This is Volume VI of eight in a series on the Philosophy of Mind and Language. Originally published in 1932. Bacon, Hobbes, Locke, Berkeley, Hume - to his five great predecessors Bentham acknowledges his debt. It is the purpose of the present volume to give some indication of the debt which future generations may acknowledge to Jeremy Bentham, when he has taken his place as sixth in the line of the great tradition—and in some respects its most original representative.

First Published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.

This is Volume VI of eight in a series on the Philosophy of Mind and Language. Originally published in 1932. Bacon, Hobbes, Locke, Berkeley, Hume - to his five great predecessors Bentham acknowledges his debt. It is the purpose of the present volume to give some indication of the debt which future generations may acknowledge to Jeremy Bentham, when he has taken his place as sixth in the line of the great tradition—and in some respects its most original representative.

The Panopticon project for a model prison obsessed the English philosopher Jeremy Bentham for almost 20 years. In the end, the project came to nothing; the Panopticon was never built. But it is precisely this that makes the Panopticon project the best exemplification of Bentham's own theory of fictions, according to which non-existent fictitious entities can have all too real effects. There is probably no building that has stirred more philosophical controversy than Bentham's Panopticon. The Panopticon is not merely, as Foucault thought, "a cruel, ingenious cage", in which subjects collaborate in their own subjection, but much more-constructing the Panopticon produces not only a prison, but also a god within it. The Panopticon is a machine which on assembly is already inhabited by a ghost. It is through the Panopticon and the closely related theory of fictions that Bentham has made his greatest impact on modern thought; above all, on the theory of power. The Panopticon writings are frequently cited, rarely read. This edition contains the complete "Panopticon Letters", together with selections from "Panopticon Postscript I" and "Fragment on Ontology", Bentham's fullest account of fictions. A comprehensive introduction by Miran Bozovic explores the place of Panopticon in contemporary theoretical debate.

This multi-disciplinary, multi-jurisdictional collection offers the first ever full-scale analysis of legal fictions. Its focus is on fictions in legal practice, examining and evaluating their roles in a variety of different areas of practice (e.g. in Tort Law, Criminal Law and Intellectual Property Law) and in different times and places (e.g. in Roman Law, Rabbinic Law and the Common Law). The collection approaches the topic in part through the discussion of certain key classical statements by theorists including Jeremy Bentham, Alf Ross, Hans Vaihinger, Hans Kelsen and Lon Fuller. The collection opens with the first-ever translation into English of Kelsen’s review of Vaihinger’s As If. The 17 chapters are divided into four parts: 1) a discussion of the principal theories of fictions, as above, with a focus on Kelsen, Bentham, Fuller and classical pragmatism; 2) a discussion of the relationship between fictions and language; 3) a theoretical and historical examination and evaluation of fictions in the common law; and 4) an account of fictions in different practice areas and in different legal cultures. The collection will be of interest to theorists and historians of legal reasoning, as well as scholars and practitioners of the law more generally, in both common and civil law traditions.

Gathering together an impressive array of legal scholars from around the world, this book features essays on Jeremy Bentham’s major legal theoretical treatise, Of the Limits of the Penal Branch of Jurisprudence, reassessing Bentham’s theories of law as well as his impact on jurisprudence. While offering a suggestive picture of contemporary Bentham studies, the book provides a thorough examination of concepts such as legal discourse, legal norms, legal system, and subjective legal positions. The book compares Bentham’s approach with other landmark theories and the works of major legal philosophers including Austin, Hart and Kelsen, and explores Bentham’s treatise through major trends in contemporary legal thought, such as the imperative theory of law, deontic logic, Scandinavian and American legal realisms, the pure theory of law, and critical legal thought. Resisting any apologetic stance, the book elucidates how consistent with Bentham’s all-encompassing project of utilitarian reform ‘Limits’ turns out to be, and how this sheds light on contemporary modes of governance. The book will be great use and interest to scholars and students of contemporary jurisprudence, legal theory, 19th century philosophy, and public law.

During his long, productive life the great English philosopher and exponent of utilitarianism Jeremy Bentham (1748-1832) wrote not just on political philosophy but also clandestinely on religion. Under the pseudonym of Philip Beauchamp he published an attack on natural religion called "Analysis of the Influence of Natural Religion on the Temporal Happiness of Mankind" and under the pseudonym of Gamaliel Smith he published a book of New Testament criticism called "Not Paul, But Jesus." In addition, Bentham bravely released under his own name" Church-of-Englandism and Its Catechism Examined," a thorough, biting critique of Anglican doctrine. These little-known works are discussed at length by philosopher Delos B. McKown in this informative contribution to Bentham scholarship. McKown introduces these major works on religion, and then presents an extensive synopsis of each. He defends Bentham against the criticisms of opponents where necessary, but does not hesitate to criticize Bentham when he feels he goes astray. McKown also shows how Bentham's attacks on the Christianity of his time, which denigrated human life in the here-and-now for some imagined future postmortem state of glory, fully complemented his utilitarian philosophy of the greatest happiness to the greatest number of people. This thorough analysis of three little-known works by one of philosophy's great minds makes an outstanding contribution to Bentham scholarship and will be of interest to humanists and philosophers of religion.

Bentham and the Arts considers the sceptical challenge presented by Bentham’s hedonistic utilitarianism to the existence of the aesthetic, as represented in the oft-quoted statement that, ‘Prejudice apart, the game of push-pin is of equal value with the arts and sciences of music and poetry. If the game of push-pin furnish more pleasure, it is more valuable than either.’ This statement is one part of a complex set of arguments on culture, taste, and utility that Bentham pursued over his lifetime, in which sensations of pleasure and pain were opposed to aesthetic sensibility. Leading scholars from a variety of disciplines reflect on the implications of Bentham’s radical utilitarian approach for our understanding of the history and contemporary nature of art, literature, and aesthetics more generally.