Winner of the 2023 Griffin Poetry Prize Winner of the 2023 Kingsley Tufts Poetry Award Finalist for the 2022 National Book Award for Poetry, the PEN/Voelcker Award for Poetry Collection, and the NAACP Image Award for Outstanding Literary Work – Poetry A New York Times Notable Book “Terrific.… [Reeves] expands literary tradition so that new political ideas, self-revelation and play can thrive.” —Sandra Simonds, New York Times Book Review In his brilliant, expansive second volume, Whiting Award–winning poet Roger Reeves probes the apocalypses and raptures of humanity—climate change, anti-Black racism, familial and erotic love, ecstasy and loss. The poems in Best Barbarian roam across the literary and social landscape, from Beowulf’s Grendel to the jazz musician Alice Coltrane, from reckoning with immigration at the U.S.–Mexico border to thinking through the fraught beauty of the moon on a summer night after the police have killed a Black man. Daring and formally elegant, Best Barbarian asks the reader: “Who has not been an entryway shuddering in the wind / Of another’s want, a rose nailed to some dark longing and bled?” Reeves extends his inquiry into the work of writers who have come before, conversing with—and sometimes contradicting—Walt Whitman, James Baldwin, Sappho, Dante, and Aimé Césaire, among others. Expanding the tradition of poetry to reach from Gilgamesh and the Aeneid to Drake and Beyoncé, Reeves adds his voice to a long song that seeks to address itself “only to freedom.” Best Barbarian asks the reader to stay close as it plunges into catastrophe and finds surprising moments of joy and intimacy. This fearless, musical, and oracular collection announces Roger Reeves as an essential voice in American poetry.

On the “Best Poetry Books of the Year” list from Library Journal “A sophisticated and breathtaking writer, Reeves takes the reader on a harrowing journey: each poem comes packed with arresting imagery, relentless in its examination of how tragedy and trauma become internalized — cleaning out the wounds to understand the pain.”—Los Angeles Review of Books “Roger Reeves' King Me stitches together many worlds into one startling and visceral book. His ranging, encyclopedic knowledge crosses history, medicine, biology, metapoetics and more, but he tackles it all with a bold and sonorous surrealist flow.”—American Microreviews From a horse witnessing the lynching of Emmett Till to Mikhail Bulgakov chronicling the forced famines in Poland in the 1930s, King Me examines the erotics of care and the place of song, elegy, and praise as testaments to those moments. As Roger Reeves said in an interview, "While writing King Me, I became very interested in the mythology of king, the one who is sacrificed at the end of the harvest season. . . . For me, the myth manifests in the killing of young black men, Emmett Till, and in the ways America deems young, black male bodies as expendable—Jean Michel Basquiat, Mike Tyson, Jack Johnson. These are the young kings whom we love to kill—over and over again." From "Some Young Kings": The hummingbirds inside my chest,with their needle-nosed pliers for tonguesand hammer-heavy wings, have left a messof ticks in my lungs and a punctured lullabyin my throat. Little boy blue come blowyour horn. The cow's in the meadow. And Dorothy's alone in the corn with Jack, his black fingers, the brass of his lips, the half-moons of his fingernails clickingalong her legs until she howls—Charlie Parker. Charlie Parker. Charlie Parker . . . Roger Reeves earned his MFA from the James A. Michener Center for Creative Writing and his PhD from the University of Texas. His poems have appeared in Poetry, American Poetry Review, and Boston Review. He teaches at the University of Illinois, Chicago.

Winner of the 2010 National Book Award for Poetry Watch for the new collection of poetry from Terrance Hayes, American Sonnets for My Past and Future Assassin, coming in June of 2018 In his fourth collection, Terrance Hayes investigates how we construct experience. With one foot firmly grounded in the everyday and the other hovering in the air, his poems braid dream and reality into a poetry that is both dark and buoyant. Cultural icons as diverse as Fela Kuti, Harriet Tubman, and Wallace Stevens appear with meditations on desire and history. We see Hayes testing the line between story and song in a series of stunning poems inspired by the Pecha Kucha, a Japanese presenta­tion format. This innovative collection presents the light- headedness of a mind trying to pull against gravity and time. Fueled by an imagination that enlightens, delights, and ignites, Lighthead leaves us illuminated and scorched.

