A full-scale examination of every aspect of life in Belgium, Belgium Stripped Bare is an aesthetico-diagnostic litany of often vitriolic observations whose victory is found in the act of analysis itself, in the intoxication of diagnosis. Baudelaire's plethora of notes and vast collection of related newspaper clippings are summarized within.

It is hardly news that a growing number of people want to step back from the brink of western consumerism and find a way to live an all-round cleaner existence - one that is not only easier on the physical body but one that is lighter on the conscience too. So how do we go about it? Most people fight shy of giving up their cars, or their toxic household products, their cheap washing machines, or dodgy, unethical bank accounts in order to make the world a better place. So Leo Hickman, resident consumer expert of the Guardian, decides that he will give up all these things instead and report back on whether it is possible to live a life that is western but aware. Leo is your average male consumer - with a young family and a job he commutes to. He is no green warrior and an innocent abroad when it comes to 'ethical' living. He is not going to preach, and he may have a few problems persuading even his wife and baby to give it a try. But he comes to this experiment with vigour.

This book inaugurates a new phase in kitsch studies. Kitsch, an aesthetic slur of the 19th and the 20th century, is increasingly considered a positive term and at the heart of today’s society. Eleven distinguished authors from philosophy, cultural studies and the arts discuss a wide range of topics including beauty, fashion, kitsch in the context of mourning, bio-art, visual arts, architecture and political kitsch. In addition, the editors provide a concise theoretical introduction to the volume and the subject. The role of kitsch in contemporary culture and society is innovatively explored and the volume aims not to condemn but to accept and understand why kitsch has become acceptable today.

The first English collection of the late poetry and prose fragments of literary icon Charles Baudelaire "[A] handsome new book . . . all this inchoate material is given context by Sieburth's learned, elegantly written commentary. He is the perfect guide."--Michael Dirda, Washington Post "[These] unfinished works written after 1861 . . . deliver what their titles seem to promise: a soul stripped of guises and illusions."--Ange Mlinko, New York Review of Books While not as well known as his other works, Charles Baudelaire's late poems, drafts of poems, and prose fragments are texts indispensable to the history of modern poetics. This volume brings together Baudelaire's late fragmentary writings, aphoristic in form and radical in thought, into one edited collection for the first time. Substantial introductions to each work by Richard Sieburth combine the literary context with formal analysis and reception history to give readers a comprehensive picture of the genesis of these works and their subsequent fate. Baudelaire's turn toward fragmentary writing involved not only a conscious renunciation of his aesthetics of perfection and unity, but a desertion of the harmonies of the traditional lyric in favor of the disjunctions of prose. These are daring works, often painful to read in their misanthropy and unconventional beauty.