From 2015 to 2023 we have been able to issue out, yearly, an anthology of Africa poets, through 9 years of publishing this beautiful anthology of the best contemporary African poets and in the process we have published and archived over 1000 African poets. And this year without fail we offer you Best New African Poets 2023 Anthology which comprises several dozens of African poets from the Portuguese, English and French speaking African countries. We expect the anthology to continue into another decade but also to seed into other forms of poetic expressions starting from next year. We intend to work on Best New African Poets International Festival of the Arts, an event that will bring together all these poets we have been able to publish the last 9 years to showcase their talent in a week of festivities in Harare, Zimbabwe. This year's anthology has poems that cover the usual gamut of issues: love, unrequited feelings, relationships, death, poetry making, politics, and we were excited to see Mashigo tackling the ongoing Israel/Hamas war, and the ill-treatment of the Palestinian people for generations under the Israeli government; culture, religion, spirituality, identity, belonging, memory, individuality and all sorts of other existential dilemmas that the young African poets deal with day to day.

Best New African Poets 2016 Anthology has 251 pieces from 131 poets and artists in 7 languages (English, Portuguese, French, Afrikaans, Shona, Yoruba and Kiswahili) from 24 African countries and Diasporas, with South African and Angolan poets dominating the list. We also have a healthy number of poets from Uganda, Zimbabwe, Kenya, Moçambique, Ghana, and Nigeria. The nationalist sense is the one that most predominates with its pink, blue and gray tints that are expressed in parallel with existentialist perspectives that in turn go hand in hand with love, desire, hankering, joy, sensuality that transports us to epic, lyrical, utopian contexts without being lost in fantasy, they are artistic lines sometimes with traditional and sometimes more innovative touches. However, in contrast and to a lesser extent, almost as if there were resistant and with restraint we also find desolation, pain, negation that can be so sweet or so bitter that it allows the imagination to stop in a lament or end in resignation.

Writing Woman Anthology: Poetry and Visual Art, Volume 3 is the most representative of the three books in this anthology as it has a balance of Asian and African writers and artists. Each poet and artist tackled what it means to be a woman in Africa and Asia. The anthology has 20 Chinese poets writing in Chinese language and accompanying translations into English, 1 poet from Inner Mongolia, 2 from Turkey, 4 from India and the diasporas, and 23 African artists and poets from Zimbabwe, South Africa, Botswana, Kenya, Uganda, Nigeria, and Ghana, all dissecting woman’s agency, existence and identity in the religious and cultural limitations of the 21st century Africa and Asia.

Despite the current economic and political situation in our country, poets, writers, artists, and other creatives have defied the odds and continued to churn their works and submit to produce this marvelous anthology. This eighth installment continues the tradition of giving new writers the platform to shine and to the seasoned writers, a shebeen to meet again and prolong the tradition. We hope you continue to read and follon the Zimbolicious anthology series.

Poems in Revolution Recollected and New Struggle Poems deal with, among other issues, the North African uprisings in Tunisia, Egypt, Libya, and intersects into the Middle East conflicts in Syria, Bahrain, Saudi Arabia, Yemen, and the never ending conflict between Israel and Palestine. These poems previously came out under Revolution: Struggle Poems, published in 2015, and the rest of the poems are from my latest poetry collection I am currently working on entitled Disobedience Poems. Tendai Rinos Mwanaka is a Zimbabwean publisher, editor, mentor, thinker, literary artist, visual artist and musical artist with over 40 books published. He writes in English and Shona.

In ‘The Curse’ we see the existential dilemmas that the characters have to deal with in their day to day life on hard planet earth. These recurring dilemmas become the leitmotiv of the whole collection. The poet uses literary figures and philosophical terms that connect with past literature like Sisyphus, Nirvana, quixotic, The Pied Piper, Spartans, Jim Crow etc. in his poems to show us the situations his characters are going through, likening them to these past literary figures and their stories. In ‘Coming of Age’, the poem that informs this collection and titular to the collection, he talks of the ghetto being, his journey as he tried to break the cycle of poverty and vault himself out of the ghetto and the political situation that weighs heavily on this being. How this being comes of age in the scourge of this time. This is an important and well assembled beautiful collection of poetry of the Zimbabwean struggle.