Originally published in 1947, this book presents a comprehensive study regarding the Poèmes barbares (1862) of Leconte de Lisle. Two key areas are explored: 'what attracted Leconte de Lisle to the history and mythology of the barbarian races, by what methods and in accordance with what ideas he transformed his material into poetry'. The text is organised in reflection of the different ethnic and tribal groups contained within the poems. Detailed notes are incorporated throughout and a bibliography is also included. This book will be of value to anyone with an interest in French poetry and literary criticism.

FINALIST FOR THE NATIONAL BOOK CRITICS CIRCLE AWARD AND THE PEN ART OF THE ESSAY AWARD Over the past decade and a half, Daniel Mendelsohn’s reviews for The New York Review of Books, The New Yorker, and The New York Times Book Review have earned him a reputation as “one of the greatest critics of our time” (Poets & Writers). In Waiting for the Barbarians, he brings together twenty-four of his recent essays—each one glinting with “verve and sparkle,” “acumen and passion”—on a wide range of subjects, from Avatar to the poems of Arthur Rimbaud, from our inexhaustible fascination with the Titanic to Susan Sontag’s Journals. Trained as a classicist, author of two internationally best-selling memoirs, Mendelsohn moves easily from penetrating considerations of the ways in which the classics continue to make themselves felt in contemporary life and letters (Greek myth in the Spider-Man musical, Anne Carson’s translations of Sappho) to trenchant takes on pop spectacles—none more explosively controversial than his dissection of Mad Men. Also gathered here are essays devoted to the art of fiction, from Jonathan Littell’s Holocaust blockbuster The Kindly Ones to forgotten gems like the novels of Theodor Fontane. In a final section, “Private Lives,” prefaced by Mendelsohn’sNew Yorker essay on fake memoirs, he considers the lives and work of writers as disparate as Leo Lerman, Noël Coward, and Jonathan Franzen. Waiting for the Barbarians once again demonstrates that Mendelsohn’s “sweep as a cultural critic is as impressive as his depth.”

This collection's title points to the underlying philosophy expressed in these poems: that earthly joy is, or ought to be, just within, but is often beyond our reach, denied by racism, misogyny, physical cruelty and those with the class power to deny others their share of worldly goods and pleasures.

Flagship poetry anthology defining and presenting the underground Babarian genre and social movement in America.

"Csoori, Hungary's premiere postwar poet, works in the tradition of Fate-literature . According to Roberts's introduction to this thoughtful collection, this tradition summons native poets as conscientious spokespersons of turmoil, specifically of the Hungarian plight. This book culls Csoori's poems in reverse chronological order, offering three sections: 1982 to present, 1973 to 1982, and 1962 to 1973." From Amazon.

An engrossing and richly panoramic novel from a major new writer, based on a true story... In 1948, the body of an American journalist is found floating in the bay off Thessaloniki. A small-time Greek journalist is tried and convicted for the murder...but when he's released twelve years later, he claims his confession was the result of torture. Flash forward to contemporary Greece, where a rebellious young high school student is given an assignment for a school project: find the truth. And as he begrudgingly takes it on, he begins to make a startling series of gripping discoveries--about history, love, and even his own family's involvement. Based on the real story of famed CBS reporter George Polk—journalism’s prestigious Polk Awards were named after him—The Scapegoat is a sweeping saga that brings together the Greece of the post-World War II era with the Greece of today, a country facing dangerous times once again. As told by key players in the story—the dashing journalist’s Greek widow; the mother and sisters of the convicted man; the brutal Thessaloniki Chief of Police; a U.S. Foreign Office investigator, and, finally, the modern-day student, in the novel's most stirring narration of all--The Scapegoat confronts questions of truth, justice, and sacrifice...and how the past is always with us.