Middle Easterners today struggle to find solutions to crises of economic stagnation, political gridlock, and cultural identity. In recent decades Islam has become central to this struggle, and almost every issue involves fierce, sometimes violent debates over the role of religion in public life. In this post-9/11 updated edition R. Stephen Humphreys presents a thoughtful analysis of Islam's place in today's Middle East and integrates the medieval and modern history of the region to show how the sacred and secular are tightly interwoven in its political and intellectual life.

hese eleven compelling stories reveal the interplay and varying hues of two basic elements of human experience -- memory and desire, Gladys Swan's characters are frequently forced to shed their illusions as they struggle to shape their lives. The title story, like many of the others in the collection, has as its backdrop the beautiful but sometimes harsh landscape of the American Southwest. There a reclusive farmer known as Goat Man takes in a young Mexican boy as his companion. When the greed of a tax collector and the complicity of a community destroy Goat Man, the boy vanishes into the night but returns in the form of a legend, a reminder to the residents of the valley of their changing, crueler world. In another story a traveling carnival breaks down when a sandstorm does final damage to the dreams of the company, and a tired, almost defeated woman attempts to regroup and continue what has been so hopefully called "Carnival for the Gods." An older couple, carrying their Jewish past to a "Land of Promise." Discovers instead an alien territory and must struggle from day to day, one leaning to the past, the other inclining toward an unattainable vision of the future. In "The Ink Feather" a small, lonely girl, witness to endless quarrels between her mother and her much older brother, draws comfort from the world of her dolls and the prospect of adventure outside the mist-covered windows of her house. In "Getting an Education" a diffident young woman, "trying to be a student and to discover what she ought to be learning," finds insight in the details of the lives around her, especially the secretive, eccentric existence of one of her professors. A widowed grandmother, in "Black Hole," is impregnated during a chance encounter with a nameless stranger and shocks her family when she determines to give birth to and raise her child. Like that grandmother, all of the characters in these fictions -- whether from the comfortable middle class or the fringes of society -- are at odds with themselves and their world. It is Gladys Swan's special gift that she can so seamlessly depict the particular terrors and wonders of their lives. This is a mesmerizing collection.

T. S. Eliot and Virginia Woolf were almost exact contemporaries, readers and critics of each others' work, and friends for over twenty years. Their writings, though, are rarely paired. Modernism, Memory, and Desire proposes that some striking correspondences exist in Eliot and Woolf's poetic, fictional, critical, and autobiographical texts, particularly in their recurring turn to the language of desire, sensuality, and the body to render memory's processes. The book includes extensive archival research on some mostly unknown bawdy poetry by T. S. Eliot while offering readings of major work by both writers, including The Waste Land, 'The Love Song of J. Alfred Prufrock', Orlando and To the Lighthouse. McIntire juxtaposes Eliot and Woolf with several major modernist thinkers of memory, including Sigmund Freud, Friedrich Nietzsche, Henri Bergson and Walter Benjamin, to offer compelling reconsiderations of the relation between textuality, remembrance and the body in modernist literature.

Desire and Distance constitutes an important new departure in contemporary phenomenological thought, a rethinking and critique of basic philosophical positions concerning the concept of perception presented by Husserl and Merleau-Ponty, though it departs in significant and original ways from their work. Barbaras's overall goal is to develop a philosophy of what "life" is—one that would do justice to the question of embodiment and its role in perception and the formation of the human subject. Barbaras posits that desire and distance inform the concept of "life." Levinas identified a similar structure in Descartes's notion of the infinite. For Barbaras, desire and distance are anchored not in meaning, but in a rethinking of the philosophy of biology and, in consequence, cosmology. Barbaras elaborates and extends the formal structure of desire and distance by drawing on motifs as yet unexplored in the French phenomenological tradition, especially the notions of "life" and the "life-world," which are prominent in the later Husserl but also appear in non-phenomenological thinkers such as Bergson. Barbaras then filters these notions (especially "life") through Merleau-Ponty.

