A unique, scientific look into why we are all believers.

Tao is the name for that which cannot be named, a name for the nameless – just like god or dhamma or truth or logos. These are not really names, but human helplessness. We have to call it something, we have to address it. Tao is one of the most beautiful names given to the unknown, because it is utterly meaningless. God has become very meaningful, hence it has lost significance.

In these twelve modern myths and tales for the young and the young at heart, Jane Yolen transforms the impossible into the familiar and real. Among the outlandish wonders are an Alice grown tough in Wonderland, a dear—but dead—mother’s homecoming, a bridge that longs for a goat-eating troll, and a mutiny among Peter Pan’s troops.

From the National Book Critics Circle Award–winning poet and critic: “A lovely book, full of joy and wisdom.” —The Baltimore Sun How to Read a Poem is an unprecedented exploration of poetry, feeling, and human nature. In language at once acute and emotional, Edward Hirsch describes why poetry matters and how we can open up our imaginations so that its message can make a difference. In a marvelous reading of verse from around the world, including work by Pablo Neruda, Elizabeth Bishop, Wallace Stevens, and Sylvia Plath, among many others, Hirsch discovers the true meaning of their words and ideas and brings their sublime message home into our hearts. “Hirsch has gathered an eclectic group of poems from many times and places, with selections as varied as postwar Polish poetry, works by Keats and Christopher Smart, and lyrics from African American work songs . . . Hirsch suggests helpful strategies for understanding and appreciating each poem. The book is scholarly but very readable and incorporates interesting anecdotes from the lives of the poets.” —Library Journal “The answer Hirsch gives to the question of how to read a poem is: Ecstatically.” —Boston Book Review “Hirsch’s magnificent text is supported by an extensive glossary and superb international reading list.” —Booklist “If you are pretty sure you don’t like poetry, this is the book that’s bound to change your mind.” —Charles Simic, Pulitzer Prize–winning author of The World Doesn’t End

A new voice enters the ongoing "Synoptic Problem" debate, suggesting the answer may that the Gospel of Matthew was published in stages.

From line managers, corporate CEOs, urban designers, teachers, politicians, mayors, advertisers and even our friends and family, the message is 'be creative'. Creativity is heralded as the driving force of our contemporary society; celebrated as agile, progressive and liberating. It is the spring of the knowledge economy and shapes the cities we inhabit. It even defines our politics. What could possibly be wrong with this? In this brilliant, counter intuitive blast Oli Mould demands that we rethink the story we are being sold. Behind the novelty, he shows that creativity is a barely hidden form of neoliberal appropriation. It is a regime that prioritizes individual success over collective flourishing. It refuses to recognise anything - job, place, person - that is not profitable. And it impacts on everything around us: the places where we work, the way we are managed, how we spend our leisure time.

Presents tips and advice for professionals who are creating or overseeing service-learning programs.

Have you ever read a book that you couldn’t put down? Has that book taken you to other countries, to other centuries? Have you found yourself brimming with excitement, exclaiming to all who will listen, "Read this book!" This biography is the story of a child who took her love of childrens’ books and found a way to share it with the world as she grew up. Her voice would be the first to carry the message of childrens’ right to read across the world. It is not too much to say that she started a revolution for children’s books in her career as the first children’s librarian in the British Commonwealth.