Take a dashing hero with a heart of gold and a mullet of awesome. Add a heroine with a bustle and the will to kick major butt. Then include enough contrivances to keep them fighting while getting them alone and possibly without key pieces of clothing, and what do you have? A romance novel. What else? Enough lessons about life, love, and everything in between to help you with your own happily-ever-after. Lessons like... Romance means believing you are worthy of a happy ending Learning to tell the prince from the frog Real-life romance is still alive and kicking No matter how bad it is, at least you haven't been kidnapped by a Scottish duke (probably) Sarah Wendell is cofounder of one of the top romance blogs, SmartBitchesTrashyBooks.com.

New York Times bestselling author Kathleen E. Woodiwiss debut romance… The Flower Doomed to a life of unending toil, Heather Simmons fears for her innocence—until a shocking, desperate act forces her to flee. . . and to seek refuge in the arms of a virile and dangerous stranger. The Flame A lusty adventurer married to the sea, Captain Brandon Birmingham courts scorn and peril when he abducts the beautiful fugitive from the tumultuous London dockside. But no power on Earth can compel him to relinquish his exquisite prize. For he is determined to make the sapphire-eyed lovely his woman. . .and to carry her off to far, uncharted realms of sensuous, passionate love.

This interactive romance lets you choose your own path—and satisfy your earthly desires—as you embark on “an enticing romp” through the Regency era (Entertainment Weekly). “If you've ever been frustrated by a romantic heroine's choices, this book is for you.” —Bustle Endless scenarios of high romance, deep desire, and quivering...comedy await your tender caress in this chooseable-path romance novel. You are the plucky but penniless heroine in the center of 19th-century society, the courtship season has begun, and your future is at hand... Will you flip forward fetchingly to find love with the bantering baronet, Sir Benedict Granville? • Or turn the page to true love with the hardworking, handsome, horse-loving highlander, Captain Angus McTaggart? • Or perhaps you will chase through the chapters a good man gone mad, bad, and scandalous to know, in the arousing form of Lord Garraway Craven? • Or read recklessly on to take to the continent as the "traveling companion" of the spirited and adventuresome Lady Evangeline? • …or yet another intriguing fate? Whether it’s forlorn orphans and fearsome werewolves, mistaken identities and swashbuckling swordfights, or long-lost lovers and pilfered Egyptian artifacts, every delightful twist and turn of the romance genre unfolds at your behest!

Genevieve and Jeremy have known each other since they were seven, and have been summertime best friends at Camp Meira, a Jewish overnight camp in the mountains. As campers, and then as staff, their friendship was a constant, something neither wanted to change, no matter how tempting those changes might be. Then, last year, with little warning, Jeremy left camp early. After that summer, Gen left the country on a graduate fellowship. Now, a little over a year since they were last at Meira, Gen and Jeremy are back together to help run a special Winter Camp during Hanukkah. Any water under the bridge is frozen this time of year, and with so much left unspoken and unexplained, this week may be their chance to rekindle their friendship, or turn it into something new.

The Love That Dare Not Speak Its Name... We do it in the dark. Under the sheets. With a penlight. We wear sunglasses and a baseball hat at the bookstore. We have a "special place" where we store them. Let's face it: Not many folks are willing to publicly admit they love romance novels. Meanwhile, romance continues to be the bestselling fiction genre. Ever. So what's with all the shame? Sarah Wendell and Candy Tan -- the creators of the wildly popular blog Smart Bitches, Trashy Books -- have no shame! They look at the good, the bad, and the ugly in the world of romance novels and tackle the hard issues and questions: -- The heroine's irresistible Magic Hoo Hoo and the hero's untamable Wang of Mighty Lovin' -- Sexual trends. Simultaneous orgasms. Hymens. And is anal really the new oral? -- Romance novel cover requirements: man titty, camel toe, flowers, long hair, animals, and the O-face -- Are romance novels really candy-coated porn or vehicles by which we understand our sexual and gender politics? With insider advice for writing romances, fun games to discover your inner Viking warrior, and interviews with famous romance authors, Beyond Heaving Bosoms shows that while some romance novels are silly -- maybe even tawdry -- they can also be intelligent, savvy, feminist, and fabulous, just like their readers!

My name is Jessica Scott. I am a soldier. I am a wife. I am a mother. There are many stories from the Iraq war. This one is mine. In 2009, Army second lieutenant Jessica Scott deployed to Iraq as part of Operation Iraqi Freedom and Operation New Dawn. It was a year of many firsts. This is the first person journey through a combat tour in Iraq, through being a woman in the army and learning to be an officer in the unforgiving environment of a brigade combat team. This is the journey of a writer, learning to find her voice. This is the journey of a mother, confronting the emotions of leaving her children. This is the story of an inexperienced lieutenant, growing into a leader. This is the journey as it happened, without commentary. This is her blog. There are many blogs from the Iraq war, but this one is hers.

