Between Harmony and Discrimination explores the varying expressions of religious practices and the intertwined, shifting interreligious relationships of the peoples of Bali and Lombok. As religion has become a progressively more important identity marker in the 21st century, the shared histories and practices of peoples of both similar and differing faiths are renegotiated, reconfirmed or reconfigured. This renegotiation, inspired by Hindu or Islamic reform movements that encourage greater global identifications, has created situations that are perceived locally to oscillate between harmony and discrimination depending on the relationships and the contexts in which they are acting. Religious belonging is increasingly important among the Hindus and Muslims of Bali and Lombok; minorities (Christians, Chinese) on both islands have also sought global partners. Contributors include Brigitta Hauser-Schäublin, David D. Harnish,I Wayan Ardika, Ni Luh Sitjiati Beratha, Erni Budiwanti, I Nyoman Darma Putra, I Nyoman Dhana, Leo Howe, Mary Ida Bagus, Lene Pedersen, Martin Slama, Meike Rieger, Sophie Strauss, Kari Telle and Dustin Wiebe.

This publication brings together current scholarship that focuses on the significance of performing arts heritage of royal courts in Southeast Asia. The contributors consist of both established and early-career researchers working on traditional performing arts in the region and abroad. The first volume, Pusaka as Documented Heritage, consists of historical case studies, contexts and developments of royal court traditions, particularly in the nineteenth and twentieth centuries. The second volume, Pusaka as Performed Heritage, comprises chapters that problematise royal court traditions in the present century with case studies that examine the viability, adaptability and contemporary contexts for coexisting administrative structures.

This is a longitudinal study of music that weaves the complex stories of many disparate musics into a coherent account of quests for identities that illuminates Lombok’s history, its complex religious and ethnic composition, and its current political circumstances.

Using the potential of place as an approach and of places as ethnographic contexts, the authors in this volume investigate the multiple entanglements of ‘religion’ and ‘modernity’ in contemporary settings. The guiding questions of such an approach are: How are modernity and religion spatially articulated in and through places? How do these articulations help us to understand the ways in which religion becomes socially and culturally significant in modern contexts? And how do they reveal the ways in which modernity unfolds within religion? Thus, places are not only understood as neutral locations or extensions, but as spatial modes to mediate properties, contents and processes of religion and modernity. Based on ethnographic and historical research in Southeast and East Asia and featuring reflections on the concepts of religion and modernity respectively, the authors offer a deeper understanding of the articulation of a religious modernity in these regions and beyond. Contributors are: Nikolas BROY ̧ CHAN Yuk Wah, Michael DICKHARDT, Volker GOTTOWIK, Patrice LADWIG, Andrea LAUSER, Jovan MAUD, YEOH Seng-Guan, Clemens SIX, Paul SORRENTINO, Alexander SOUCY, Sing SUWANNAKIJ.

This book is a multidisciplinary study of the Indian Ocean region, bringing together perspectives from the disciplines of history, defense and strategic studies, cultural and religious studies, and environmental studies. From the earliest exchanges through Sumerian and Harappan trade, to emerging geopolitical alliances in the twenty-first century, this volume demonstrates both the continuity and change of the region as well as its unity and diversity. The expanse of this ocean and its littoral rim is connected through the social imaginary, which enables these processes. It is with the stories of the peoples inhabiting this rim that this book is concerned—told both through micro studies of the everyday lives of the region’s people and through macro studies centered around civilizations, empires, nation-states, and climate change.

Imagined Racial Laboratories reveals the watermarks of science in the dynamics of racialisation in Southeast Asia, during and after the colonial period. Bringing together a set of critical histories of race sciences, it illuminates the racialised dimensions of colony and nation in the region. It demonstrates that racialisation took — and continues to take — mutable and multiple forms that often connect, perhaps more than differentiate, colonial and national periods across a variety of Southeast Asian settings. Thus, imagined races have contributed as much to the invention of modern Southeast Asia as have other fabled imagined communities.

What does it mean for music to be considered local in contemporary Christian communities, and who shapes this meaning? Through what musical processes have religious beliefs and practices once ‘foreign’ become ‘indigenous’? How does using indigenous musical practices aid in the growth of local Christian religious practices and beliefs? How are musical constructions of the local intertwined with regional, national or transnational religious influences and cosmopolitanisms? Making Congregational Music Local in Christian Communities Worldwide explores the ways that congregational music-making is integral to how communities around the world understand what it means to be ‘local’ and ‘Christian’. Showing how locality is produced, negotiated, and performed through music-making, this book draws on case studies from every continent that integrate insights from anthropology, ethnomusicology, cultural geography, mission studies, and practical theology. Four sections explore a central aspect of the production of locality through congregational music-making, addressing the role of historical trends, cultural and political power, diverging values, and translocal influences in defining what it means to be ‘local’ and ‘Christian’. This book contends that examining musical processes of localization can lead scholars to new understandings of the meaning and power of Christian belief and practice.

Marriage is central to Indonesia’s social fabric and critical in defining socially legitimate relationships. This book offers a rich anthropological account of Muslim Indonesian women’s experiences of courtship, love, marital discord and separation, polygamy, divorce and remarriage. By applying a new approach to theorising marital experiences as playing out across a dynamic marital continuum, it expands static and dichotomous understandings of marriage and divorce. It offers new insights on how local modalities of Islam shape gender relations and are actively negotiated by women in pursing their marital desires. The book draws upon ethnographic case studies from the eastern Indonesian island of Lombok where early marriage, divorce and remarriage, are common place for Muslim women. In this context up to 70 per cent of marriages are legitimated through Islamic ceremonies and remain unregistered with the state. While these unregistered marriages are legally valid within the communities in which they occur, such unions exclude women from accessing the marital rights theoretically enshrined in Indonesian marriage law. A key contribution of this book lies in its exploration of legal plurality in relation to Indonesian marriage, which involves investigating the salience of Islamic law, local customary law and state law, for women’s varied marital trajectories.

Minority Stages: Sino-Indonesian Performance and Public Display offers intriguing new perspectives on historical and contemporary Sino-Indonesian performance. For the first time in a major study, this community’s diverse performance practices are brought together as a family of genres. Combining fieldwork with evidence from Indonesian, Chinese, and Dutch primary and secondary sources, Josh Stenberg takes a close look at Chinese Indonesian self-representation, covering genres from the Dutch colonial period to the present day. From glove puppets of Chinese origin in East Java and Hakka religious processions in West Kalimantan, to wartime political theatre on Sumatra and contemporary Sino-Sundanese choirs and dance groups in Bandung, this book takes readers on a tour of hybrid and diverse expressions of identity, tracing the stories and strategies of minority self-representation over time. Each performance form is placed in its social and historical context, highlighting how Sino-Indonesian groups and individuals have represented themselves locally and nationally to the archipelago’s majority population as well as to Indonesian state power. In the last twenty years, the long political suppression of manifestations of Chinese culture in Indonesia has lifted, and a wealth of evidence now coming to light shows how Sino-Indonesians have long been an integral part of Indonesian culture, including the performing arts. Valorizing that contribution challenges essentialist readings of ethnicity or minority, complicates the profile of a group that is often considered solely in socioeconomic terms, and enriches the understanding of Indonesian culture, Southeast Asian Chinese identities, and transnational cultural exchanges. Minority Stages helps counter the dangerous either/or thinking that is a mainstay of ethnic essentialism in general and of Chinese and Indonesian nationalisms in particular, by showing the fluidity and adaptability of Sino-Indonesian identity as expressed in performance and public display.