This anthology collects some of the best original short fiction published in Apex Magazine in its first six years. The stories include our numerous award-nominated works, our readers' Story of the Year selections, and personal favorites chosen by Apex Magazine editor-in-chief Jason Sizemore and managing editor Lesley Conner. TABLE OF CONTENTS Jackalope Wives by Ursula Vernon Going Endo by Rich Larson Candy Girl by Chikodili Emelumadu If You Were a Dinosaur, My Love by Rachel Swirsky Advertising at the End of the World Keffy R.M. Kehrli The Performance Artist by Lettie Prell A Matter of Shapespace by Brian Trent Falling Leaves by Liz Argall Blood from Stone by Alethea Kontis Sexagesimal by Katharine E.K. Duckett Keep Talking by Marie Vibbert Remembery Day by Sarah Pinsker Blood on Beacon Hill by Russell Nichols The Green Book by Amal El-Mohtar L’esprit de L’escalier by Peter M. Ball Still Life (A Sexagesimal Fairy Tale) by Ian Tregillis Build a Dolly by Ken Liu Multo by Samuel Marzioli Armless Maidens of the American West by Genevieve Valentine Pocosin by Ursula Vernon She Gave Her Heart, He Took Her Marrow by Sam Fleming Also includes a foreword by Jason Sizemore and afterword by Lesley Conner.

"26 new short stories representing the state of the art in international science fiction, selected by Lavie Tidhar. The Best of World SF draws together stories from across the spectrum of science fiction - expect robots, spaceships and time travel, as well as some really weird stuff - representing twenty-one countries and five continents."--Provided by publisher

Alien and Philosophy: I Infest, Therefore I Am presents a philosophical exploration of the world of Alien, the simultaneously horrifying and thought-provoking sci-fi horror masterpiece, and the film franchise it spawned. The first book dedicated to exploring the philosophy raised by one of the most successful and influential sci-fi franchises of modern times Features contributions from an acclaimed team of scholars of philosophy and pop culture, led by highly experienced volume editors Explores a huge range of topics that include the philosophy of fear, Just Wars, bio-weaponry, feminism and matriarchs, perfect killers, contagion, violation, employee rights and Artificial Intelligence Includes coverage of H.R. Giger’s aesthetics, the literary influences of H.P. Lovecraft, sci-fi and the legacy of Vietnam, and much more!

Warning: Don’t Believe the Hype! All the poet called Sleepy wants to do is spit his verses, smoke chiba, and stay off the COP’s radar—all of which becomes impossible once he encounters a professional protestor known as (120 Degrees of) Knowledge Allah. They soon find themselves on the wrong side of local authorities and have to elude the powers that be. When young heiress Sophine Jefferson’s father is murdered, the careful life she’d been constructing for herself tumbles around her. She’s quickly drawn into a web of intrigue, politics and airships, joining with Sleepy and Knowledge Allah in a fight for their freedom. Chased from one end of a retro-fitted Indianapolis to the other, they encounter outlaws, the occasional circus, possibly a medium, and more outlaws. They find themselves in a battle much larger than they imagined: a battle for control of the country and the soul of their people. The revolution will not be televised!

White brings with it dreams of respect, of wealth, of simply being treated as a human being. It's the one thing Walter will never be. But what if he could play white, the way so many others seem to do? Would it bring him privilege or simply deny the pain? The title story in this collection asks those questions, and then moves on to challenge notions of race, privilege, personal choice, and even life and death with equal vigor. From the spectrum spanning despair and hope in "What She Saw When They Flew Away" to the stark weave of personal struggles in "Chocolate Park," Let's Play White speaks with the voices of the overlooked and unheard. "I Make People Do Bad Things" shines a metaphysical light on Harlem's most notorious historical madame, and then, with a deft twist into melancholic humor, "Cue: Change" brings a zombie-esque apocalypse, possibly for the betterment of all mankind. Gritty and sublime, the stories of Let's Play White feature real people facing the worlds they're given, bringing out the best and the worst of what it means to be human. If you're ready to slip into someone else's skin for a while, then it's time to come play white. Reviews: "The label of "dark fantasy and horror" fits this collection both ironically and genuinely. Haunted by history and past wrongs, Burke's characters are never alone, never safe, never comfortable. She weaves African and African-American historical legend and standard horror themes into stories that range from gritty subway gore fests to a sympathetic take on zombies. The magnificent closing novella, "The Teachings and Redemption of Ms. Fannie Lou Mason," follows a "hoodoo woman" as she nurtures and protects twin girls with similar powers and shows them what they are meant to do. If the urban realism doesn't always seem quite realistic, the depth of Burke's characters, the weight of their decisions, and their choices make this the very opposite of escapist fantasy. (July 2011)" Publishers Weekly "Let's Play White is a brutally honest book and the fact that the unthinkable happens, like a talking rat, a few zombies or communication with the dead, the underlying truthfulness is so powerful that it supersedes any implausible element. Although race is an essential backdrop to the stories, this is not a book about white racism against blacks. Instead, Burke touches on a variety of prejudices to let the reader know that color is not the only way in which we discriminate. Although some might cringe at the idea of reading a book about unfairness, racism and the dark tendencies of human nature, Burke's impeachable openness and undeniable writing skills make "Let's Play White" a very enjoyable read that fans of all literature should enjoy." Austin Post, Gabino Iglesias "Human is many different things all at once. "Let's Play White" is a collection of short stories from Chesya Burke as she discusses issues of race and the problems we face regardless of it, and what links us all together in our plight of life. Thoughtful and thought provoking, "Let's Play White" is a fine choice that is a worthy addition to any literary short fiction collection, highly recommended." Midwest Book Review " Chesya Burke’s writing style is just mesmerizing – there is an undeniable lyricism there but also a tangible darkness and pain. Readers who enjoy their fantasy decidedly dark and deep should check out this profoundly moving collection asap." Paul Goat Allen, B&N Books Club Blurbs: "These raw, brutal stories, often with intriguingly open endings, display an odd and unsettling relationships to the poetry of violence. These dark tales announce the arrival of a formidable new master of the macabre." —Samuel R. Delany, author of Dhalgren and Through the Valley of the Nest of Spiders "What a stunning collection. Let’s Play White… and so on time. [Chesya Burke has] touched something special in [her] stories. I’m a big Octavia Butler fan and I see a peek of that as well as some latter-day Toni Morrison [within these pages]. I see the light and warmth [Chesya is] offering. There definitely is magic in that. The short story, next to poetry, is the most difficult writing form. [Chesya has] tamed it and made it yield to [her] touch." --Nikki Giovanni, Grammy-nominated spoken word artist and poet

