Between Urban Topographies and Political Spaces: Threshold Experiences uses the term “threshold” as a means to understand the relationship between Self and Other, as well as relationships between different cultures. The concept of “threshold” defines the relationship between inside and outside not in oppositional terms, but as complementaries. This book discusses the cultural and social “border areas” of modernity, which are to be understood not as “zones” in a territorial sense, but as “spaces in between” in which different languages and cultures operate. The essays in Between Urban Topographies and Political Spaces identify the dimension in urban topographies and political spaces where we are able to locate paradigmatic experiences of thresholds. Because these spaces are characterized by contradictions, conflicts, and aporias, we propose to rethink those hermeneutic categories that imply a sharp opposition between inside and outside. This means that the theoretical definition of threshold put forward in these essays—whether applied to history, philosophy, law, art, or cultural studies—embodies new juridical and political stances.

Based on ethnographic explorations in cities across the globe, Topographies of Faith offers a unique and compelling analysis of contemporary religious dynamics in metropolitan centers. While most scholarship on religion still sidelines questions of spatiality and scale, this book creatively draws on perspectives from urban studies to study the spatiality of religion in modern cities. It shows how globalization, transnational migration and urban expansion in big cities engender new religious forms and practices and their spatial underpinnings. Space affects urban religious diversity, religious innovations, decline or vitality. But it also shapes the relationships between religion and social equalities. Spanning distances between New York, Delhi and Johannesburg, the book also engages with issues of secularity and religious vitality in genuinely new ways. Contributors include: Irene Becci, Synnøve Bendixsen, Marian Burchardt, José Casanova, Murat Es, Ajay Gandhi, Weishang Huang, Godwin Onuoha, Samadia Sadouni, Peter van der Veer, and Leilah Vevaina.

'Another Country' expands the possibilities of queer studies beyond the city limits, investigating the lives of rural queers across the United States, from faeries in the Midwest to lesbian separatist communes on the coast of Northern California.

Lippit offers the first book-length study in English of Japanese modernist fiction from the 1920s to the 1930s. Through close readings of four leading figures of this movement--Akutagawa, Yokomitsu, Kawabata, and Hayashi--Lippit aims to establish a theoretical and historical framework for the analysis of Japanese modernism.

Cities, Texts and Social Networks examines the experiences of urban life from late antiquity through the close of the fifteenth century, in regions ranging from late Imperial Rome to Muslim Syria, Iraq and al-Andalus, England, the territories of medieval Francia, Flanders, the Low Countries, Italy and Germany. Together, the volume's contributors move beyond attempts to define 'the city' in purely legal, economic or religious terms. Instead, they focus on modes of organisation, representation and identity formation that shaped the ways urban spaces were called into being, used and perceived. Their interdisciplinary analyses place narrative and archival sources in communication with topography, the built environment and evidence of sensory stimuli in order to capture sights, sounds, physical proximities and power structures. Paying close attention to the delineation of public and private spaces, and secular and sacred precincts, each chapter explores the workings of power and urban discourse and their effects on the making of meaning. The volume as a whole engages theoretical discussions of urban space - its production, consumption, memory and meaning - which too frequently misrepresent the evidence of the Middle Ages. It argues that the construction and use of medieval urban spaces could foster the emergence of medieval 'public spheres' that were fundamental components and by-products of pre-modern urban life. The resulting collection contributes to longstanding debates among historians while tackling fundamental questions regarding medieval society and the ways it is understood today. Many of these questions will resonate with scholars of postcolonial or 'non-Western' cultures whose sources and cities have been similarly marginalized in discussions of urban space and experience. And because these essays reflect a considerable geographical, temporal and methodological scope, they model approaches to the study of urban history that will interest a wide range of readers.

This book explores the growing spatial inequality in contemporary cities, and the opportunity of reframing the role of public open space as a tool of inclusion in a context of an increasing economic gap between the urban poor and rich. The first part outlines the geographical and theoretical frames of reference, which are then tested in the analysis of a case study: Cape Town. This city in South Africa was selected since its spatial aspects of separation are particularly evident due to the legacy of both apartheid and modernism. The examination of the policies of the City of Cape Town confirms the rising attention to public space since the 1990s. This slow progress of desegregation is tested through a critical study of one of the most disadvantaged areas of the city, Khayelitsha. The book explores the relevance and impact of an urban-design project, and reframes the role of public open space not only as a tool for restructuring the apartheid city, but also for reinterpreting other fragmented contemporary cities.

Die Beiträge der gleichnamigen Tagung an der University of the South in Tennessee, USA, untersuchen die Beziehung zwischen der Auswirkung des Berliner Stadtraums auf künstlerische Darstellungen. In einem ersten Teil werden die Wilhelminischen Stadtsymbole und die einsetzende moderne Stadtplanung in Beziehung zu Berliner Flaneuren wie Georg Hermann und Robert Walser gebracht. Der Schwerpunkt des Bandes liegt im zweiten Teil, wo die Auswirkungen der Stadtplanung auf Kunst und Literatur im Berlin der Weimarzeit im Mittelpunkt stehen. In diesem Teil zeigen eine Reihe von Einzeldarstellungen Aspekte der Wechselwirkung von Raum und Kunstprodukt u. a. bei Otto Dix, Walter Ruttmann, Hans Fallada und Alfred Döblin. Den Abschluss bilden Beiträge über das Fortwirken von Weimars Moderne in der heutigen Zeit.

What soldiers do on the battlefield or boxers do in the ring would be treated as criminal acts if carried out in an everyday setting. Perpetrators of violence in the classical world knew this and chose their venues and targets with care: killing Julius Caesar at a meeting of the Senate was deliberate. That location asserted Senatorial superiority over a perceived tyrant, and so proclaimed the pure republican principles of the assassins. The contributors to The Topography of Violence in the Greco-Roman World take on a task not yet addressed in classical scholarship: they examine how topography shaped the perception and interpretation of violence in Greek and Roman antiquity. After an introduction explaining the “spatial turn” in the theoretical study of violence, “paired” chapters review political assassination, the battlefield, violence against women and slaves, and violence at Greek and Roman dinner parties. No other book either adopts the spatial theoretical framework or pairs the examination of different classes of violence in classical antiquity in this way. Both undergraduate and graduate students of classics, history, and political science will benefit from the collection, as will specialists in those disciplines. The papers are original and stimulating, and they are accessible to the educated general reader with some grounding in classical history.

Dialectics of Space and Place across Virtual and Corporeal Topographies explores the inter- and multi-disciplinary subjects of space and place in two parts. Part 1 Virtual topographies of Space and Place is concerned with themes related to immaterial places, and Part II Corporeal Topographies of Space and Place explores narratives of real and imagined experiences of places. This volume, underpinned by an array of philosophical positions provides a foundation for new and critical dialogues on space and place.