"Insouciant" and "irreverent" are the sort of words that come up in reviews of Dinty W. Moore's books--and, invariably, "hilarious." Between Panic and Desire, named after two towns in Pennsylvania, finds Moore at the top of his astutely funny form. A book that could be named after one of its chapters, "A Post-Nixon, Post-panic, Post-modern, Post-mortem," this collection is an unconventional memoir of one man and his culture, which also happens to be our own. Blending narrative and quizzes, memory and numerology, and imagined interviews and conversations with dead presidents on TV, the book dizzily documents the disorienting experience of growing up in a postmodern world. Here we see how the major events in the author's early life--the Kennedy assassination, Nixon's resignation, watching Father Knows Best, and dropping acid atop the World Trade Center, to name a few--shaped the way he sees events both global and personal today. More to the point, we see how these events shaped, and possibly even distorted, today's world for all of us who spent our formative years in the '50s, '60s, and '70s. A curious meditation on family and bereavement, longing and fear, self-loathing and desire, Between Panic and Desire unfolds in kaleidoscopic forms--a coroner's report, a TV movie script, a Zen koan--aptly reflecting the emergence of a fractured virtual America. Dinty W. Moore is a professor of English at Ohio University and the author of several books, including Dear Mister Essay Writer Guy: Advice and Confessions on Writing, Love, and Cannibals, The Truth of the Matter: Art and Craft in Creative Nonfiction, and The Accidental Buddhist: Mindfulness, Enlightenment, and Sitting Still.

This volume joins the pragmatic philosophy of Deleuze to current affairs. The twelve new essays in this volume use a contemporary context to think through and with Deleuze. Engaging the here and now, the contributors use the Deleuzian theoretical apparatus to think about issues such as military activity in the Middle East, refugees, terrorism, information and communication, and the State. The book is aimed both at specialists of Deleuze and those who are unfamiliar with his work but who are interested in current affairs. Incorporating political theory and philosophy, culture studies, sociology, international studies, and Middle Eastern studies, the book is designed to appeal to a wide audience.

'Memory and Utopia' looks at the connection between memory and forgetfulness in Europe during the twentieth century. Drawing on oral history and feminist theory and practice, the book highlights how women struggled to be recognized as full subjects. The themes of utopia and desire in the 1968 movements of students, women and workers are explored. 'Memory and Utopia' examines the sense of belonging to Europe that has emerged in the last twenty years. The book analyses European identity as expressed through identities based on gender, age and culture to explore an inclusive and non-hierarchical subjectivity.

This is more than a literary critique — it is a work of perception, of analysis that reveals a portrait of Kundera the novelist as one of the greatest demystifiers of our time. This significant work deals with all of Milan Kundera’s novels up to his most recent work, Slowness, which marks the beginning of a new phase of his writing. It is the first work that studies Kundera as a novelist, rather than a philosopher or intellectual guide, and the only one that diverges from the beaten path in examining and in reflecting on the composition and style of these novels, to discern the underlying humanity and originality of the work as a whole and to finally establish the connections and correlation within and between the novels — connections that conventional criticism can never reveal.

Hunger of Memory is the story of Mexican-American Richard Rodriguez, who begins his schooling in Sacramento, California, knowing just 50 words of English, and concludes his university studies in the stately quiet of the reading room of the British Museum. Here is the poignant journey of a “minority student” who pays the cost of his social assimilation and academic success with a painful alienation — from his past, his parents, his culture — and so describes the high price of “making it” in middle-class America. Provocative in its positions on affirmative action and bilingual education, Hunger of Memory is a powerful political statement, a profound study of the importance of language ... and the moving, intimate portrait of a boy struggling to become a man.

Most of the narratives packaged for New Orleans's many tourists cultivate a desire for black culture—jazz, cuisine, dance—while simultaneously targeting black people and their communities as sources and sites of political, social, and natural disaster. In this timely book, the Americanist and New Orleans native Lynnell L. Thomas delves into the relationship between tourism, cultural production, and racial politics. She carefully interprets the racial narratives embedded in tourism websites, travel guides, business periodicals, and newspapers; the thoughts of tour guides and owners; and the stories told on bus and walking tours as they were conducted both before and after Katrina. She describes how, with varying degrees of success, African American tour guides, tour owners, and tourism industry officials have used their own black heritage tours and tourism-focused businesses to challenge exclusionary tourist representations. Taking readers from the Lower Ninth Ward to the White House, Thomas highlights the ways that popular culture and public policy converge to create a mythology of racial harmony that masks a long history of racial inequality and structural inequity.