What makes a man? The wild and dissolute Viscount Ravenswood lives only for his own pleasure, caring not one wit for the broken hearts left trampled in his wake. But his decadent lifestyle finally catches up to him in a fatal carriage race. It’s an infamous and spectacular end to a brief, immoral life—or is it? And who is the woman who loves him? When Glenna Parker stumbles upon her cousin Reed Parker’s cluttered laboratory, she could never have imagined the mad experiment he is about to embark upon—to bring a man back from the dead. Not just any man, but Ravenswood, who once shattered her heart. With no memory of his former life, Glenna calls him Luke, and finds herself enchanted by his compassion—and passion. Protecting the scarred Luke has become Glenna’s sole mission, but can she protect her heart from her beloved monster?

AN INSTANT NEW YORK TIMES BESTSELLER “The most brilliant feline portrait in literary history.” –People Magazine (Book of the Week) The #1 bestselling author of The Alienist tells the extraordinary story of Masha, a half-wild rescue cat who fought off a bear, tackled Caleb like a linebacker—and bonded with him as tightly as any cat and human possibly can. “Dares us to take a journey into love and pain . . . My Beloved Monster is a love story and a requiem.” –Wall Street Journal “Excellent…Worth the emotional investment, and the tissues you will need by the end, to spend time with a writer and cat duo as extraordinary as Masha and Carr.” —Washington Post Book World Caleb Carr has had special relationships with cats since he was a young boy in a turbulent household, famously peopled by the founding members of the Beat Generation, where his steadiest companions were the adopted cats that lived with him both in the city and the country. As an adult, he has had many close feline companions, with relationships that have outlasted most of his human ones. But only after building a three-story home in rural, upstate New York did he enter into the most extraordinary of all of his cat pairings: Masha, a Siberian Forest cat who had been abandoned as a kitten, and was languishing in a shelter when Caleb met her. She had hissed and fought off all previous carers and potential adopters, but somehow, she chose Caleb as her savior. For the seventeen years that followed, Caleb and Masha were inseparable. Masha ruled the house and the extensive, dangerous surrounding fields and forests. When she was hurt, only Caleb could help her. When he suffered long-standing physical ailments, Masha knew what to do. Caleb’s life-long study of the literature of cat behavior, and his years of experience with previous cats, helped him decode much of Masha’s inner life. But their bond went far beyond academic studies and experience. The story of Caleb and Masha is an inspiring and life-affirming relationship for readers of all backgrounds and interests—a love story like no other.

“A remarkable creation, a baroque opera of grief, laced with lines of haunting beauty and profundity.” —The Washington Post Now in paperback, the bold, genre-defying book that asked: What if Mary Shelley had not invented Frankenstein's monster at all but had met him when she was a girl of eight, sitting by her mother's grave, and he came to her unbidden? In a riveting mix of fact and poetic license, Laurie Sheck gives us the "monster" in his own words: recalling how he was "made" and how Victor Frankenstein abandoned him; pondering the tragic tale of the Shelleys and the intertwining of his life with Mary's (whose fictionalized letters salt the narrative, along with those of her nineteenth-century intimates); taking notes on all aspects of human striving--from Gertrude Stein to robotics to the Northern explorers whose lonely quest mirrors his own--as he tries to understand the strange race that made yet shuns him, and to find his own freedom of mind.

Joyful is a remarkable, razor-sharp comedy of grief from one of Australia's most dynamic writers. Leon Joyce's years with Tess Wachowicz began with an Emanuel Ungaro taffeta ballgown, part of his collection of women's attire kept in three wardrobes at the South Yarra house. The collection took in Givenchy, Jacques Fath, Schiaparelli, Madae Gres, Helmut Lang, Claire McCardell, Mainbocher, Miyake, Yves Saint Laurent, Chanel, Dior, Travis Banton, Pucci and Antony Price. Leon is a man unburdened by sexual desire. Nonetheless he adores his wife - only partly for the way she wears his exquisite collection of haute couture - and when she becomes ill and dies he is completely shattered. Then he discovers her correspondence with an unknown lover, and his suffering veers towards madness. Leon hunkers down at his neglected country property, Joyful, with the entire local supply of scotch whisky and a bizarre plan to retrieve (posthumously) Tess's devotion. In this extraordinary comedy of grief, Robert Hillman evokes his characters, from the merely unconventional to the frankly deranged, with kindness, grace and wit. Joyful is a gift that will leave the reader deeply moved and filled with delight. Robert Hillman has written a number of books including his 2004 memoir The Boy in the Green Suit, which won the National Biography Award. He lives in Warburton in Victoria's Yarra Valley. 'Hillman allows both men the grace of redemption and the prospect of a better kind of happiness, complete with its scars. Joyful is exactly as it says, a great joy of a book. Robert Hillman is not making fun of grief but rather of his characters' determination to wallow in their sorrow. It is a constant balancing act, skillfully enforced by Hillman and it makes reading Joyful an act of absolute pleasure.' Hoopla 'A detailed work that portrays an entire, sealed world of complex and ultimately connected storylines. The cultural setting is realised in a wonderfully rich Victorian style. Extended studies of social manners, quotes from journals and letters, and the aligning of characters with their passions for books, poetry and music, clothing, all produce a social world that is not only vivid but also ripe for commentary and debate.' Australian Book Review 'A deft and original portrayal of grief, longing and forgiveness.' Gideon Haigh 'A story about redemption and negotiating a place of peace inside despair.' Saturday Paper ‘Hillman has a carefully calibrated sense of the line between mourning and madness, and he plays it to the hilt... Hillman’s prose is a pleasure to read, elegantly alert to the paradox of strong feeling, full of poetry yet never entirely convinced by the absurd rhetorical gestures favoured by ruined men.’ Weekend Australian ‘This calamitous work, brassy with the vigour of life in a specifically Australian, specifically contemporary way, singles Hillman out from the crowd. There is nothing around quite like it; no genre, no homage to acknowledge. Leon, in his journey towards acceptance of the duality of one life, is a memorable, even dear character, and I would have been happy to have read this glittering, noisy work for Leon alone. And for Susie...and for the happy ending.’ Sydney Morning Herald ‘Slightly crazed, this unconventional story is essentially two similar struggles, at once both funny and sad. They finally merge and find resolution.’ Otago Daily Times ‘Ravishing, compelling prose...It’s a strangely funny, compelling, and sad novel, the beauty of which is found in searching for what remains once beauty has disappeared.’ Bookslut