This project comes from our need to harness voices in Africa and Latin America, giving these voices an opportunity to converse, argue, synthesize, agree, and share ideas on the craft of writing, on life, on being, on thinking, so that we will all benefit. Sixty-two writers and poets are included, of which 19 were purely fiction writers, six were mixed genres writers, one a non-fiction writer, one a playwright, and 35 are poets. Altogether there are 92 pieces in two languages: English and Spanish.

In Best New African Poets 2021 Anthology there are 18 French speaking African poets from DRC, Congo Brazzaville, Cameroun, Ivory Coast, Benin, Togo, Chad, Senegal, Comoros and more... 14 Portuguese speaking poets from Angola, Sao Tome and Principe, Mozambique and 63 English speaking African poets from among other countries, South Africa, Nigeria, Zimbabwe, Kenya, Uganda, Malawi, Swaziland, Lesotho, Zambia, Tanzania, Ghana, Gambia, Sierra Leone. A full gamut of issues is dissected, from love, marriage, relationships, spirituality, politics, culture, tradition, environmentalism, and the interstellar etc. Included are two collaborations: the first deals with marriage, juxtaposing Monogamy vs Polygamy with the 21th century lived experience; the second imagines humanity living as intergalactic beings. The poets were asked to be imaginative (to be fictional poets), to try to create and imagine human agency in this interstellar civilization approaching. There is also featured 5 group interviews with 5 previous contributors to this series. These interviews were interactive and collaborative, with largely the BNAP groups interviewing a poet, critically engaging with their work and discussing the literary and social aspects the poetry addressed. And lastly 4 reviews of African poetry.

What Things Cost: an anthology for the people is the first major anthology of labor writing in nearly a century. Here, editors Rebecca Gayle Howell & Ashley M. Jones bring together more than one hundred contemporary writers singing out from the corners of the 99 Percent, each telling their own truth of today's economy. In his final days, Rev. Dr. Martin Luther King Jr. called for a "multiracial coalition of the working poor." King hoped this coalition would become the next civil rights movement but he was assassinated before he could see it emerge as the Poor People's Campaign, now led by Rev. Dr. William J. Barber II and Rev. Dr. Liz Theoharis. King's last lesson—about the dangers of dividing working people—inspired the conversation gathered here by Jones and Howell. Fifty-five years after the assassination of King, What Things Cost collects stories that are honest, provocative, and galvanizing, sharing the hidden costs of labor and laboring in the United States of America. Voices such as Sonia Sanchez, Faisal Mohyuddin, Natalie Diaz, Ocean Vuong, Silas House, Sonia Guiñansaca, Reginald Dwayne Betts, Victoria Chang, Crystal Wilkinson, Gerald Stern, and Jericho Brown weave together the living stories of the campaign's broad swath of supporters, creating a literary tapestry that depicts the struggle and solidarity behind the work of building a more just America.

Evening Street Review is centered on the belief that all people are created equal, that they have a natural claim to certain inalienable rights, and that among these are the rights to life, liberty, and the pursuit of happiness. With this center, and an emphasis on writing that has both clarity and depth, it practices the widest eclecticism. Evening Street Review reads submissions of poetry (free verse, formal verse, and prose poetry) and prose (short stories and creative nonfiction) year-round. Submit 3-6 poems or 1-2 prose pieces at a time. Payment is one contributor’s copy. Copyright reverts to author upon publication. Response time is 3-6 months. Please address submissions to Editors, 2881 Wright St, Sacramento, CA 95821-4819. Email submissions are also acceptable; send to the following address as Microsoft Word or rich text files (.rtf): [email protected]. For submission guidelines, subscription information, published works, and author profiles, please visit our website: www.eveningstreetpress.com.