A revealing punk memoir from a member of the notorious Bromley Contingent. Bertie 'Berlin' Bromley cuts to the core of the 1976/77 punk sensibility, recounting his own adventures as a ubiquitous scenester and rent boy. The Bromley Contingent included Siouxsie Sioux, Steve Severin, Billy Idol and Jordan. Marshall, as a pivotal member of the Contingent, views the scene and its stars with the intimate eye of an insider, offering a vivid picture of the most important British music movement in the 20th century.

Daniel Bromley offers a fundamental critique of contemporary capitalism to explain why the world now finds itself in widespread disorder. The basic flaw, he argues, is the triumph of a culture of possessive individualism. As a result, capitalism is no longer an engine of improved livelihoods and social hope. Bromley explains that escape from this disorder requires that the private firm be reimagined as a public trust whose purpose is to offer plausible livelihoods as it also serves our acquisitive wants. However, the possessive individual also bears urgent responsibilities. We must renew the idea of loyalty to others-whether neighbors, fellow workers, or society at large.

Over 5 decades of economic and technical assistance to the countries of Africa and the Middle East have failed to improve the life prospects for over 1.4 billion people who remain vulnerable. Billions of dollars have been spent on such assistance and yet little progress has been made. Persistent hunger and hopelessness threaten more than individuals and families. These conditions foster political alienation that can easily metastasize into hostility and aggression. Recent uprisings in the Middle East are emblematic of this problem. Vulnerable people give rise to vulnerable states. This book challenges the dominant catechism of development assistance by arguing that the focus on economic growth (and fighting poverty) has failed to bring about the promised "convergence." Poor people and poor countries have clearly not closed the gap on the rich industrialized world. Pursuing convergence has been a failure. Here we argue that development assistance must be reconstituted to focus on creating economic coherence. People are vulnerable because the economies in which they are embedded do not cohere. The absence of economic coherence means that economic processes do not work as they must if individual initiative is to result in improved livelihoods. Weak and vulnerable states must be strengthened so that they can become partners in the process of creating economic coherence. When economies do not cohere, countries become breeding grounds for localized civil conflicts that often spill across national borders.

Cold-water coral ecosystems figure the formation of large seabed structures such as reefs and giant carbonate mounds; they represent unexplored paleo-environmental archives of earth history. Like their tropical cousins, cold-water coral ecosystems harbour rich species diversity. For this volume, key institutions in cold-water coral research have contributed 62 state-of-the-art articles on topics from geology and oceanography to biology and conservation, with some impressive underwater images.

Next, case studies from around the world demonstrate how collective systems function under diverse conditions with reasonable success. Finally, implications for further research and for effective policy formulation are explored.

"This book gives a solid understanding of the basic concepts and results of quantum mechanics including the historical background and philosophical questions...Many worked examples serve to illustrate the material while biographical and historical footnotes round off the content." Zentralblatt MATH

"Bromley argues that standard economic accounts see institutions as mere constraints on otherwise autonomous individual action. Some approaches to institutional economics - particularly the "new" institutional economics - suggest that economic institutions emerge spontaneously from the voluntary interaction of economic agents as they go about pursuing their best advantage. He suggests that this approach misses the central fact that economic institutions are the explicit and intended result of authoritative agents - legislators, judges, administrative officers, heads of states, village leaders - who volitionally decide upon working rules and entitlement regimes whose very purpose is to induce behaviors (and hence plausible outcomes) that constitute the sufficient reasons for the institutional arrangements they create."--BOOK JACKET.

“Eravamo anti-sistema in tutto e per tutto, nella musica e nell’arte. Volevamo distruggere qualsiasi cosa avesse regole prestabilite, tutto quel che c’era di asfissiante, tutte le certezze. Eravamo decisi a infrangere tutte le regole in tutti i modi possibili”. La Londra di Barry Miles è quella della cultura underground che nasce fra le macerie della Seconda guerra mondiale ed esplode nel corso degli anni Sessanta e Settanta, concentrandosi sul West End e su Soho, le zone in cui era confluita un’eterogenea popolazione di personaggi creativi e fuori dalle righe, intolleranti nei confronti delle costrizioni della cultura e del costume ufficiale: scrittori, poeti, registi, musicisti, artisti, pubblicitari, architetti, stilisti, e una miriade di più anonimi personaggi decisi a fare della propria vita un’arte. È la storia di una rivoluzione culturale determinata a ottenere una “totale confusione dei sensi”, che si sviluppa fra le vie di una metropoli artisticamente onnivora, fatta di locali, librerie, club, pub, teatri, piazze, vicoli, scantinati, case occupate o case borghesi. Una storia di sconvolgente energia vitale e al tempo stesso autodistruttiva, raccontata sul filo di quell’ironia che solo un testimone diretto può comunicare. Mettere in fila i nomi che si incontrano fra queste pagine fa tremare l’idea stessa di ‘controcultura’, poiché vi si ritrova molta della creatività che animerà per ibridazione la cultura ufficiale del Novecento: Dylan Thomas, Francis Bacon, i Situazionisti, il cool jazz, il rock ’n’ roll, Mary Quant, Kingsley Amis, J.G. Ballard, i Rolling Stones, i Beatles, William Burroughs, Jimi Hendrix, i Pink Floyd, Allen Ginsberg, Pete Townshend, Yoko Ono, Derek Jarman, David Hockney, i Clash, i Police, Gilbert & George, Vivienne Westwood, i Sex Pistols, Boy George, Charles Saatchi, Lucian Freud, Damien Hirst e moltissimi altri. Un libro-mondo brulicante di storie e di personaggi, il ritratto più preciso e divertente mai scritto sull’avventura gloriosa e infame di un’epoca oggi entrata nella leggenda.