In an age of revolution, revolt and reinvention, Leon Odling is reduced to stoking coal in a fiery hellhole. His troubles are doubled when he encounters the Governor’s enchanting, wilful daughter. Drawn into a sinister world of lost boys and subversive science, neither could have known how high a price must be paid. By them both.

In 1932, The Mummy, starring Boris Karloff, introduced another icon to the classic monster pantheon, beginning a journey down the cinematic Nile that has yet to reach its end. Over the past century, movie mummies have met everyone from Abbott and Costello to Tom Cruise, not to mention a myriad of fellow monsters. Horrifying and mysterious, the mummy comes from a different time with uncommon knowledge and unique motivation, offering the lure of the exotic as well as the terrors of the dark. From obscure no-budgeters to Hollywood blockbusters, the mummy has featured in films from all over the globe, including Brazil, China, France, Hong Kong, India, Mexico, and even its fictional home country of Egypt--with each film bringing its own cultural sensibilities. Movie mummies have taken the form of teenagers, superheroes, dwarves, kung fu fighters, Satanists, cannibals and even mummies from outer space. Some can fly, some are sexy, some are scary and some are hilarious, and mummies quickly moved beyond horror cinema and into science fiction, comedy, romance, sexploitation and cartoons. From the Universal classics to the Aztec Mummy series, from Hammer's versions to Mexico's Guanajuato variations, this first-ever comprehensive guide to mummy movies offers in-depth production histories and critical analyses for every feature-length iteration of bandaged horror.

(Easy Piano Songbook). From the DreamWorks film about everyone's favorite ogre, this cool songbook features a cast of characters, fabulous full-color art from the movie and of the celebs who lent their voices, and easy piano arrangements of 12 songs from the soundtrack: All Star * Bad Reputation * The Best Years of Our Lives * Hallelujah * I'm a Believer (& Reprise) * I'm on My Way * It Is You (I Have Loved) * Like Wow * My Beloved Monster * Stay Home * True Love's First Kiss * You Belong to Me.

Science fiction and fantasy movies of the 20th century feature many iconic figures and monsters, and the ability to create and own many of them in the form of models provides fans with an opportunity to mingle amongst the greats and not so greats. This book is a collection of figures and dioramas of monsters from both science fiction and fantasy films. Models are presented in chronological order, decade by decade, starting with films in the silent era and running through the end of the century. The building and painting of the figures and dioramas of various scenes from these films, some more accurately than others, provides an opportunity to preserve key moments in these movies.

CARESS IN AN EMPTY ROOM Once Charlotte Tobias was a prim and severe schoolteacher, wielding her red pencil, writing to imaginary lovers and hiding the letters in a closet. Then, on the night of her fortieth birthday, Charlotte dreamed of love, and her life would never be the same again. He came to her, her own creation, bold and dark, naked and rippling with muscles. She named him Phanes. She game him poetry, and curiosity, and let him make love to her in ways and places she could never have imagined. She let him awaken her and change her and take her to the edge of her fantasies... But now Charlotte is losing control of her perfect lover. Her creation is leading her on a voyage through madness and anger and loss, revealing to Charlotte what truths lie just beyond her consciousness, what horrors can grow in the absence of a soul...

This volume, arranged alphabetically by original author, provides basic information about stage and screen productions based upon the novels of 40 women writers before 1900. Each entry includes the novel and its publication date, the published texts or dramatizations based upon the book, and the performances of the piece in live theater and film versions, including the location, dates, and playwright or screenwriter (if there was one). For some of the performances the author includes a brief annotation listing the actors and describing the production.