Folding screens, known as byôbu in Japanese, are treasures within any museum's collection and are beloved by the general public. This beautiful publication brings together the very finest screens from the world-renowned collections of the Art Institute of Chicago and the Saint Louis Art Museum. The featured works range from an extraordinary pair of landscapes by Sesson Shukei, a Zen-Buddhist monk-painter of the late 16th century, to daring contemporary works from the late 20th century. The first half of the Edo period (1615-1868) is especially well represented, with a dozen screens from the 17th century by such masters as Kano Koi and Tosa Mitsuoki. The contemporary scene is also well covered, with ten examples from the 20th century--proving the longevity of this art form and its currency among modern-day artists. Enlightening essays by important scholars in the field cover topics like the emergence of screens as an art form and a novel discussion of the relationship of Japanese screens to those made in other countries. Distributed for the Art Institute of Chicago Exhibition Schedule: The Art Institute of Chicago (6/26/09-9/27/09) Saint Louis Art Museum (10/18/09-1/3/10)

"Folding screens, known as byōbu in Japanese, are treasures within any museum's collection and are beloved by the general public. This beautiful publication brings together the very finest screens from the world-renowned collections of the Art Institute of Chicago and the Saint Louis Art Museum. The featured works range from an extraordinary pair of landscapes by Sesson Shūkei, a Zen-Buddhist monk-painter of the late sixteenth century, to daring works from the late twentieth century. The first half of the Edo period is especially well represented, with a dozen screens from the seventeenth century by Kaihō Yūshō and Tosa Mitsuoki, among other masters. Beyond Golden Clouds also discusses the contemporary scene, with ten examples from the twentieth century proving the longevity of this art form and its currency among modern-day artists. Enlightening essays by important scholars in the field cover topics including the emergence of screens as an art form and a novel discussion of the relationship of Japanese screens to those made in other countries." --

**SELECTED AS A BEST ART BOOK OF THE YEAR BY THE SUNDAY TIMES** 'Stonard traverses the sweep of human history, moving between cultures and hemispheres ... His book consists of myriad flashes of brilliance and inventiveness' LITERARY REVIEW 'A worthy and richly illustrated successor to Ernst Gombrich's fabled The Story of Art' SUNDAY TIMES 'This bountifully illustrated book is a history of connections ... Lucid and thoughtful' COUNTRY LIFE _____________________________________ A fully illustrated, panoramic world history of art from ancient civilisation to the present day, exploring the remarkable endurance of humankind's creative impulse. Fifty thousand years ago on an island in Indonesia, an early human used red ochre pigment to capture the likeness of a pig on a limestone cave wall. Around the same time in Europe, another human retrieved a lump of charcoal from a fire and sketched four galloping horses. It was like a light turning on in the human mind. Our instinct to produce images in response to nature allowed the earliest Homo sapiens to understand the world around them, and to thrive. Now, art historian John-Paul Stonard has travelled across continents to take us on a panoramic journey through the history of art – from ancient Anatolian standing stones to a Qing Dynasty ink handscroll, from a drawing by a Kiowa artist on America's Great Plains to a post-independence Congolese painting and on to Rachel Whiteread's House. Brilliantly illustrated throughout, with a mixture of black and white and full colour images, Stonard's Creation is an ambitious, thrilling and landmark work that leads us from Benin to Belgium, China to Constantinople, Mexico to Mesopotamia. Journeying from pre-history to the present day, it explores the remarkable endurance of humankind's creative impulse, and asks how – and why – we create.

Features examples from all styles of Japanese screen painting, ranging from monochrome ink paintings to richly coloured scenes with gold backgrounds

The incredible story behind the writing and publication of Victor Villaseñor’s national bestseller Rain of Gold. It captures the difficult and courageous path the author followed to ensure that his family’s saga would be published as the authentic, true account it is. The real power of this book lies in the sacred relationship that Villaseñor has with his father, mother, and ancestors. In other words, Beyond Rain of Gold encompasses the magical messages that Villaseñor’s indigenous ancestors told him are universal themes common to native peoples everywhere on this planet . . . and at one time we were all indigenous. This is an exciting, raw, and honest work, with events occurring that transcend the boundaries of what we normally call reality. And like Carlos Castaneda’s Don Juan trilogy, Beyond Rain of Gold explores altered states of consciousness, revealing the wisdom and magic inherent in everyday existence. This is a book that will make you see the world in an entirely different way, and which will stimulate your mind and emotions to create a New Earth way of thinking and being!

From the earliest days of human history, gold has stirred powerful passions in all who have beheld it. This book takes readers on a tour of gold in art, from the second century to the present day.