This book is the outcome of the 3rd International W'urzburg colloquium on India studies titled "changing roles and perceptions of Women performers in Indian culture" held at the University of W'urzburg, Germany, in 2005.

A "stunning" (Hanif Abdurraqib), "unputdownable" (Mary Karr) meditation on queerness, family, and desire. How do you know if you are transgender? How do you know if what you want and feel is real? How do you know whether to believe yourself? Cyrus Dunham’s life always felt like a series of imitations—lovable little girl, daughter, sister, young gay woman. But in a culture of relentless self-branding, and in a family subject to the intrusions and objectifications that attend fame, dissociation can come to feel normal. A Lambda Literary Award finalist, Dunham’s fearless, searching debut brings us inside the chrysalis of a transition inflected as much by whiteness and proximity to wealth as by gender, asking us to bear witness to an uncertain and exhilarating process that troubles our most basic assumptions about identity. Written with disarming emotional intensity in a voice uniquely his, A Year Without a Name is a potent, thrillingly unresolved meditation on queerness, family, and selfhood. Named a Most Anticipated Book of the season by: Time NYLON Vogue ELLE Buzzfeed Bustle O Magazine Harper's Bazaar

"Eva's always dreamed of performing, but the spotlight isn't what she expected. When Swan, Starlotte City's favorite magician, takes offense with well-meaning animals, she and the crowd begin tossing animals out of Starlotte City and into the Raft of Shame. Join Eva as she explores how to deal with offense, and then experience the lesson with your own family through the activities included in the BRAVE Challenge at the end of the book."--Cover.

This fascinating book covers every era of baseball, position by position, and answers the question: Which players really belong in the Hall of Fame? Using eight simple criteria to determine the level of dominance each player exhibited during his career, baseball superexpert Robert Cohen defines the qualities a true Hall of Fame player should possess. Cohen solves or fuels the debate on who belongs in the Hall of Fame, and who doesn't. He also discusses the careers of the best players not elected to the Hall of Fame and the circumstances surrounding the greatest injustices in the selection process very great player is examined, not only in relation to the era in which he played, but against all the Hall-worthy stars who ever manned the position

In Shame, Fame, and the Technological Mentality, Dustin Peone interrogates the modern human condition. Peone argues that shame and fear are constitutive of social order, but that these affects have been undermined by contemporary ideology. This subversion has created a novel breed of shameless and fearless human beings, with myriad social consequences. Peone next demonstrates an associated change in the role of fame in society: where once the desire for fame was tied to immortality through civic virtue, this connection has eroded, and fame is no longer connected to excellence. Finally, Peone analyzes the hegemonic role of technological thinking and its responsibility in accelerating these processes, cautioning against the deification of technology. In response to the technological mentality for navigating the modern world, Peone argues instead for an ethics of prudence and a doctrine of humor.

Focuses on the lives of presidents as parents, husbands, pet-owners, and neighbors while also including humorous anecdotes about hairstyles, attitudes, diets, fears, and sleep patterns.

The story of legendary record producer Rick Hall and his life, from growing up in extreme poverty to building one of the country's most famous recording studios, Fame Studios in Muscle Shoals, Alabama.

Focusing on the vexed friendship between Hart Crane and Allen Tate, this book examines twentieth-century American poetry's progress toward institutional sanction and professional organization, a process in which sexual identities, poetic traditions, and literary occupations were in question and at stake. Langdon Hammer combines biography and formalist analysis to argue that American modernism was a Janus-faced phenomenon, at once emancipatory and elitist, which simultaneously attacked traditional cultural authority and reconstructed it in new forms. Hammer shows how Crane and Tate, working in relation to each other and to T. S. Eliot, created for themselves the competing roles of "genius" and "poet-critic." Crane embraced the self-authorizing powers of the individual talent at the cost of standing outside the emerging consensus of high modernist literary culture, an aesthetic isolation which converged with his social isolation as a gay man. Tate, turning against Crane, linked the modernist defense of tradition to an embattled heterosexual masculinity, while he adapted Eliot's stance to a career sustained by criticism and teaching. Ending his book with a discussion of Robert Lowell's career, Hammer maintains that Lowell's "confessional" poetry recapitulates the conflict enacted by Crane and Tate. Originally published in 1993. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

View our feature on Lisa Daily's Fifteen Minutes of Shame. What happens when America’s favorite dating expert finds out on national television that her husband is cheating on her? Darby Vaughn’s fifteen minutes of fame quickly becomes fifteen minutes of shame when the story of her divorce is splashed across supermarket tabloids. If Darby takes her philandering husband back, her career will be over. If she doesn’t, she’ll lose the only man she’s ever loved. As she rebuilds her life with help from her girlfriends, Darby has to make some tough choices, but she stays true to her heart every step of the way.

A scathing, take-no-prisoners look at contemporary American shamelessness, from Jerry Springer to Joey Buttafuoco. Twitchell traces the disappearance of shame in family values, politics, education, the entertainment industry, and religion, arguing that this has had disastrous results for our society.