Freighted with meaning, “el barrio” is both place and metaphor for Latino populations in the United States. Though it has symbolized both marginalization and robust and empowered communities, the construct of el barrio has often reproduced static understandings of Latino life; they fail to account for recent demographic shifts in urban centers such as New York, Chicago, Miami, and Los Angeles, and in areas outside of these historic communities. Beyond El Barrio features new scholarship that critically interrogates how Latinos are portrayed in media, public policy and popular culture, as well as the material conditions in which different Latina/o groups build meaningful communities both within and across national affiliations. Drawing from history, media studies, cultural studies, and anthropology, the contributors illustrate how despite the hypervisibility of Latinos and Latin American immigrants in recent political debates and popular culture, the daily lives of America’s new “majority minority” remain largely invisible and mischaracterized. Taken together, these essays provide analyses that not only defy stubborn stereotypes, but also present novel narratives of Latina/o communities that do not fit within recognizable categories. In this way, this book helps us to move “beyond el barrio”: beyond stereotype and stigmatizing tropes, as well as nostalgic and uncritical portraits of complex and heterogeneous range of Latina/o lives.

A young boy explores his vibrant Latino neighborhood, with its vegetable gardens instead of lawns, Nativity parades, quinceaera parties, and tejana and salsa music.

This book is published by Floricanto Press. www.FloricantoPress.com www.LatinoBooks.Net #LatinoBooks In this collection of short stories, Irma Olmedo immerses her readers in the world of her childhood growing up in New York's El Barrio during the 1950s. Tinged with nostalgia for her years surrounded by family, celebratory meals, and togetherness while facing economic challenges as other working-class Puerto Rican families in la gran urbe, Olmedo's stories reclaim the humanity of displaced Puerto Rican families in New York through dialogues that are succinct yet truly human, exploding with a candidly felt, nurturing cariño. While the focus rests on her extended family, the stories reveal a larger social and historical moment in New York. Themes such as the mistranslations of migration through consumerism, the power of music and memory, the social alliances between Puerto Ricans and Italians, the limited access to resources, gender and sexual identities, and the diverse generational perspectives of identity and culture across time, all come together in these beautiful narratives of culture, family and communities. Olmedo's unique talent in assuming the voices of her family members throughout these stories, including her own as an adult, is evident throughout the collection. Bravo to a new voice that humanizes Puerto Ricans in the diaspora at a time when the State brutally dismisses our lives as unworthy of recognition. -Frances R. Aparicio, Professor Emerita, Northwestern University Barrio tales is a warm-hearted collection of short stories on memory, love, and loss told with compassion, humor and wit. Moving from Puerto Rico to barrios across the US, each story is a gem that captures the sights, sounds, smells, spirit, and emotions of a community on the move from the island to the diaspora. Irma María Olmedo has a keen ear for dialogue and is an original and inventive storyteller. Anyone interested in the immigrant experience will love these stories.-Dr. Lourdes Torres, Editor, Latino Studies, Vincent de Paul Professor, Department of Latin American and LatinoStudies, DePaul University Irma Maria Olmedo was born in Puerto Rico, and moved to New York City at the age of eight with her family. She remained in the Lower East Side of New York City, where she pursued a Bachelor's and Master's Degrees at the City University of New York. After marrying, she moved to Wisconsin, Chicago and Ohio, received a master's in Latin American Studies from the University of Wisconsin-Madison, a Certificate of Advanced Studies in Curriculum from the University of Chicago, and a Ph.D. in Education from Kent State University in Ohio. She taught in various colleges and universities, most recently at the University of Illinois-Chicago, from which she retired.

This volume explores the significations and developments of the Salsa consciente movement, a Latino musico-poetic and political discourse that exploded in the 1970s but then dwindled in momentum into the early 1990s. This movement is largely linked to the development of Nuyolatino popular music brought about in part by the mass Latino migration to New York City beginning in the 1950s and the subsequent social movements that were tied to the shifting political landscapes. Defined by its lyrical content alongside specific sonic markers and political and social issues facing U.S. Latinos and Latin Americans, Salsa consciente evokes the overarching cultural-nationalist idea of Latinidad (Latin-ness). Through the analysis of over 120 different Salsa songs from lyrical and musical perspectives that span a period of over sixty years, the author makes the argument that the urban Latino identity expressed in Salsa consciente was constructed largely from diasporic, deterritorialized, and at times imagined cultural memory, and furthermore proposes that the Latino/Latin American identity is in part based on African and Indigenous experience, especially as it relates to Spanish colonialism. A unique study on the intersection of Salsa and Latino and Latin American identity, this volume will be especially interesting to scholars of ethnic studies and musicology alike.

