Offers a collection of essays by scholars and friends of CS Lewis, giving glimpses into his life.

Please note: This is a companion version & not the original book. Sample Book Insights: #1 Ben-Gurion International Airport is a brash, beautiful, and strikingly confident construction that serves as a testament to Israel’s self-ascribed position as a bastion of social and technological advancement amid a sea of inchoate enemies. #2 I visited the village of Um al-Nasr in northern Gaza, which was flooded when Israel refused to allow the importation of pumps, pipes, and filters to treat the sewage that was leaking into the ground. #3 Globalization is the process by which the world becomes a single space, and it is not just about technological advancement and transnational relations. It is about one’s sense of self in a world that is increasingly being viewed as a single space. #4 The nation is an imagined community, meaning that it is borderless and consists of members who share a common heritage and culture. The state is the bureaucratic mechanism necessary to organize and control a nation within territorial boundaries.

There is a seeming dichotomy in C. S. Lewis's writing. On the one hand we see the writer of argumentative works, and on the other hand we have the imaginative poet. Lewis also found this dichotomy within himself. When he was a rationalist and atheist he found that these two sides of him were pulling in different directions: he believed that his rationalist side could not be reconciled with his imaginative side. Once he became a Christian, he eventually found a means of marrying the two--principally, through story and myth.Within C. S. Lewis studies, there is also a common conception of Lewis as a modern rationalist philosopher, i.e., a rationalist who thinks arguments (and his arguments in particular) are the last answer on the questions he undertakes. Reasoning beyond Reason attempts to take this view to task by placing Lewis back into his pre-modern context and showing that his sources and influences are classical ones. In this process Lewis is viewed through the idea that imagination and reason are connected in an intimate way: they are different expressions of a single divine source of truth, and there is an imagination already present upon which reason works. Lewis's "transpositional" view of imagination implicitly pushes towards a somewhat radical position: the imagination is to be seen as theological in its reliance upon something more than the merely material; it necessarily relies on a transcendent funding for its use and meaning. In other words, the imagination is a well-source for what we might normally label "rational."

Those who know Lewis's work will enjoy Martindale's thorough examination of the powerful images of Heaven and Hell found in Lewis's fiction, and all readers can appreciate Martindale's scholarly yet accessible tone. Read this book, and you will see afresh the wonder of what lies beyond the Shadowlands.

Embroiled in a poisoned fever in Playa del Carmen, Lesley Ann receives a message from a mysterious spirit who leads her to chase answers across Cuba, whilst studying dance and music, living with the locals in far out places, and sampling the life of the people. She's taken back to a distant time in Crete where she travels to the Palace of Knossos to witness the murder of a young girl. Lesley then retraces her attempts to track down all of the information, which is gradually verified piece by piece as the jigsaw of truth is revealed. One woman's journey reveals other amazing paranormal and psychic events which are Beyond Belief.

C. S. Lewis--On the Christ of a Religious Economy I, Creation and Sub-Creation opens with Lewis on creation, the fall into original sin, and the human condition before God and how such an understanding permeated all his work, post-conversion. For Lewis, Christ, the second person of the Trinity, is the agent of creation and its redeemer. This leads into Lewis's representation through sub-creation: explaining salvation history and the purpose of the creation and the creature through story (The Chronicles of Narnia, The Space Trilogy, Screwtape, etc.), but also the question of multiple incarnations, and the encounters he pens between Aslan-Christ and creatures. What does this tell us about the human predicament and our state after the fall? This volume forms the first part of the third book in a series of studies on the theology of C. S. Lewis titled C. S. Lewis: Revelation and the Christ. The books are written for academics and students, but also, crucially, for those people, ordinary Christians, without a theology degree who enjoy and gain sustenance from reading Lewis's work.

