A man's own story from the Rhondda.Jeffrey Weeks was born in the Rhondda in 1945, ofmining stock. As he grew-up he increasingly felt anoutsider in the intensely community minded valleys, afeeling intensified as he became aware of his gayness.Escape came through education. He left for London, touniversity, and to realise his sexuality. From the early1970s he was actively involved in the new gay liberationmovement and became its pioneering historian. Thiswas the beginning of a long career as a researcherand writer on sexuality, with widespread national andinternational recognition. He has been described asthe 'most significant British intellectual working onsexuality to emerge from the radical sexual movementsof the 1970s'.His seminal book, Coming Out, a history of LGBTmovements and identities since the 19th century, hasbeen in print for forty years. He was awarded the OBE inthe Queen's Jubilee Honours in 2012 for his contributionto the social sciences.

A man's own story from the Rhondda. Jeffrey Weeks was born in the Rhondda in 1945, of mining stock. As he grew up he increasingly felt an outsider in the intensely community-minded valleys, a feeling intensified as he became aware of his gayness. Escape came through education. He left for London, to university, and to realise his sexuality. From the early 1970s he was actively involved in the new gay liberation movement and became its pioneering historian. This was the beginning of a long career as a researcher and writer on sexuality, with widespread national and international recognition. He has been described as the 'most significant British intellectual working on sexuality to emerge from the radical sexual movements of the 1970s'. His seminal book, Coming Out, a history of LGBT movements and identities since the 19th century, has been in print for forty years. He was awarded the OBE in the Queen's Jubilee Honours in 2012 for his contribution to the social science.

When it comes to queer British history, London has stolen the limelight. But what about the millions of queer lives lived elsewhere? In Queer beyond London, two leading LGBTQ+ historians take you on a journey through four English cites from the sixties to the noughties, exploring the northern post-industrial heartlands and taking in the salty air of the seaside cities of the South. Covering the bohemian, artsy world of Brighton, the semi-hidden queer life of military Plymouth, the lesbian activism of Leeds, and the cutting edge dance and drag scenes of Manchester, they show how local people, places and politics shaped LGBTQ+ life in each city, forging vibrant and distinctive queer cultures of their own. Using pioneering community histories from each place, and including the voices of queer people who have made their lives there, the book tells local stories at the heart of our national history.

Devolved governments have given Wales, Scotland, and Northern Ireland confidence and control over policy areas for over two decades. But their powers came into focus during Brexit and the Covid-19 pandemic, leading to questions about the economy and control of funds across the UK. Now Joe England explores the possible constitutional meltdown of a divided UK and its consequences, reflecting on Wales's position as the poorest nation of all. As a constitutional crisis looms, this book contemplates a reimagined Wales and what that would mean for its people. This is the story of how Wales reached an economic and constitutional crossroads and the choices that must now be made.

'It's a book which takes its time and really delves into the pivotal moments in Charles' connection with Wales... We are offered a glimpse at a man who has, over the decades, forged both a more formal support to Wales and a more personal warmth for it.' – Emma Schofield, Wales Arts Review 'This is a highly readable and lively book, full of anecdote and character... Thomas needs to be praised for producing a well-written and pacy book on a controversial subject which is neither hatchet job nor fawning tribute.' – Myfanwy Alexander, Nation.Cymru Before Charles became King, he was Prince of Wales. It was a role he took more seriously than any predecessor of the modern British monarchy. From the moment he was created Prince of Wales in 1958 until his accession to the throne, Charles's approach to the role was to serve Wales and to promote Welsh life. But what impact has he had on the country, and what impression did the Welsh leave on him? This book examines the relationship that the Prince nurtured with a nation that meant much more to him than an honorary title. Dozens of interviews have helped Huw Thomas to unearth the untold stories of Charles's work in Wales, alongside the key role he has taken in developing industry, culture and conservation. For a man who has spent almost a lifetime waiting to be King, Huw Thomas reveals how Wales prepared Charles for the crown. Despite his initial reluctance to come to Wales as a student, his time spent learning the history and language of the Welsh at Aberystwyth in the 1960s fostered a passionate commitment to the nation. Wales has not always returned the compliment, with popular protests and more subtle snubs to his involvement in Welsh affairs. And yet those who have worked with him, and who call him a friend, cite a remarkable ability to make a difference without making a fuss. As a diplomat he is credited with bringing major employers to south Wales, offering jobs to a workforce that had been decimated by the collapse of the coal industry. As a cultural ambassador he revived royal patronage for the arts in Wales and sponsored the finest performers to emerge from the land of song. And as a champion of the natural environment, he has backed the farmers and conservationists who are nurturing the Welsh countryside, not least by employing traditional crafts to create the first royal home in Wales for 400 years.

