The victory of Justinian, achieved after a lacerating war, put an end to the ambitious project conceived and implemented by Theoderic after his arrival in Italy: that of a new society in which peoples divided by centuries-old cultural barriers would live together in peace and justice, without renouncing their own traditions but respecting shared principles inspired by the values of civilitas. What did this great experiment leave to Europe and Italy in the centuries to come? What were the survivals and the ruptures, what were the revivals of that world in early medieval society? How did that past continue to be recounted and how did it interact with the present, especially in the decisive moment of the Frankish conquest of Italy? This book aims to confront these questions, and it does so by exploring different themes, concerning politics and ideology, culture and literary tradition, law, epigraphy and archaeology.

This volume is the first one in a collection connected to the PRIN project on Ruling in hard times. Patterns of Power and practices of government in the making of Carolingian Italy. Its focus lays on bishops and their networks of relationships in late-8th and 9th-century Italy. The episcopal contribution to the inclusion of the Lombard kingdom in the Carolingian social and political landscape is especially analyzed from the perspective of the cultural exchanges (of ideas, texts, and manuscripts) that bishops created or used to carry out their public and pastoral duties. Each paper focuses on a specific episcopal figure or area, reconstructing the scope and extent of the relationships of which they were the pivot. The aim is to provide as comprehensive a picture as possible of the cultural networks that crossed Carolingian Italy and the ways in which bishops shaped and made use of them.

The Roman army represented an important social and organizational reference model for the Romano-Barbarian societies, which progressively replaced the Western Empire in the transition from Late Antiquity to Early Middle Ages. The great flexibility of the decision-making and organizational solutions used by the Roman army allowed the ‘new lords’ to readapt them and thus maintain power in early medieval Europe for a long time. From a perspective ranging from political, social and economic history to law, anthropology, and linguistic, this book demonstrates how interesting and fruitful the investigation of this specific cultural imprint can be in order to gain a better understanding of the origins of the civilization that arouse after the fall of the Roman world. Contributors are Francesco Borri, Fabio Botta, Francesco Castagnino, Stefan Esders, Carla Falluomin, Stefano Gasparri, Wolfgang Haubrichs, Soazick Kerneis, Luca Loschiavo, Valerio Marotta, Esperanza Osaba, Walter Pohl, Jean-Pierre Poly, Pierfrancesco Porena, Iolanda Ruggiero, Andrea Trisciuoglio, Andrea A. Verardi, and Ian Wood.

This book is a major reassessment of the archaeological and documentary evidence for the economic history of eighth-century Europe and the Mediterranean.

Discusses the social and economic development of Italy

The textual heritage of Medieval Latin is one of the greatest reservoirs of human culture. Repertories list more than 16,000 authors from about 20 modern countries. Until now, there has been no introduction to this world in its full geographical extension. Forty contributors fill this gap by adopting a new perspective, making available to specialists (but also to the interested public) new materials and insights. The project presents an overview of Medieval (and post-medieval) Latin Literatures as a global phenomenon including both Europe and extra-European regions. It serves as an introduction to medieval Latin's complex and multi-layered culture, whose attraction has been underestimated until now. Traditional overviews mostly flatten specificities, yet in many countries medieval Latin literature is still studied with reference to the local history. Thus the first section presents 20 regional surveys, including chapters on authors and works of Latin Literature in Eastern, Central and Northern Europe, Africa, the Middle East, Asia, and the Americas. Subsequent chapters highlight shared patterns of circulation, adaptation, and exchange, and underline the appeal of medieval intermediality, as evidenced in manuscripts, maps, scientific treatises and iconotexts, and its performativity in narrations, theatre, sermons and music. The last section deals with literary “interfaces,” that is motifs or characters that exemplify the double-sided or the long-term transformations of medieval Latin mythologemes in vernacular culture, both early modern and modern, such as the legends about King Arthur, Faust, and Hamlet.

This Encyclopedia gathers together the most recent scholarship on Medieval Italy, while offering a sweeping view of all aspects of life in Italy during the Middle Ages. This two volume, illustrated, A-Z reference is a cross-disciplinary resource for information on literature, history, the arts, science, philosophy, and religion in Italy between A.D. 450 and 1375. For more information including the introduction, a full list of entries and contributors, a generous selection of sample pages, and more, visit the Medieval Italy: An Encyclopedia website.

The volume gathers together seventeen articles dedicated to the monetary history of medieval Italy, most of them newly translated into English. The articles in the first section of the volume trace the development of monetisation in Italy from the Lombard period until the rise of the communes, taking Rome, Lazio, Tuscany, and several cities and regions in north-central Italy as case studies. The articles in the second section analyse different aspects of monetary production and circulation in Byzantine Italy, while the third gathers together studies on various aspects of Carolingian coinage: the transition from the Lombard system and the problem of furnishing an adequate supply of silver; mints and royal administration; and the activity and inactivity of mints operating at the edges of the Regnum Italiae. All of the articles share the author’s characteristic concern with setting the evidence from written sources against the wealth of new data emerging from recent archaeological research.

Mark Blackburn was one of the leading scholars of the numismatics and monetary history of the British Isles and Scandinavia during the early medieval period. He published more than 200 books and articles on the subject, and was instrumental in building bridges between numismatics and associated disciplines, in fostering international communication and cooperation, and in establishing initiatives to record new coin finds. This memorial volume of essays commemorates Mark Blackburn’s considerable achievement and impact on the field, builds on his research and evaluates a vibrant period in the study of early medieval monetary history. Containing a broad range of high-quality research from both established figures and younger scholars, the essays in this volume maintain a tight focus on Europe in the early Middle Ages (6th-12th centuries), reflecting Mark’s primary research interests. In geographical terms the scope of the volume stretches from Spain to the Baltic, with a concentration of papers on the British Isles. As well as a fitting tribute to remarkable scholar, the essays in this collection constitute a major body of research which will be of long-term value to anyone with an interest in the history of early medieval Europe.

Explore the rich history and influence of Christian art from Antiquity to the present day. Michelle Brown traces the rich history of Christian art, crossing boundaries to explore how art has reflected and stimulated a response to the teachings of Christ, and to Christian thought and experience across the ages. Embracing much of the history of art in the West and parts of the Middle East, Africa, Asia, the Americas and Australasia, Michelle considers art of the earliest Christians to the modern day. Featuring articles by invited contributors on subjects including Icons; Renaissance Florence; Rubens and the Counter-Reformation; Religious Folk Art; Jewish Artists; Christian Themes; Making the St John’s Bible, and Christianity and Contemporary Art in North America, Christian Art is an ideal survey of the subject for all those interested in the world’s artistic heritage. •⊂ Comprehensive and authoritative text from the Early Christian period to the modern day •⊂ Wide international coverage •⊂ Feature articles on special subjects by a team of experts from around the world