We love to share good news with the world—a great restaurant, a coveted promotion, a new baby—and that makes us evangelists for many things. So why don't we do the same with Jesus? Simply put, talking about Jesus is awkward. Yet when we brave the awkwardness, we see God work. Beau Crosetto helps us move out of our comfort zones and beyond the awkwardness to share the life-transforming power of God with others.

It Doesn’t Have to Be This Weird When it comes to relationships between men and women, we have more questions than answers: How do we keep relationships with the opposite sex healthy—and still hug each other after small group? Is it possible for married men and women to be friends with people of the opposite sex? What does it mean to be a woman if you’re not a wife, or a man if you’re not a husband? Jesus’ pattern for church living was one of family—of brothers and sisters living in intimate, life-giving community with each other. With story, sensitivity, and hope, Beyond Awkward Side Hugs invites us to leave behind eroticized, fear-based patterns and move toward gendered, generous relationships between men and women of character as we love one another as Jesus did. “Beyond Awkward Side Hugs is a deep well of biblical wisdom, and Lea has written with nuance and clarity, humor and grace.” —Jen Pollock Michel, author of Surprised by Paradox and Keeping Place “The church desperately needs a bigger vision for how men and women can flourish together in ministry and friendship, and Bronwyn Lea paints a vivid picture for how we’ll get there.” —Steve Wiens, author of Shining Like the Sun, Beginnings, and Whole

"A humorous guide to dodging the social landmines that plague young adults at every turn: 24/7 social media, new work and living situations, tangled romances, big life decisions, and more"--Provided by publisher.

Examines the ways that embracing socially awkward situations, even when they lead to embarrassment and self-conciousness, also provide the opportunity to test oneself and to recognize how people are connected to each other.

Does your church make you uncomfortable? It’s easy to dream about the “perfect” church—a church that sings just the right songs set to just the right music before the pastor preaches just the right sermon to a room filled with just the right mix of people who happen to agree with you on just about everything. Chances are your church doesn’t quite look like that. But what if instead of searching for a church that makes us comfortable, we learned to love our church, even when it’s challenging? What if some of the discomfort that we often experience is actually good for us? This book is a call to embrace the uncomfortable aspects of Christian community, whether that means believing difficult truths, pursuing difficult holiness, or loving difficult people—all for the sake of the gospel, God’s glory, and our joy.

A church has built an accessibility ramp and perhaps refitted its restrooms to accommodate a wheelchair. Now what? This new resource by a noted author of several books on people with disabilities offers a theological and practical approach for congregations, with clear, targeted strategies for full inclusion of all members, recognizing and using the gifts that each member brings to the congregations life together.

The increased use of digital tools for political activism has triggered heated debates about the effectiveness of digital campaigns for political change and feminist causes. While technology’s immediacy and transnational reach have broadened the potential impact of activism, it has, at the same time, complicated the goals, materiality, and consumption of feminist actions. In Awkward Politics, Carrie Smith-Prei and Maria Stehle suggest that awkwardness offers a means of engaging with twenty-first century feminist activism by accounting for the uncertainty of popfeminist moments and movements, its sometimes illegible meanings, affects, and aesthetics. By investigating transnational media ranging from popfeminist performance art, music, street activism, blogs, and hashtags to literature, film, academic theory, and protests, the authors demonstrate that viewing activist art through the lens of awkwardness can yield a nuanced critique. By developing awkwardness into a theoretical tool for intervention, a key concept of feminist politics, and a moving target, this innovative study dramatically alters the ways in which we approach activism, its forms, movements, and effects. It also suggests a broad range of applicability, from social movements to the academy. Breaking new ground through the intersections of technology, consumerism, and the political in popfeminist work, Awkward Politics highlights the urgency of feminist politics and activism.

Despite the prominence of "awkwardness" as cultural buzzword and descriptor of a sub-genre of contemporary film and television comedy, it has yet to be adequately theorized in academic film and media studies. Documentary’s Awkward Turn contributes a new critical paradigm to the field by presenting an analysis of awkward moments in documentary film and other reality-based media formats. It examines difficult and disrupted encounters between social actors on the screen, between filmmaker and subject, and between film and spectator. These encounters are, of course, often inter-connected. Awkward moments occur when an established mode of representation or reception is unexpectedly challenged, stalled, or altered: when an interviewee suddenly confronts the interviewer, when a subject who had been comfortable on camera begins to feel trapped in the frame, when a film perceived as a documentary turns out to be a parodic mockumentary. This book makes visible the ways in which awkwardness connects and subtends a range of transformative textual strategies, political and ethical problematics, and modalities of spectatorship in documentary film and media from the 1970s to the present.

"This book has everything I like! Hot hero, strong heroine, kidnapping, a second chance, set in Alaska, and enough suspense to keep me turning the pages as fast as I can!" –New York Times bestselling author Susan Stoker. When Darby O'Roarke wakes up in a strange house with a dead man - with no memory of what happened - she knows who she has to call: FBI Supervisory Special Agent Eban Winters...the man she fell for, and who rejected her, last summer. A negotiator isn't supposed to get involved with kidnap victims, and Eban has been trying to avoid the temptation that is Darby O'Roarke ever since they met. One frantic phone call has him racing to Alaska to uncover the truth, but he faces stubborn opposition from the local police, and a growing media frenzy. Getting Darby released from jail and keeping her safe is his first priority. When another woman is brutally slain, evidence emerges that suggests Darby is being framed, and that the culprit is a vicious serial killer who has eluded the FBI for more than a decade...and, now, the killer has Darby in their sights. A Daphne Du Maurier Award For Excellence In Mystery/Romantic Suspense finalist. All the books can be read as standalone titles. Thrilling plots with guaranteed happily ever afters—they do contain strong language. For fans of Laura Griffin, Karen Rose, and Sandra Brown.

Structuring Sense explores the difference between words however defined and structures however constructed. It sets out to demonstrate over three volumes that the explanation of linguistic competence should be shifted from lexical entry to syntactic structure, from memory of words to manipulation of rules. Its reformulation of how grammar and lexicon interact has profound implications for linguistic, philosophical, and psychological theories about human mind and language. Hagit Borer departs from language specific constructional approaches and from lexicalist approaches to argue that universal hierarchical structures determine interpretation, and that language variation emerges from the morphological and phonological properties of inflectional material. Taking Form, the third and final volume of Structuring Sense, applies this radical approach to the construction of complex words. Integrating research in syntax and morphology, the author develops a new model of word formation, arguing that on the one hand the basic building blocks of language are rigid semantic and syntactic functions, while on the other hand they are roots, which in themselves are but packets of phonological information, and are devoid of both meaning and grammatical properties of any kind. Within such a model, syntactic category, syntactic selection and argument structure are all mediated through syntactic structures projected from rigid functions, or alternatively, constructed through general combinatorial principles of syntax, such as Chomsky's Merge. The meaning of 'words', in turn, does not involve the existence of lexemes, but rather the matching of a well-defined and phonologically articulated syntactic domain with conceptual Content, itself outside the domain of language as such. In a departure from most current models of syntax but in line with many philosophical traditions, then, the Exo-Skeletal model partitions 'meaning' into formal functions, on the one hand, and Content, on the other hand. While the former are read off syntactico-semantic structures as is usually assumed, Content is crucially read off syntactico-phonological structures.