Lee Ann Roripaugh has been hailed by Ishmael Reed as "one of the brightest talents" writing poetry today. In this collection, she gives voice to the Japanese immigrants of the American West. In an unforgiving land of dirt and sagebrush, mothers labor to teach their children of the ocean, old men are displaced by geography and language, and the ghosts of Hiroshima clamor for peace. Lee Ann Roripaugh's exquisitely crafted poems rise from the pages of Beyond Heart Mountain burdened with memory and pain, yet converting these to powerful art--art that is like "the pattern of kimono found burned into a woman after Hiroshima . . . almost too beautiful, too horrible . . . to bear." Remember to raise bright orbs of rice-paper lanterns by the goldfish pond, so they can watch for me with the yellow, unblinking gaze of nocturnal things . . . --from "Peony Lantern"

A “dazzling first novel” about Japanese Americans and their Wyoming neighbors in the era of WWII internment camps (Chicago Tribune). A renowned chronicler of life in the West, Gretel Ehrlich turns her talents to a moment in history when American citizens were set against each other, offering “a novel full of immense poetic feeling for the internal lives of its varied characters and the sublime high plains landscape that is its backdrop” (The New York Times Book Review). This is the story of Kai, a graduate student reunited with his old-fashioned parents in the most painful way possible; Mariko, a gifted artist; Mariko’s husband, a political dissident; and her aging grandfather, a Noh mask carver from Kyoto. It is also the story of McKay, who runs his family farm outside the nearby town; Pinkey, an alcoholic cowboy; and Madeleine, whose soldier husband is missing in the Pacific. Most of all, Heart Mountain is about what happens when these two groups collide. Politics, loyalty, history, love—soon the bedrocks of society will seem as transient and fleeting as life itself. Set at the real-life Heart Mountain Relocation Center in Wyoming, this powerful novel paints “a sweeping, yet finely shaded portrait of a real West unfolding in historical time” (The Christian Science Monitor).

“One of Ten Best History Books of 2021.” —Smithsonian Magazine For fans of The Boys in the Boat and The Storm on Our Shores, this impeccably researched, deeply moving, never-before-told “tale that ultimately stands as a testament to the resilience of the human spirit” (Garrett M. Graff, New York Times bestselling author) about a World War II incarceration camp in Wyoming and its extraordinary high school football team. In the spring of 1942, the United States government forced 120,000 Japanese Americans from their homes in California, Oregon, Washington, and Arizona and sent them to incarceration camps across the West. Nearly 14,000 of them landed on the outskirts of Cody, Wyoming, at the base of Heart Mountain. Behind barbed wire fences, they faced racism, cruelty, and frozen winters. Trying to recreate comforts from home, they established Buddhist temples and sumo wrestling pits. Kabuki performances drew hundreds of spectators—yet there was little hope. That is, until the fall of 1943, when the camp’s high school football team, the Eagles, started its first season and finished it undefeated, crushing the competition from nearby, predominantly white high schools. Amid all this excitement, American politics continued to disrupt their lives as the federal government drafted men from the camps for the front lines—including some of the Eagles. As the team’s second season kicked off, the young men faced a choice to either join the Army or resist the draft. Teammates were divided, and some were jailed for their decisions. The Eagles of Heart Mountain honors the resilience of extraordinary heroes and the power of sports in a “timely and utterly absorbing account of a country losing its moral way, and a group of its young citizens who never did” (Evan Ratliff, author of The Mastermind).

What does it take to be one of the world's best high-altitude mountain climbers? A lot of fundraising; traveling in some of the world's most dangerous countries; enduring cold bivouacs, searing lungs, and a cloudy mind when you can least afford one. It means learning the hard lessons the mountains teach. Steve House built his reputation on ascents throughout the Alps, Canada, Alaska, the Karakoram and the Himalaya that have expanded possibilities of style, speed, and difficulty. In 2005 Steve and alpinist Vince Anderson pioneered a direct new route on the Rupal Face of 26,600-foot Nanga Parbat, which had never before been climbed in alpine style. It was the third ascent of the face and the achievement earned Steveand Vince the first Piolet d"or (Golden Ice Axe) awarded to North Americans. Steve is an accomplished and spellbinding storyteller in the tradition of Maurice Herzog and Lionel Terray. Beyond the Mountain is a gripping read destined to be a mountain classic. And it

The author tells about his and his family's experiences as Japanese American internees at the Heart Mountain Relocation Center in Wyoming from 1942 to the end of World War II. During that time, he made friends with a magpie whom he named Maggie.

