A deeply affecting–and infuriating–portrait of the life and death of a courageous indigenous leader The first time Honduran indigenous leader Berta Cáceres met the journalist Nina Lakhani, Cáceres said, ‘The army has an assassination list with my name at the top. I want to live, but in this country there is total impunity. When they want to kill me, they will do it.’ In 2015, Cáceres won the Goldman Prize, the world’s most prestigious environmental award, for leading a campaign to stop construction of an internationally funded hydroelectric dam on a river sacred to her Lenca people. Less than a year later she was dead. Lakhani tracked Cáceres remarkable career, in which the defender doggedly pursued her work in the face of years of threats and while friends and colleagues in Honduras were exiled and killed defending basic rights. Lakhani herself endured intimidation and harassment as she investigated the murder. She was the only foreign journalist to attend the 2018 trial of Cáceres’s killers, where state security officials, employees of the dam company and hired hitmen were found guilty of murder. Many questions about who ordered and paid for the killing remain unanswered. Drawing on more than a hundred interviews, confidential legal filings, and corporate documents unearthed after years of reporting in Honduras, Lakhani paints an intimate portrait of an extraordinary woman in a state beholden to corporate powers, organised crime, and the United States.

Berta se porta muy bien. Nunca se enfada, nunca llora ni tiene rabietas. Si se pone nerviosa abre la caja del enfado y grita dentro. Lo mismo si está triste. Un día en que va al colegio vestida de rojo, un niño le dice que parece un Monstruo Glu Glu. ¿Qué es un monstruo Glu Glu?, se pregunta ella. Ese día, quizás Berta pierda el control... Porque, ¿será bueno guardar las emociones en cajas? Una necesaria reflexión sobre la literatura de las emociones.

Berta, "a woman with a thousand faces," scrapes by with her beloved in stubborn pride after abandoning comfort. The men in her life draw her into the fullness of her womanhood, but the many women of the novel, often in sharp conflict with one another, show the resilience of humanity in the face of murder, war, poverty, illness and betrayal.

WINNER OF SPAIN'S NATIONAL CRITICS AWARD • From the award-winning, internationally bestselling author of The Infatuations comes a gripping novel of intrigue and missed chances—at once a spy story and a profound examination of a marriage founded on concealment. • "A masterly premise ... worthy of a Hitchcock adaptation." —The New York Times Book Review When Berta Isla was a schoolgirl, she decided she would marry Tomás Nevinson—the dashing half-Spanish, half-English boy in her class with an extraordinary gift for languages. But when Tomás returns to Madrid from his studies at Oxford, he is a changed man. Unbeknownst to her, he has been approached by an agent from the British intelligence services, and he has unwittingly set in motion events that will derail forever the life they had planned. With peerless insight into the most shadowed corners of the human soul, Marías plunges the reader into the growing chasm between Berta and Tomás and the decisions that irreversibly change the course of the couple's fate. Berta Isla is a novel of love and truth, fear and secrecy, buried identities, and the destinies we bring upon ourselves.

Berta the dachshund is easy to love. And she gives a lot of love to the many baby and young animals that arrive at the Millers' farm. When Berta decides she wants to be a mother, and "adopts" Patrick the lamb, she teaches him the finer points of being a dachshund. Illustrations.

This novel typifies the ethical and moral preoccupations of Arthur Schnitzler. Berta Garlan, a young widow with a small child, feeling isolated in the small Austrian town where she lives, attempts to renew her relationship with her childhood sweetheart after a lapse of many years. Her lover, now a famous Viennese violin virtuoso, takes advantage of Berta's trusting love. At last, a wiser and more mature woman, she returns home and becomes reconciled to her destiny.

Volumes for 1898-1968 include a directory of publishers.