Winner of the 2021 Alfred Fagon Award It's a play, a performance, a ritual, about human farming, farming humans, soil and the soul, seeds and cells... nursing the nursery, curing creation, remedies and vaccinations against white supremacist racism; birthing revolution, raising redemption, finding yourself in the forest of futurity, the promise of immortality and the matter of Black lives. Henrietta Lacks is one of most remarkable people in medical history. Her cells were taken without her or her family's knowledge or permission. Meet Anarcha, Betsey, Lucy and three NHS nurses in the pandemic, each denied their place in history. Now is the time for their incredible legacy to undergo a transformation. To blossom and grow into something beautiful and new. Mojisola Adebayo's new Alfred Fagon award-winning play Family Tree is a beautifully poetic drama about race, health, the environment, and the incredible legacy of one of the most influential women of modern times. This edition was published to coincide with the Actors Touring Company co-production with the Belgrade Theatre, Coventry and Brixton House, in March 2023.

Beyonce no doubt is a household name in the music industry and in the world as a whole.Though we listen to her music and see her on stage on in her music videos, yet many of us do not know where Beyonce comes from. This book is blend of short biography and genealogy of the life of Beyonce.It is an interesting and educative book as you get to know all the facts about the family tree of this super star artist cum actress, Beyonce. I hope you would enjoy this book.

Making headlines when it was launched in 2015, Omise’eke Tinsley’s undergraduate course “Beyoncé Feminism, Rihanna Womanism” has inspired students from all walks of life. In Beyoncé in Formation, Tinsley now takes her rich observations beyond the classroom, using the blockbuster album and video Lemonade as a soundtrack for vital new-millennium narratives. Woven with candid observations about her life as a feminist scholar of African studies and a cisgender femme married to a trans spouse, Tinsley’s “Femme-onade” mixtape explores myriad facets of black women’s sexuality and gender. Turning to Beyoncé’s “Don’t Hurt Yourself,” Tinsley assesses black feminist critiques of marriage and then considers the models of motherhood offered in “Daddy Lessons,” interspersing these passages with memories from Tinsley’s multiracial family history. Her chapters on nontraditional bonds culminate in a discussion of contemporary LGBT politics through the lens of the internet-breaking video “Formation,” underscoring why Beyoncé’s black femme-inism isn’t only for ciswomen. From pleasure politics and the struggle for black women’s reproductive justice to the subtext of blues and country music traditions, the landscape in this tour is populated by activists and artists (including Loretta Lynn) and infused with vibrant interpretations of Queen Bey’s provocative, peerless imagery and lyrics. In the tradition of Roxanne Gay’s Bad Feminist and Jill Lepore’s best-selling cultural histories, Beyoncé in Formation is the work of a daring intellectual who is poised to spark a new conversation about freedom and identity in America.

From Blues to Beyoncé amplifies Black women's ongoing public assertions of resistance, agency, and hope across different media from the nineteenth century to today. By examining recordings, music videos, autobiographical writings, and speeches, Alexis McGee explores how figures such as Ida B. Wells, Billie Holiday, Ruth Brown, Queen Latifah, Aretha Franklin, Nina Simone, Janelle Monáe, and more mobilize sound to challenge antiBlack discourses and extend social justice pedagogies. Building on contemporary Black feminist interventions in sound studies and sonic rhetorics, From Blues to Beyoncé reveals how Black women's sonic acts transmit meaning and knowledge within, between, and across generations.

Traces the author's three-year investigation into what constitutes family, describing how, after receiving an e-mail from a stranger who claimed to be a distant cousin, he embarked on an effort to build the biggest family tree in history.

Weaving together personal stories, history, and analysis, Same Family, Different Colors explores the myriad ways skin-color politics affect family dynamics in the United States. Colorism and color bias—the preference for or presumed superiority of people based on the color of their skin—is a pervasive and damaging but rarely openly discussed phenomenon. In this unprecedented book, Lori L. Tharps explores the issue in African American, Latino, Asian American, and mixed-race families and communities by weaving together personal stories, history, and analysis. The result is a compelling portrait of the myriad ways skin-color politics affect family dynamics in the United States. Tharps, the mother of three mixed-race children with three distinct skin colors, uses her own family as a starting point to investigate how skin-color difference is dealt with. Her journey takes her across the country and into the lives of dozens of diverse individuals, all of whom have grappled with skin-color politics and speak candidly about experiences that sometimes scarred them. From a Latina woman who was told she couldn’t be in her best friend’s wedding photos because her dark skin would “spoil” the pictures, to a light-skinned African American man who spent his entire childhood “trying to be Black,” Tharps illuminates the complex and multifaceted ways that colorism affects our self-esteem and shapes our lives and relationships. Along with intimate and revealing stories, Tharps adds a historical overview and a contemporary cultural critique to contextualize how various communities and individuals navigate skin-color politics. Groundbreaking and urgent, Same Family, Different Colors is a solution-seeking journey to the heart of identity politics, so that this more subtle “cousin to racism,” in the author’s words, will be exposed and confronted.