Beyond the Betrayal is a lyrically written memoir by Yoshito Kuromiya (1923–2018), a Nisei member of the Fair Play Committee (FPC), which was organized at the Heart Mountain concentration camp. The first book-length account by a Nisei World War II draft resister, this work presents an insider’s perspective on the FPC and the infamous trial condemning its members' efforts. It offers not only a beautifully written account of an important moment in US history but also a rare acknowledgment of dissension within the resistance movement, both between the young men who went to prison and their older leaders and also among the young men themselves. Kuromiya’s narrative is enriched by contributions from Frank Chin, Eric L. Muller, and Lawson Fusao Inada. Of the 300 Japanese Americans who resisted the military draft on the grounds that the US government had deprived them of their fundamental rights as US citizens, Kuromiya alone has produced an autobiographical volume that explores the short- and long-term causes and consequences of this fateful wartime decision. In his exquisitely written and powerfully documented testament he speaks truth to power, making evident why he is eminently qualified to convey the plight of the Nisei draft resisters. He perceptively reframes the wartime and postwar experiences of the larger Japanese American community, commonly said to have suffered in the spirit of shikata ga nai—enduring that which cannot be changed—and emerged with dignity. Beyond the Betrayal makes abundantly clear that the unjustly imprisoned Nisei could and did exercise their patriotism even when they refused to serve in the military in the name of civil liberties and social justice. Kuromiya’s account, initially privately circulated only to family and friends, is an invaluable and insightful addition to the Nikkei historical record.

This is the first major collection to remap the American West though the intersectional lens of gender and sexuality, especially in relation to race and Indigeneity. Organized through several interrelated key concepts, The Routledge Companion to Gender and the American West addresses gender and sexuality from and across diverse and divergent methodologies. Comprising 34 chapters by a team of international contributors, the Companion is divided into four parts: Genealogies Bodies Movements Lands The volume features leading and newer scholars whose essays connect interdisciplinary fields including Indigenous Studies, Latinx and Asian American Studies, Western American Studies, and Queer, Feminist, and Gender Studies. Through innovative methodologies and reclaimed archives of knowledge, contributors model fresh frameworks for thinking about relations of power and place, gender and genre, settler colonization and decolonial resistance. Even as they reckon with the ongoing gendered and racialized violence at the core of the American West, contributors forge new lexicons for imagining alternative Western futures. This pathbreaking collection will be invaluable to scholars and students studying the origins, myths, histories, and legacies of the American West. This is a foundational collection that will become invaluable to scholars and students across a range of disciplines including Gender and Sexuality Studies, Literary Studies, Indigenous Studies, and Latinx Studies.

Innovative, unified by the vision of the editors, and unabashedly provocative, Poets of the New Century presents a comprehensive selection of the best and most exciting poetry being written today; it is an invaluable resource for anyone interested in the current and future trends of American verse. Book jacket.

The tension between social reform photography and photojournalism is examined through this study of the life and work of German ?gr?ansel Mieth (1909-1998), who made an unlikely journey from migrant farm worker to Life photographer. She was the second woman in that role, after Margaret Bourke-White. Unlike her colleagues, Mieth was a working-class reformer with a deep disdain for Life's conservatism and commercialism. In fact, her work often subverted Life's typical representations of women, workers, and minorities. Some of her most compelling photo essays used skillful visual storytelling to offer fresh views on controversial topics: birth control, vivisection, labor unions, and Japanese American internment during the Second World War. Her dual role as reformer and photojournalist made her a desirable commodity at Life in the late 1930s and early 40s, but this role became untenable in Cold War America, when her career was cut short. Today Mieth's life and photographs stand as compelling reminders of the vital yet overlooked role of immigrant women in twentieth-century photojournalism. Women, Workers, and Race in LIFE Magazine draws upon a rich array of primary sources, including Mieth's unpublished memoir, oral histories, and labor archives. The book seeks to unravel and understand the multi-layered, often contested stories of the photographer's life and work. It will be of interest to scholars of photography history, women's studies, visual culture, and media history.