Apophatic theology, or negative theology, attempts to describe God, the Divine Good, by negation, to speak only in terms of what may not be said about the perfect goodness that is God. It is a way of coming to an understanding of who God is, which has played a significant role across centuries of Christian tradition but is very often treated with suspicion by those engaging in theological study today. This book seeks to introduce students to this oft-misunderstood form of spirituality. Beginning by placing apophatic spirituality within its biblical roots, the book later considers the key pioneers of apophatic faith and a diverse range of thinkers, including C. S. Lewis and Keats, to inform us in our negative theological journey. A final section explores what difference a negative theological approach might make to our practice and our liturgy.

“Beautifully written, expertly researched and masterfully presented, this tour of how heaven has been understood throughout history is absolutely fascinating.” —James Martin, SJ, author of Jesus: A Pilgrimage A smart and thought-provoking cultural history of heaven. What do we think of when we think about heaven? What might it look like? Who or what might be there? Since humans began to huddle together for protection thousands of years ago, these questions have been part of how civilizations and cultures define heaven, the good place beyond this one. From Christianity to Islam to Hinduism and beyond, from the brush of Michelangelo to the pen of Dante, people across millennia have tried to explain and describe heaven in ways that are distinctive and analogous, unique and universal. In this engrossing cultural history of heaven, Catherine Wolff delves into how people and cultures have defined heaven over the centuries. She describes how different faiths and religions have framed it, how the sense of heaven has evolved, and how nonreligious influences have affected it, from the Enlightenment to the increasingly nonreligious views of heaven today. Wolff looks deep into the accounts of heaven to discover what’s common among them and what makes each conception distinct and memorable. The result is Beyond, an engaging, thoughtful exploration of an idea that is central to our humanity and our desire to define an existence beyond death.

Religion is undergoing a transformation in current Western society. In addition to organized religions, there is a notable movement towards spirituality that is not associated with any institutions but in which experiences and notions of transcendence are still important. Transcendence can be described as God, the absolute, Mystery, the Other, the other as alterity, depending on one’s worldview. In this book, these shifts in the views of transcendence in various areas of culture such as philosophy, theology, art, and politics are explored on the basis of a fourfold heuristic model (proposed by Wessel Stoker). In conversation with this model, various authors, established scholars in their fields, explain the meaning and role, or the critique, of transcendence in the thought of contemporary thinkers, fields of discourse, or cultural domains. Looking Beyond? will stimulate further research on the theme of transcendence in contemporary culture, but can also serve as a textbook for courses in various disciplines, ranging from philosophy to theology, cultural studies, literature, art, and politics.

Beyond Control reveals the Mississippi as a waterway of change, unnaturally confined by ever-larger levees and control structures. During the great flood of 1973, the current scoured a hole beneath the main structure near Baton Rouge and enlarged a pre-existing football-field-size crater. That night the Mississippi River nearly changed its course for a shorter and steeper path to the sea. Such a map-changing reconfiguration of the country’s largest river would bear national significance as well as disastrous consequences for New Orleans and towns like Morgan City, at the mouth of the Atchafalaya River. Since 1973, the US Army Corps of Engineers Control Complex at Old River has kept the Mississippi from jumping out of its historic channel and plunging through the Atchafalaya Basin to the Gulf of Mexico. Beyond Control traces the history of this phenomenon, beginning with a major channel shift around 3,000 years ago. By the time European colonists began to explore the Lower Mississippi Valley, a unique confluence of waterways had formed where the Red River joined the Mississippi, and the Atchafalaya River flowed out into the Atchafalaya Basin. A series of human alterations to this potentially volatile web of rivers, starting with a bend cutoff in 1831 by Captain Henry Miller Shreve, set the forces in motion for the Mississippi’s move into the Atchafalaya Basin. Told against the backdrop of the Lower Mississippi River’s impending diversion, the book’s chapters chronicle historic floods, rising flood crests, a changing strategy for flood protection, and competing interests in the management of the Old River outlet. Beyond Control is both a history and a close look at an inexorable, living process happening now in the twenty-first century.