The Lemonade Reader is an interdisciplinary collection that explores the nuances of Beyoncé’s 2016 visual album, Lemonade. The essays and editorials present fresh, cutting-edge scholarship fueled by contemporary thoughts on film, material culture, religion, and black feminism. Envisioned as an educational tool to support and guide discussions of the visual album at postgraduate and undergraduate levels, The Lemonade Reader critiques Lemonade’s multiple Afrodiasporic influences, visual aesthetics, narrative arc of grief and healing, and ethnomusicological reach. The essays, written by both scholars and popular bloggers, reflects a broad yet uniquely specific black feminist investigation into constructions of race, gender, spirituality, and southern identity. The Lemonade Reader gathers a newer generation of black feminist scholars to engage in intellectual discourse and confront the emotional labor around the Lemonade phenomena. It is the premiere source for examining Lemonade, a text that will continue to have a lasting impact on black women’s studies and popular culture.

In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.

Unsatisfied with the relentless pace and narrow constraints of social media, two Americans— Winkfield Twyman, Jr. and Jennifer Richmond, a black man and a white woman— rediscovered the art of letter writing and maintained a years-long correspondence about race in the United States. In Letters in Black and White, they share for the first time their exchange in full, charting their journey from wary strangers to trusted confidants. At a time when many Americans are dazed, confused, and angered by the country' s current state of race relations, they offer a model not only for having needed but difficult conversations but also for a better way forward. Marked by well-crafted turns of phrase, sharp wit, and sober reflection, they do not rely on those fashionable words and phrases that have been drained of real meaning or are hopelessly saddled with excessive baggage, such as antiracism, white fragility, and allyship. Rather, on topics ranging from the murder of George Floyd and the launch of the 1619 Project to the debate over reparations and the nature of elite black organizations like Jack and Jill of America, they tell the truth as they see it in their own uncorrupted language, speaking for no one but themselves. Particularly critical of both the ideological battles that fuel media programming and entrench political rivalries and the noble-sounding social and cultural projects that fail time and again to offer any meaningful solutions, they identify productive ways to unify across our differences— ways to find our common humanity and to mend America' s divided soul. Ultimately, they offer an inspirational message of hope and optimism for all— one that does not allow the past to define our present or predetermine our future.

The funny, poignant trilogy following a modern British mother as she shepherds her kids through adolescence into adulthood, in one volume. These three novels chronicle the ups and downs of Lizzie as she navigates motherhood (and stepmotherhood) and her loving, if sometimes dysfunctional, relationships with Cassie, Connor, and Maisy—along with her job at the library, the needs of her ailing mum, and the yearnings of her own heart. Includes: 183 Times a Year Teenage Cassie, Lizzie’s selfie-taking, social media-obsessed daughter, hates everything about her life and wishes her parents had never divorced. But when the discovery of a terrible betrayal and a brutal attack throws the household into disarray, both Cassie and Lizzie must reassess what’s important as they embark upon separate journeys of self-discovery. All the Colours In Between Lizzie is pushing fifty, and her once angst-ridden teenage daughters have flown the nest—Cassie to London and Maisy to Australia—leaving only the less-troublesome Connor to take care of. The hard years, Lizzie believes, are behind her. But then a visit to her daughter in London leaves Lizzie troubled. Add an unexpected visitor, a disturbing phone call, a son acting suspiciously, a run-in with her ex-husband, and a new man, and Lizzie will soon learn life is something that happens while you’re busy making plans. Time Will Tell Lizzie has become a writer, and in her spare time she does all she can to keep her family—still grieving a recent loss—together. But then, the suspicious death of a celebrity brings a shock to everyone. A troubling personal connection to the dead man will lead to fear, mistrust, and a mystery reaching back into the past . . .