The Gothic, Romanticism's gritty older sibling, has flourished in myriad permutations since the eighteenth century. In Gothicka, Victoria Nelson identifies the revolutionary turn it has taken in the twenty-first. Today's Gothic has fashioned its monsters into heroes and its devils into angels. It is actively reviving supernaturalism in popular culture, not as an evil dimension divorced from ordinary human existence but as part of our daily lives. To explain this millennial shift away from the traditionally dark Protestant post-Enlightenment Gothic, Nelson studies the complex arena of contemporary Gothic subgenres that take the form of novels, films, and graphic novels. She considers the work of Dan Brown and Stephenie Meyer, graphic novelists Mike Mignola and Garth Ennis, Christian writer William P. Young (author of The Shack), and filmmaker Guillermo del Toro. She considers twentieth-century Gothic masters H. P. Lovecraft, Anne Rice, and Stephen King in light of both their immediate ancestors in the eighteenth century and the original Gothic-the late medieval period from which Horace Walpole and his successors drew their inspiration. Fictions such as the Twilight and Left Behind series do more than follow the conventions of the classic Gothic novel. They are radically reviving and reinventing the transcendental worldview that informed the West's premodern era. As Jesus becomes mortal in The Da Vinci Code and the child Ofelia becomes a goddess in Pan's Labyrinth, Nelson argues that this unprecedented mainstreaming of a spiritually driven supernaturalism is a harbinger of what a post-Christian religion in America might look like.

Since the 1970s, romance novels have surpassed all other genres in terms of popularity in the United States, accounting for half of all mass market paperbacks sold and driving the digital publishing revolution. Romance Fiction and American Culture brings together scholars from the humanities, social sciences, and publishing to explore American romance fiction from the late eighteenth to the early twenty-first century. Essays on interracial, inspirational, and LGBTQ romance attend to the diversity of the genre, while new areas of inquiry are suggested in contextual and interdisciplinary examinations of romance authorship, readership, and publishing history, of pleasure and respectability in African American romance fiction, and of the dynamic tension between the genre and second wave feminism. As it situates romance fiction among other instances of American love culture, from Civil War diaries to Bob Dylan’s Blood on the Tracks, Romance Fiction and American Culture confirms the complexity and enduring importance of this most contested of genres.

The Sheik—E. M. Hull’s best-selling novel that became a wildly popular film starring Rudolph Valentino—kindled “sheik fever” across the Western world in the 1920s. A craze for all things romantically “Oriental” swept through fashion, film, and literature, spawning imitations and parodies without number. While that fervor has largely subsided, tales of passion between Western women and Arab men continue to enthrall readers of today’s mass-market romance novels. In this groundbreaking cultural history, Hsu-Ming Teo traces the literary lineage of these desert romances and historical bodice rippers from the twelfth to the twenty-first century and explores the gendered cultural and political purposes that they have served at various historical moments. Drawing on “high” literature, erotica, and popular romance fiction and films, Teo examines the changing meanings of Orientalist tropes such as crusades and conversion, abduction by Barbary pirates, sexual slavery, the fear of renegades, the Oriental despot and his harem, the figure of the powerful Western concubine, and fantasies of escape from the harem. She analyzes the impact of imperialism, decolonization, sexual liberation, feminism, and American involvement in the Middle East on women’s Orientalist fiction. Teo suggests that the rise of female-authored romance novels dramatically transformed the nature of Orientalism because it feminized the discourse; made white women central as producers, consumers, and imagined actors; and revised, reversed, or collapsed the binaries inherent in traditional analyses of Orientalism.

Despite the prejudices of critics, popular romance fiction remains a complex, dynamic genre. It consistently maintains the largest market share in the American publishing industry, even as it welcomes new subgenres like queer and BDSM romance. Digital publishing originated in erotic romance, and savvy online communities have exploded myths about the genre's readership. Romance scholarship now reflects this diversity, transformed by interdisciplinary scrutiny, new critical approaches, and an unprecedented international dialogue between authors, scholars, and fans. These eighteen essays investigate individual romance novels, authors, and websites, rethink the genre's history, and explore its interplay of convention and originality. By offering new twists in enduring debates, this collection inspires further inquiry into the emerging field of popular romance studies.