The earliest of these stories, The Flame, was first published in 1926, having been written a year earlier, when I was twenty; the latest appeared in 1961. The intervening thirty-five years, together with the thirty-five stories I have chosen from that period, therefore give this collection its title, Seven by Five. My aim has been to make the book as widely representative of my work as a short story writer as possible, but I have nevertheless refrained from including any of the war-time stories I wrote under the pseudonym of 'Flying Officer X', any of the stories of Uncle Silas and any novellas, since these all belong, in my view, to quite separate categories. *The title of the British edition.

Fair Stood the Wind for France, first published in 1944, is author H. E. Bates' fictional account of a downed English bomber-pilot and his crew over occupied France during World War II. The men are taken in by a French family who hide them in their home. However, the pilot, injured during the plane's landing, must remain in France to heal, while his crew begin their journey back to friendly territory. The pilot falls in love with the home-owner's daughter, their relationship grows and eventually they travel together across France, seeking a way back to England. Fair Stood the Wind for France rises above the average romance, however. Set against the horrors of war, it takes on a life-affirming force, enhanced by the simple, yet elegant prose of the author. Bates also excels at evoking a sense of place; much of the story occurs over the course of a hot summer in rural France, and there are many beautiful descriptions of the French countryside as it bakes in the summer heat. In 1980, the book was the subject of a 4-part television mini-series by the BBC.

"If we set H. E. Bates's best tales against the best of Chekhov's," Graham Greene declared, "I do not believe it would be possible, with any conviction, to argue that the Russian was the finer artist." The sampler of H. E. Bates stories presented here shows the merit of that praise and displays the range and aspects of Bates's work from his first published story, "The Flame," to one of his very last, "The Song of the Wren." In his long and prolific literary career, Bates (1905-1974) produced twenty-five novels, a three-volume autobiography, nine books of essays, several plays and children's books, as well as his important and perhaps most enduring achievement, twenty-three collections of short stories. A Month by the Lake & Other Stories displays Bates's extraordinary talent for concisely getting at the heart of the matter. Whether he is dealing with romance in middle age (the title story), or the almost painful clarity of a child's world ("The Cowslip Field"), or encapsulating the disintegration and tragedy of a man and a house and the era and class they represent ("The Flag")-Bates's compassion for humanity remains constant. As Anthony Burgess remarks in his introduction, Bates "achieved such sovereignty of what literary land he inherited that he deserves the homage of our uncomplicated enjoyment... Bates's affection for ordinary people is one of his shining virtues. But he himself, as I knew, and as this compilation should make clear, was, is, far from ordinary." Book jacket.

Published in 1972, The Song of the Wren contains some light entertainments in the style of the Uncle Silas tales, alongside some more serious stories concerning thwarted love, love triangles, and, in two of the cases, the violence that comes out of psyches twisted by love. 'The Song of the Wren' features the intriguing Miss Shuttleworth as she spars with a young sociologist conducting a survey on various issues, leaving him dumfounded by her apparently mad behaviour and no more appreciative of nature than when he started. She appears again in 'Oh! Sweeter Than the Berry' where she proves herself more than a match for a visiting minister. Convincing him to try one homemade potion after another, she engages the tipsy Reverend in a theological debate until, stunned, he wobbles away and falls to his knees to pray for her. Taking a darker, more abstract turn 'The Man Who Loved Squirrels' is a tale of a woodsman who works alone and lives with his mother, finding company only in the forest's squirrels. A chance meeting with a traveling London woman disrupts his life and ends in tragedy. 'The Tiger Moth' depicts an affair between an airman and a schoolteacher, whose husband is missing in action. The tale hearkens back to Bates's war-time Flying Officer X stories in style, flight accounts, and pilot jargon. The bonus story 'Music for Christmas', first published in 1951, is a comic portrayal of provincial rivalries, involving a musical snob with London tastes, a north Midlands woman favouring local talent, and, relaying gossip and innuendo between the two, a grocery deliveryman.

Readers who have discovered the delights of the British master storyteller H.E. Bates will welcome this third collection. Gathered here are twenty stories written between 1938 and 1964 which are gems of human observation.

"Daniel Randolph Deal is a Southern aristocrat, having the required bloodline, but little of the nobility. A man resistant to the folly of ethics, he prefers a selective, self-indulgent morality. He is a confessed hedonist, albeit responsibly so."--Back cover

The Wedding Party, first published in 1965 (Michael Joseph), is a collection of short stories evoking both the dark and light, and the comedy and tragedy in human nature. Bates employs a deceptive delicateness of touch in his descriptions and character sketches, here mastering the true essentials of the art of the short story; he says much by saying little, what is left out more poignant than the words on the page. With a host of larger than life characters, we meet the scheming and eccentric Aunt Leonora, who fibs her way through the comic tale 'The Picnic'. The collection also unites two loveable rogues Captain Poopdeck and Uncle Silas, and brings us the farcical tale 'Early One Morning' which provide a sharp contrast with the sombre and haunting tones of pieces like 'The Primrose Place' and 'The Winter Sound', and the lyrical but bitter episode of 'The Wedding Party' itself.

A prominent judge is dead, a sixteen-year-old girl is accused, and her distraught mother turns to her old college roommate, Josie Bates, for help. Brilliant but flawed, Josie left the legal fast track behind after her talent in a courtroom brought a tragic result. But when Hannah is charged as an adult, Josie cannot turn her back. The deeper she digs, the more Josie realizes that politics, the law and family relationships create a combustible and dangerous situation. When the horrible truth is uncovered it can save Hannah Sheraton or destroy them both.

The former Guardian royal correspondent “wisely explores a host of issues surrounding the royals, from the monarchy’s role to the legacy of Diana” (Get Surrey). It was an amazing feat in the twenty-frst century that Queen Elizabeth II, a small woman in her late-eighties, was one of the most recognisable people on the planet. The world had utterly, irreversibly, and radically evolved since she ascended the throne in 1952 and yet, in an era of instant celebrity, she remained, more popular than ever: a bastion of certainty and comfort to the British and many other people during uncertain times. But with her death on September 8, 2022, questions remain: How secure is the British Royal Family? How much depended on the person of the Queen herself, and how much on the institution? To answer these questions, Royalty Inc. combines a history of the British Crown’s evolution through the modern age with a journalistic peek behind the curtain at the machinery that sustains the Windsors today. Written by the Guardian’s former Royal correspondent, its line is neither royalist nor republican. Instead it takes a clear-eyed look at a host of issues, including the future of the Commonwealth, the Monarchy’s role in the British constitution and class system, King Charles’ notorious “black spider memos,” the true scale of the Royal finances, the legacy of Diana, and the problems and pressures faced by any heir to the throne in the future. “Fearless and perceptive . . . Stephen Bates tells it like it is, covering every aspect with rare humour and intelligence. I couldn’t recommend it more highly.” —Literary Review