals of the late thirties and forties. And yet the New York Jewish intellectual community was far larger and more diverse than is commonly thought. In The Other New York Jewish Intellectuals we find a group of thinkers who may not have had widespread celebrity status but who fostered a real sense of community within the Jewish world in these troubled times. What unified these men and women was their commitment and allegiance to the Jewish people. Here we find Hayim Greenberg, Henry Hurwitz, Marie Syrkin, Maurice Samuel, Ben Halperin, Trude Weiss-Rosmarin, Morris Raphael Cohen, Ludwig Lewisohn, Milton Steinberg, Will Herberg, A. M. Klein, and Mordecai Kaplan, and many others. Divided into 3 sections--Opinion Makers, Men of Letters, and Spiritual Leaders--the book will be of particular interest to students and others interested in Jewish studies, American intellectual history, as well as history of the 30s and 40s.

Analyzes the works of Jewish-Canadian writers, their relation to the past, and their place in Canadian society. Ch. 2 (p. 35-52), "Canadian Poetry after Auschwitz: Layton, Cohen, Mandel, " deals with these poets and the treatment of the Holocaust in their poetry.

Author Oskar Klausenstocks life has been marked with experiences that have been turbulent, unsteady, and, in some cases, outright violent. He was an only child who was often shifted from parent to parent and home to home, including those of his grandparents. He lived in both small towns and cities, with limited educational opportunities. He endured the brutality of World War II and was incarcerated in multiple Nazi concentration camps; at the wars end, he came to the painful realization that he was the only member of his family still living. In this collection of poetry, he recalls the events and emotions of his life, from arriving in the United States and seeing the Statue of Liberty for the first time to standing beneath a wedding canopy and whispering, I do. His verses explore his joy of finally being accepted in America and his pride at graduating from several universities, earning the title of doctor of medicine. He considers the happiness that a splendid family bestows. He includes poems of rapture, bliss, sorrow, despair, hope, and laughter. Reflecting the memories and dreams of a life well lived; this collection shares the poetic stories of one mans life.

A.M. Klein has remained an enduring but elusive presence in the Canadian literary consciousness since his death in 1972. Klein's legacy has been mixed, his literary achievement sometimes overshadowed by his reclusiveness and withdrawal from the literary world.Failure's Oppositepresents a fresh perspective on Klein's reception and legacy, exploring why he has remained a compelling figure for critics and readers. His experimentalism drew upon strong traditions and fluency in several languages - English, French, Yiddish, and Hebrew - allowing him to develop a multilingual, modernist Jewish voice that is a touchstone for understanding Canada's multicultural identity. His struggle with the emotional and historical dimensions of diaspora is of considerable importance throughout his work and is investigated through the lenses of translation, voice, and his relationship to other Jewish writers. Contributors also re-evaluate Klein's connection to Montreal and the original ways in which he captured the atmosphere of his "jargoning city."Failure's Oppositereflects the many ways A.M. Klein is being remade, refashioned, and reconstructed in the twenty-first century, both as a bridge to the past and a model for contemporary critical and creative work in Canadian literature.

Written soon after the founding of the state of Israel, The Second Scroll is A.M. Klein’s most innovative and visionary work. The five “books” of the novel are a modern testament of Jewish experience to which are appended “glosses” or commentaries in the form of drama, epistle, poetry, and psalm. The action centres on a young writer from Montreal, whose search for his legendary Uncle Melech becomes a journey of revelation through Italy, Morocco, and the Holy Land. Dissident and exile, reformer and scholar, Melech is a messianic figure who enacts the destiny of his people and embodies the spiritual yearnings of everyman. The Second Scroll, Klein’s only novel, combines the lyric genius of his poetic works with compelling reportage to create one of the most eloquent and original works in Canadian fiction.

"From Cohen to Carson provides the first book-length analysis of one of Canada's most distinctive fields of literary production. Ian Rogers argues that Canadian poets have turned to the novel because of the limitations of the lyric, but have used lyric methods - puns, symbolism, repetition, juxtaposition - to create a mode of narrative that contrasts sharply with the descriptive conventions of realist and plot-driven novels." "Detailed case studies of novels by Leonard Cohen, Michael Ondaatje, George Bowering, Daphne Marlatt, and Anne Carson, as well as sections on A. M. Klein and Anne Michaels, reveal how these authors framed their early novels according to formal precedents established in their poetry. In tracking the authors' shift from lyric to long poem to novel, Rae also investigates their experiments with non-literary art forms - photography, painting, and film. He argues convincingly that the authors discussed have combined disparate genres and media to alter notions of narrative coherence in the novel and engage the diverse but fragmented cultural histories of Canadian society." --Résumé de l'éditeur.

It is for his poetry that A.M. Klein is best known and most warmly remembered. This collection includes all Klein's poetry, both original works and translations from Hebrew, Yiddish, Aramaic, and Latin. Many of them, coming from all periods of his careers, have never been published. The poems are arranged chronologically according to date of composition. This makes possible, for the first time, an appreciation of Klein's poetic development. The editor's introduction places this development in the perspective of Klein's life and time, and in particular explores Klein's lifelong struggle to reconcile his dual vocations as both a Jewish and a modernist writer. The textual apparatus identifies all authoritative versions for each poem and lists all emendations and all substative variants in both published and mauscript versions. The explanatory notes gloss obscure terms and references. They also provide a rich context for appreciation and interpretation by drawing connections with Klein's life, his wide reading, and his work as a whole. Wherever possible, Klein's own numerous, but scattered, comments on his poems have been cited.

Much of A.M. Klein's finest prose is to be found in the mass of uncompleted work that he abandoned at the time of his breakdown, and that became accessible only when his papers were deposited in the National Archives. Notebooks offers a generous selection of this work, revealing previously unsuspected facets of Klein's character and artistry. The fiction, criticism, and memoirs collected here focus on Klein's exploration of the role of the artist. The works illuminate crucial periods of his career, especially the early 1940s, when he was transforming himself into a modernist, and the early 1950s, when he was struggling to overcome the misgivings about his art that were to lead to his final breakdown. The semi-autobiographical text which Klein referred to as 'Raw Material' and the unfinished novel of prison life entitled 'Stranger and Afraid' cast a new light on Klein's often frustrating relationship with the Montreal Jewish community. In 'Marginalia' he discusses poetic form and technique and makes observations on the nature of poetry, thereby providing insights into his own concerns as a writer. In 'The Golem,' a profoundly ambiguous treatment of the act of creation, a self-portrait emerges of a storyteller who has lost faith in the power and value of his story. The volume includes a critical introduction, that places the material in the context of Klein's other works, as well as textual and explanatory notes.