Beginning in the late 1950s political leaders in Venezuela built what they celebrated as Latin America’s most stable democracy. But outside the staid halls of power, in the gritty barrios of a rapidly urbanizing country, another politics was rising—unruly, contentious, and clamoring for inclusion. Based on years of archival and ethnographic research in Venezuela’s largest public housing community, Barrio Rising delivers the first in-depth history of urban popular politics before the Bolivarian Revolution, providing crucial context for understanding the democracy that emerged during the presidency of Hugo Chávez. In the mid-1950s, a military government bent on modernizing Venezuela razed dozens of slums in the heart of the capital Caracas, replacing them with massive buildings to house the city’s working poor. The project remained unfinished when the dictatorship fell on January 23, 1958, and in a matter of days city residents illegally occupied thousands of apartments, squatted on green spaces, and renamed the neighborhood to honor the emerging democracy: the 23 de Enero (January 23). During the next thirty years, through eviction efforts, guerrilla conflict, state violence, internal strife, and official neglect, inhabitants of el veintitrés learned to use their strategic location and symbolic tie to the promise of democracy in order to demand a better life. Granting legitimacy to the state through the vote but protesting its failings with violent street actions when necessary, they laid the foundation for an expansive understanding of democracy—both radical and electoral—whose features still resonate today. Blending rich narrative accounts with incisive analyses of urban space, politics, and everyday life, Barrio Rising offers a sweeping reinterpretation of modern Venezuelan history as seen not by its leaders but by residents of one of the country’s most distinctive popular neighborhoods.

Sofia comes from a family of storytellers. Here are her tales of growing up in the barrio in McAllen, Texas, full of the magic and mystery of family traditions: making Easter cascarones, celebrating el Dia de los Muertos, preparing for quinceañera, rejoicing in the Christmas nacimiento, and curing homesickness by eating the tequila worm. When Sofia is singled out to receive a scholarship to boarding school, she longs to explore life beyond the barrio, even though it means leaving her family to navigate a strange world of rich, privileged kids. It’s a different mundo, but one where Sofia’s traditions take on new meaning and illuminate her path.

"Reconstructs the experience of participatory urban governance in three impoverished communities in Montevideo, Uruguay. Offers an account of various experiences and explains successes and failures in reference to the distinct traditions and resources found in each community"--Provided by publisher.

In the tradition of Laura Esquivel's Like Water For Chocolate, The House of Impossible Loves is a novel set in twentieth-century Spain and France revolving around a family of cursed women.

A candid, savvy, inspiring, and often hilarious memoir by one of America's most fearless political leaders.

In the 1960s and 1970s, America experienced a sports revolution. New professional sports franchises and leagues were established, new stadiums were built, football and basketball grew in popularity, and the proliferation of television enabled people across the country to support their favorite teams and athletes from the comfort of their homes. At the same time, the civil rights and feminist movements were reshaping the nation, broadening the boundaries of social and political participation. The Sports Revolution tells how these forces came together in the Lone Star State. Tracing events from the end of Jim Crow to the 1980s, Frank Guridy chronicles the unlikely alliances that integrated professional and collegiate sports and launched women’s tennis. He explores the new forms of inclusion and exclusion that emerged during the era, including the role the Dallas Cowboys Cheerleaders played in defining womanhood in the age of second-wave feminism. Guridy explains how the sexual revolution, desegregation, and changing demographics played out both on and off the field as he recounts how the Washington Senators became the Texas Rangers and how Mexican American fans and their support for the Spurs fostered a revival of professional basketball in San Antonio. Guridy argues that the catalysts for these changes were undone by the same forces of commercialization that set them in motion and reveals that, for better and for worse, Texas was at the center of America’s expanding political, economic, and emotional investments in sport.