"These were events which prefigured and did much to shape the political battles of the last half century, the devolution half century in Wales. They shaped the non-nationalist, but distinctive Welsh social democratic preferences of the last sixty years. For anyone interested in the formative moments of today's Wales, this is both essential and highly entertaining reading." – Mark Drakeford, First Minister of Wales 2018-2024 It was a period of Welsh politics that has become etched in the collective memory. The rise of a Welsh independence movement and the first Plaid Cymru Member of Parliament. The Labour Party searching for a way forward in a political climate that was riven with dissension and eventual rancour. It was a fight for social democracy against the centralised power of the British state. The first battlefield was Carmarthen and the protagonists were Gwynfor Evans, the leader of Plaid Cymru and the young Labour hopeful Gwynoro Jones. Their rivalry lasted throughout the Seventies. They fought three elections and on one occasion the result was decided by just three votes. This book tells the story of a political rivalry which was also very personal. It was a local confrontation that drew on national battlelines. It was about Carmarthen and Wales. Both men had their vision of the Wales they wanted to fight for. These pages unfold the story from Gwynoro Jones' perspective for the first time, in an attempt to redress the imbalance of Gwynfor Evans' story dominating the narrative for so long. Drawing on an extensive archive, collected at the time, Gwynoro shows how the two fought their politics in the newspapers of the day and through speeches on constituency public platforms, where they argue about the Welsh language and devolution, Europe and agriculture. But they only ever actually met once. Gwynoro also reflects on how he views those turbulent years today. Through their wranglings, a picture is also painted of Welsh politics in the decade that led up to the referendum on devolution in 1979, as Plaid and Labour searched for a way forward. And ultimately, a generation later, to the creation of a parliament for Wales.

'A restless shape-shifter from the mysterious Welsh Marches, Heseltine was as elusive in his idiosyncratic writing as in his extraordinary globetrotting life. It is good to have his work briefly pinned down in this groundbreaking collection for closer inspection.' – Professor M.Wynn Thomas Cariad County: a place of anarchy and farce, of the grotesque and the slapstick, of tragedy and violent comedy, where the local hunt is disrupted by a camel-riding hero, where the town hall burns down as the town cheers, a place haunted by grotesque revenants from the First World War. This is the world of Nigel Heseltine's short stories, fantastic fictions which lampoon and lament the slow decline of the once-powerful squires and landowners of mid-Wales, the very Montgomeryshire of which Heseltine (1916-1995) formed a part.

