The national news media, as now practiced, were born in the 1950s, revealed their strength in the 1960s (Vietnam), asserted it in the 1970s (Watergate), and were hammered for it in the 1980s. By the mid- and late 1980s, after historic libel suits, with the press knocking off presidential candidates and Supreme Court nominees, unraveling the Reagan presidency, and in a position to overwhelm any individual or institution, a new era in press-public tension had arisen from the depths of America's civic religion: fair play.In this account of the media mandarins' rise to uneasy domination, Richard M. Clurman gives an intimate critical report of the media in the 1980s, the stormiest years in press history until the present time, and a harbinger of the present day. Beginning with the invasion of Grenada, he takes his readers - event by event - through the biggest uproars in history, raising questions from both the media's and the public's perspective on the key troubling press issues of our time. Why is the press accused of being so negative, so biased, so left-wing, so anti-establishment? Whenever people read or see something they know about, why is it so often wrong, naive, unfair, or all of the above? Why do the media arrogantly try to tell people what to think? Is there no line between privacy and the people's "right to know"? How can the public and government answer back after the media have spoken?Using the Westmoreland v. CBS and the Sharon v. Time trials as emblematic of how things go wrong, the author draws graphic lessons for improved press conduct and wiser public perception. This is an insider's look at what is right and what is wrong with the media's attitudes toward their work played against public and government expectations.

Riveting courtroom drama combines with smoldering suspense in this fast-action legal thriller. Up-and-coming lawyer Nora Royce is accused of comitting the crime when the wife of a senior partner in Nora's Los Angeles firm is murdered. Nora teams up with her sister to battle the legal system and uncover a deadly plot.

Does true love break curses or begin them? The dark sorceress of “Sleeping Beauty” reclaims her story in this sequel to Malice. “Fans of reimagined fairy tales and LGBTQ+ themes will be delighted with the conclusion of this fantasy duology.”—Booklist (starred review) The Dark Grace is dead. Feared and despised for the sinister power in her veins, Alyce wreaks her revenge on the kingdom that made her an outcast. Once a realm of decadence and beauty, Briar is now wholly Alyce’s wicked domain. And no one will escape the consequences of her wrath. Not even the one person who holds her heart. Princess Aurora saw through Alyce’s thorny facade, earning a love that promised the dawn of a new age. But it is a love that came with a heavy price: Aurora now sleeps under a curse that even Alyce’s vast power cannot seem to break. And the dream of the world they would have built together is nothing but ash. Alyce vows to do anything to wake the woman she loves, even if it means turning into the monster Briar believes her to be. But could Aurora love the villain Alyce has become? Or is true love only for fairy tales? Book Two of the Malice Duology

The first book in acclaimed epic fantasy author John Gwynne's Faithful and Fallen series, Malice is a tale of blind greed, ambition, and betrayal set in a world where ancient monsters are reawakening -- and a war to end all wars is about to begin. The world is broken. . .and it can never be made whole again. Corban wants nothing more than to be a warrior under King Brenin's rule -- to protect and serve. But that day will come all too soon. And the price he pays will be in blood. Evnis has sacrificed -- too much it seems. But what he wants -- the power to rule -- will soon be in his grasp. And nothing will stop him once he has started on his path. Veradis is the newest member of the warband for the High Prince, Nathair. He is one of the most skilled swordsman to come out of his homeland, yet he is always under the shadow of his older brother. Nathair has ideas -- and a lot of plans. Many of them don't involve his father, the High King Aquilus. Nor does he agree with his father's idea to summon his fellow kings to council. The Banished Lands has a violent past where armies of men and giants clashed in battle, the earth running dark with their heartsblood. Now, the stones weep red and giant wyrms stir, and those who can still read the signs see a danger far worse than all that has come before. . .

Beaten and left for dead in the English countryside, clergyman and reformer Tom Cross is rescued and nursed back to health by Miranda and Simon Thorne, reclusive siblings who seem to have as many secrets as he does. Tom has spent years helping the downtrodden in London while lying to everyone he meets, but now he’s forced to slow down and confront his unexamined life.Miranda, a skilled artist, is haunted by her painful past and unable to imagine a future. Tom is a welcome distraction from her troubles, but she’s determined to relegate him to her fantasy world, sensing that any real relationship with him would be more trouble than it’s worth. Besides, she has sworn to remain devoted to someone she’s left behind.When Tom returns to London, his life begins to unravel as he faces the consequences of both his affair with a married woman and his abusive childhood. When his secrets catch up with him and his reputation is destroyed, he realizes that Miranda is the only person he trusts with the truth. What he doesn’t realize is that even if she believes him and returns his feelings, he can’t free her from the shackles of her past.