Glowing red lines split their faces. Shock-red hair and clothes warn people to flee their approach. They are plague birds, the powerful merging of humans and artificial intelligences who serve as judges and executioners after the collapse of civilization. And the plague birds’ judgment is swift and deadly, as Crista discovered as a child when she watched one kill her mother. In a world of gene-modded humans constantly watched over by benevolent AIs, everyone hates and fears the plague birds. But to save her father and home village, Crista becomes the very creature she fears the most. And her first task as a plague bird is hunting down an ancient group of murderers wielding magic-like powers. As Crista and her AI symbiote travel farther from home than she ever imagined, they are plunged into a strange world where she judges wrongdoers, befriends other outcasts, and uncovers an extremely personal conspiracy that threatens the lives of millions. Plague Birds is a genre-bending mix of science fiction and dark fantasy and the epic story of a young woman who becomes one of the future’s most hated creatures, with a killer AI bonded to her very blood.

The multiple Locus Award-winning annual collection of the year's best science fiction stories. In the new millennium, what secrets lay beyond the far reaches of the universe? What mysteries belie the truths we once held to be self-evident? The world of science fiction has long been a porthole into the realities of tomorrow, blurring the line between life and art. Now, in The Year’s Best Science Fiction: Thirty-Fifth Annual Collection, the very best SF authors explore ideas of a new world. This venerable collection brings together award-winning authors and masters of the field. Featuring short stories from acclaimed authors such as Indrapramit Das, Nancy Kress, Alastair Reynolds, Eleanor Arnason, James S.A. Corey & Lavie Tidhar, an extensive recommended reading guide and a summation of the year in science fiction, this annual compilation has become the definitive must-read anthology for all science fiction fans and readers interested in breaking into the genre.

The Best of Uncanny features some of the uncanniest stories and poetry in Science Fiction/Fantasy today, by its current leading voices. Immerse yourself in 44 original science fiction and fantasy stories and poems from the first 22 issues of Uncanny Magazine.

Anthologies of previously published science fiction, fantasy, and horror stories from authors outside the United States and United Kingdom.

Ki is a petty thief. Her best friend wills her his solo-flyer-call it a space motorcycle: temperamental, fast as hell, and expensive to maintain. Any reasonable person would sell it to get off the street, but Ki isn't reasonable.Margot is a military vet at loose ends. She blows her entire back pay on a solo-flyer, adecision she instantly regrets but can't bring herself to undo. Margot meets Ki and thinks she's the sympathetic friend she needs when she feels most alone. Ki thinks Margot is an easy markfor food money. They're both right, but lunch leads to a joy ride to planet Ratana, whereMargot is arrested by border control.Ki enlists Ratanese local Zuleikah, a bored rich girl who can think of no stupider, and therefore better, way to spend her time than busting someone out of jail. Together they rescue Margot, but find themselves trapped on a hostile planet on the cusp of civil war.When Zuleikah convinces them that their best bet for escape is to kidnap-er, rescue-Prince Thane from his dreary role in the crumbling monarchy, it results in a chase across the desert and into the farthest reaches of the universe. If they can learn to trust each other, and if the repo men, cops, and three different galactic governments don't catch them, the Galactic Hellcats might just use their solo-fliers to carve a place for themselves among the stars.