'Leeworthy set out to write a biography which fully reflects the complexity of Thomas' life, especially foregrounding 'the political character of Gwyn's character and creative output' but he does so much more, expanding the reader's knowledge by giving us not just the life but also the times... This punchy portrait of a real Welsh literary heavyweight hits home with the brutal realism of Thomas' jabbing prose and mordant wit.' – Jon Gower, Nation.Cymru 'Fury of Past Time is a model of its kind. An immense amount of research has gone into this biography, which will be the standard work on Gwyn Thomas for many years to come. It deserves to be read by those who already admire the fiction and will be an invaluable introduction for anyone coming to his writing for the first time.' – John Barnie (A review from www.gwales.com, with the permission of the Books Council of Wales) 'Leeworthy knows his subject intimately, sympathises with him entirely, and locates him globally in such a way as to leave the reader with no doubt as to his importance as a writer... Fury of Past Time is destined to be the definitive work on 'the Rhondda Runyon' for many years to come.' – Bethan Jenkins, Wales Arts Review Gwyn Thomas was born, the last of twelve children, into a Rhondda mining family in 1913. After a childhood marked by the strikes of the 1920s, he went off to study Spanish at Oxford University and in Madrid, where he met the poet Federico García Lorca and witnessed the turmoil which would lead to the Spanish Civil War. On his return, amidst the economic mire of the 1930s and his own burgeoning teaching career in Barry in the 1940s, he picked up his pen and began to write. For more than forty years, until his death in 1981, as novelist, screenwriter, master of the short story, and prizewinning playwright, Gwyn Thomas delivered compelling and comedic portraits of his world of South Wales. His creative genius earned enduring fame on both sides of the Atlantic and on both sides of the European Cold War divide. As a provocative and insightful broadcaster, he embraced the possibilities of radio and television, whilst leaving his hosts and guests alike in fits of knowing laughter. This landmark biography, enriched with unrivalled access to private papers and international archives, tells the remarkable story of one of modern Wales's greatest literary voices.

'An ode to grief and sibling love from a great new voice' Kit de Waal, author of My Name Is Leon 'A beautifully layered story... Poignant, astute and hopeful' Sharon Duggal, author of Should We Fall Behind 'Highly compelling... a fascinating exploration of political hope, friendship, difficulty, infatuation, and unrequited desire' Naomi Booth, author of Exit Management 'This captivating novel is a reminder that love, coupled with courage, just might conquer all.' Heidi James, author of The Sound Mirror 'Deeply, profoundly human... leaves the reader heartsore in exactly the right ways' Will Burns, author of The Paper Lantern 'An ambitious state-of-the-nation debut' Helen Cullen, author of The Truth Must Dazzle Gradually 'A beautifully observed portrayal of the spirit of Brighton' Allie Rogers, author of Little Gold 'Unforgettable and stirring... An important debut' Alice Ash, author of Paradise Block 'Really compelling... It's at once psychologically thrilling and fast-paced with a meditative heart' Anna Vaught, author of Saving Lucia 'It will resonate with a large, bruised section of the population still fighting for a better future' Glen James Brown, author of Ironopolis A fiercely hopeful novel about family, sexuality, grief and how we as individuals can rediscover our political agency in the face of continued uncertainty. Brighton, 2016. Laurie wears the scar given to her by a policeman's baton as a mark of pride among her circle of bright young activists. Her conscionable but sensitive brother George should be a part of that circle, until the appearance of enigmatic Spanish migrant Antonio threatens to divert him from his sister's world of marches and moral accountability. As the clouds gather over Brighton and the EU referendum accelerates both Laurie's political zeal and Antonio's ambiguous desires, George is faced with the fact that their city of parties and protests is suddenly a place where the possibility of saving the world – as well as the people around him – is in jeopardy of being lost forever. At once a letter of support to everyone disillusioned by British politics, and a deeply perceptive snapshot of modern relationships, A Bad Decade for Good People is a captivating state-of-the-nation tale that begs the question: when it feels like the world is falling apart, how do you keep those you love from doing the same?

Ranging from the mid-19th century to the present, and from Edinburgh to Plymouth, this powerful collection explores the significance of locality in queer space and experiences in modern British history. The chapters cover a broad range of themes from migration, movement and multiculturalism; the distinctive queer social and political scenes of different cities; and the ways in which places have been reimagined through locally led community history projects. The book challenges traditional LGBTQ histories which have tended to conceive of queer experience in the UK as a comprising a homogeneous, national narrative. Edited by leading historians, the book foregrounds the voices of LGBTQ-identified people by looking at a range of letters, diaries, TV interviews and oral testimonies. It provides a unique and fascinating account of queer experiences in Britain and how they have been shaped through different localities.