At the beginning of the twenty-first century, Michigan was home to the second-largest Belgian population in the United States, and Detroit had one of the largest Belgian populations in the nation. Although immigration declined after World War I, the Belgian- American community is still prominent in the state. Political, religious, and economic conditions, including a nineteenth- century economic depression, helped motivate the move to America. Belgians brought with them the ability and willingness to innovate, as well as a tradition of hard work and devotion. The Gazette van Detroit, a Flemish-language newspaper first printed in Detroit in 1914, continues to be produced and distributed to subscribers throughout the United States and overseas. Belgian-Americans continue to incorporate traditional values with newfound American values, enabling them to forever preserve their heritage.

New and comprehensive insights into the seminal events that shaped Belgian identity In 1790, between the birth of America (1776) and the creation of the French National Assembly (1789), nine provinces nestled between the French and Dutch borders declared themselves a new free and independent country: the United States of Belgium. Before then, the provinces had been part of the vast Austrian Habsburg Empire ruled by Joseph II. In 1789 revolutionaries from Brussels to Ghent to Namur recruited a grass-roots army that, to the surprise of many, successfully chased imperial forces from the majority of the territories. The exhilaration of military triumph and political independence quickly faded as revolutionary factions fought each other and the European monarchies became more nervous in the face of French radicalization. Yet, the course of events had fostered the solidification of a new identity among the provinces’ inhabitants: Belgianness. This is the story of the emergence of Belgianness in the crucible of revolution. The United States of Belgium tells the story of the First Belgian Revolution before the creation of a language barrier between French and Dutch. It incorporates over 50 contemporary images of the revolutionary era.

Despite the suffragist activities of the 1920s and the heightened pressures brought to bear on traditionally “male-only” institutions in American society during the past three decades, many vocations remain sanctuaries of male dominance. One such area is the classical music world; though, as Jan Bell Groh asserts in Evening the Score, inroads into this field have bene made, sometimes at great cost. At the center of this work is a unique set of newsletters edited and published by Frédérique Petrides, one of America’s first and most influential female conductors. In Petride’s time, most women musicians were forced to ply their trade in all-female orchestras; through the thirty-seven issues of Women in Music published from 1935 to 1940, the achievements of these musicians were championed, and the prejudices, misconceptions, and deliberately discriminatory policies of many of their male counterparts were exposed and condemned. Evening the Score is an ambitious endeavor that seeks not only to preserve these early documents and explain them within the context of the 1930s music industry but also to garner for Petrides the long-overdue praise to which she is entitled. It is at once a celebration and a source of inspiration.

This work analyzes the contrasting diplomatic styles of Belgian foreign ministers Paul-Henri Spaak and Paul van Zeeland and the atmosphere of disappointment that often hovered over a relationship officially characterized as warm and strong.