The story of Ben is fiction, but it could be the story of more than one jazz musician who grew up in the twenties. Using the art-deco style of the period, Rachel Isadora not only captures the poignancy and yearning of a youthful talent, but in page after page of striking art seems to convey the very sound of music.

Chronicles 200 years of U.S. publications, from Tom Paine's Common Sense to I.F. Stone's Weekly, plus The Berkeley Bard, LA Free Press , Mother Jones, and New Age Journal.

There are many books written for the Piano, Violin, etc., entirely devoted to Technic. This Work is especially written to enable the Student, by practice and application, to overcome any obstacle which may occur in musical passages written for the Cornet. By controlling the Wind Power to play these Exercises as written, in one breath, the Student will acquire ENDURANCE without strain or injury. Train the Muscles which control the Lips, to make them elastic and strong, as only a slight pressure is necessary, and not brute force. The highest as well as the lowest notes can be played with equal tone quality if practiced according to the instructions that precede each Study. Every Cornet Player should have reached a degree of excellence before attempting to play these Exercises. To become an Expert on the Cornet, one should be familiar with as many Cornet Methods as possible, and so gain the experience of each. Every Exercise in this Book is possible, and not so very difficult if practiced slowly at first, and not too long at a time. I have used them for my daily practice for years, and they have been the means of my reaching the highest notes after playing a two-hour Concert, also of preserving my lips so that they never tire, and what has been a help to me is surely good for other Cornet Players. You cannot expect to attain the highest point of excellence without hard work and perseverance. Never be perfectly satisfied with yourself. Try to make some improvement each day, feeling that it is a pleasure to have conquered that which seemed an impossibility at first. Do not neglect to correct immediately the least fault you make. Bad habits are easily formed, but are difficult to remedy. There are few Celebrated Cornet Soloists, although thousands play the instrument. Most players abuse their practicing by not knowing the proper way, and neglecting to pay more attention to the elementary work. These Studies have been found to be excellent for Clarinet Players as well as Cornet Players. The Clarinet being a Wind Instrument also, all these Exercises will appeal to the Player of that Instrument by following the same instructions.

Nicholas Cricket and the other members of the Bug-a-Wug Cricket Band lead all the forest creatures in a musical celebration of the night.

How to get a good sound, read music, and master a variety of styles-including classical, pop, jazz, and Latin Listening to a trumpet trilla series of high notes during a military march or wail longingly during a blues rendition-is a pleasure second to none. And masters, including Wynton Marsalis and Louis Armstrong, have made the trumpet truly Gabriel's horn, one of the most eloquent voices in classical music and jazz. Yet even a virtuoso begins somewhere. This down-to-earth and user-friendly guide shows those new to the trumpet everything they need know to play the instrument-from basic technique (including getting a good sound), caring for a trumpet, and learning pieces from many musical genres. Demonstrates how to play classical, pop, jazz, and Latin-with audio samples on the enclosed CD-ROM Includes tips on how to buy or rent the best instrument An ideal guide for students just learning the trumpet, or students who need a little boost, or fans of the trumpet who've never got around to learning it, here is the complete guide to making one of the world's most popular-and beloved instruments-their own. Note: CD-ROM/DVD and other supplementary materials are not included as part of eBook file.

"Supremely humane.... Kay leaves us with a broad landscape of sweet tolerance and familial love." —The New York Times Book Review In her starkly beautiful and wholly unexpected tale, Jackie Kay delves into the most intimate workings of the human heart and mind and offers a triumphant tale of loving deception and lasting devotion. The death of legendary jazz trumpeter Joss Moody exposes an extraordinary secret, one that enrages his adopted son, Colman, leading him to collude with a tabloid journalist. Besieged by the press, his widow Millie flees to a remote Scottish village, where she seeks solace in memories of their marriage. The reminiscences of those who knew Joss Moody render a moving portrait of a shared life founded on an intricate lie, one that preserved a rare, unconditional love.

The classic bestseller from a two-time Pulitzer Prize-winning journalist that tells the compelling true story of one man's fight for the right to legal counsel for every defendent. A history of the landmark case of Clarence Earl Gideon's fight for the right to legal counsel. Notes, table of cases, index. The classic backlist bestseller. More than 800,000 sold since its first pub date of 1964.

Second Edition Now Available: How do you make a sound on this hunk of brass? How do valves work? How do you play higher? What are some good exercises for trumpet? What's it like to perform? Sound the Trumpet answers these questions and more as it takes you through the fun world of trumpet playing with a clear, concise style that is sometimes funny and always friendly. Learn more at www.sol-ut.com

Something is rotten in the U.S. Senate, and the disease has been spreading for some time. But Ben Nelson, former U.S. senator from Nebraska, is not going to let the institution destroy itself without a fight. Death of the Senate is a clear-eyed look inside the Senate chamber and a brutally honest account of the current political reality. In his two terms as a Democratic senator from the red state of Nebraska, Nelson positioned himself as a moderate broker between his more liberal and conservative colleagues and became a frontline player in the most consequential fights of the Bush and Obama years. His trusted centrist position gave him a unique perch from which to participate in some of the last great rounds of bipartisan cooperation, such as the "Gang of 14" that considered nominees for the federal bench--and passed over a young lawyer named Brett Kavanaugh for being too partisan. Nelson learned early on that the key to any negotiation at any level is genuine trust. With humor, insight, and firsthand details, Nelson makes the case that the "heart of the deal" is critical and describes how he focused on this during his time in the Senate. As seen through the eyes of a centrist senator from the Great Plains, Nelson shows how and why the spirit of bipartisanship declined and offers solutions that can restore the Senate to one of the world's most important legislative bodies.

For a half century, Ben Webster, one of the "big three" of swing tenors-along with Coleman Hawkins and Lester Young-was one of the best-known and most popular saxophonists. Early in his career, Webster worked with many of the greatest orchestras of the time, including those led by Willie Bryant, Cab Calloway, Benny Carter, Fletcher Henderson, Andy Kirk, Bennie Moten, and Teddy Wilson. In 1940 Webster became Duke Ellington's first major tenor soloist, and during the next three years he played on many famous recordings, including "Cotton Tail." Someone to Watch Over Me tells, for the first time, the complete story of Ben Webster's brilliant and troubled career. For this comprehensive study of Webster, author Frank Büchmann-Møller interviewed more than fifty people in the United States and Europe, and he includes numerous translated excerpts from European periodicals and newspapers, none previously available in English. In addition, the author studies every known Webster recording and film, including many private recordings from Webster's home collection not available to the public. Exhaustively researched, this is a much needed and long overdue study of the life and music of one of jazz's most important artists.