Belated Bris of the Brainsick traces 1) a belated and in some ways violent revelation about one’s ancestry and one’s past, 2) a resultant mental breakdown and 3) the pursuit of a new life with someone else who lives with mental illness. These events and the styles in which they are told are inflected by queer, transgender and disabled perspectives and aesthetics. If there is a narrative arc to the collection, it is not the usual one of falling ill and then regaining health; rather, it is the pursuit of a “queered” version of health.

The sixth issue of a digital journal created to alleviate the malaise of social distancing with exceptional writing and artwork. The Quarantine Review celebrates literature and art, connecting readers through reflections on the human condition — our lived experiences, afflictions, and dreams. As we face a pandemic with profound implications, the essays within offer a variety of perspectives on the current predicament, encouraging readers to reflect on the world we knew before and contemplate how society can be reshaped once we emerge. Through The Quarantine Review, Dupuis and Sarfraz hope to give voice to the swirling emotions inside each of us during this unprecedented moment, to create a circuit of empathy between the reader, the work itself, and the wider world beyond the walls of our homes. This issue includes writing from Susan Alexander, Rima Berns-McGown, Joseph Cicerone, Lucas Crawford, Paula Ethans, Jen Knoch, Hannah MacReady, Linda McMullen, Archana Sidhar, Matthew St. Amand, Laura Wills, and Elana Wolff, with art by Camilla Gibb.

Birding in the Glass Age of Isolation explores the experience and greater social implications of mental illness, specifically OCD and Hallucinogen Persisting Perception Disorder. It asks the questions: How does anxiety inform both how we act and how we interpret those actions afterwards? How does the fear of retribution from one’s own mind lead to miscalculations or total inaction? Finally, how is one’s self-worth effaced in the balancing act between trying to do the right thing and doing nothing at all?

Sideshow Concessions is the first book from queer performer and scholar Lucas Crawford. A collection populated by the circus-like bodies and experiences of a narrator navigating rural pasts and urban presents, Sideshow Concessions is the unofficial story of someone who is both a bearded lady and the fattest man in the world. "Sideshow Confessions is an accessible glimpse at the absurd -- a clever look at a trans narrative which explores its challenges without drowning in them... Crawford's sense of humour is a breath of fresh air."--Broken Pencil "Sideshow Concessions is fresh, honest, heartbreaking, and funny, with turns of phrase equally intelligent and moving."--Karen Solie

Imagine: a public park that floats above the city, slicing the urban grey with its narrow green body. It winds its way through Manhattan, from the Meatpacking District to Chelsea to the Rail Yards. It is the beneficiary of millionaires, politicians, and citizens, who rescued it from demolition. Every tour book points here. Cities around the world clamor to reclaim their own abandoned train tracks as parks, inspired by this success. This is High Line Park. Imagine: the Meatpacking District, 1989. Affordable apartments in Chelsea. Queer and racialized youth vogue, using piers as their runways. A transsexual community bands together. The fight for AIDS awareness takes hold. After sunsink, punks and urban adventurers hoist themselves onto the abandoned train tracks, where seeds dropped from loose locomotive doors have bloomed into an elsewhere-landscape, commemorating dead commerce. This was the High Line. The High Line Scavenger Hunt is a poetic search for the ruins and relics of this fraught space that straddles violent gentrification and erased histories. This is a scavenger hunt, but the list of items is written in invisible ink. Lucas Crawford leans in to the tensions between the revitalized High Line Park and the queer histories of the High Line neighborhood, braiding transgender history, autobiographical reflection, and architectural speculation into a commentary on the histories now lost to gentrification.

Orrery is a collection that orbits around the theme of Pioneer 10, an American space probe launched in 1972 to study Jupiter’s moons. Having achieved many firsts before reaching Jupiter and a few more after being hurled away from the solar system, the probe was retired in 2003 when NASA stopped sending signals to it, leaving it to wander alone through deep space. On a trajectory that may long outlast Earth, Pioneer has transformed from a finite object into an infinite one, a muddling of the mundane and the sublime, of mortality and immortality, that is echoed throughout the collection: “I could have been a dancer, a stunt double, / and you, Pioneer 10, a pop can, a pie plate, / a gear driving the orrery of all you sail beyond.” Inhabiting the perceived imaginative and philosophical space of the probe, Kane’s poems ignite a radical empathy in which human beings, caterpillars, stars, animal bones and other hunks of the material stuff of the universe are seen to share a common condition. Exploring ideas of materiality, consciousness, transformation and space travel, Orrery is as exquisite as its namesake, a compact vision of our world that helps us to orient ourselves in time and space, inspiring wonder.

Transgender studies, broadly defined, has become increasingly prominent as a field of study over the past several decades, particularly in the last ten years. The experiences and rights of trans people have also increasingly become the subject of news coverage, such as the ability of trans people to access restrooms, their participation in the military, the issuing of driver’s licenses that allow a third gender option, the growing visibility of nonbinary trans teens, the denial of gender-affirming health care to trans youth, and the media’s misgendering of trans actors. With more and more trans people being open about their gender identities, doctors, nurses, psychologists, social workers, counselors, educators, higher education administrators, student affairs personnel, and others are increasingly working with trans individuals who are out. But many professionals have little formal training or awareness of the life experiences and needs of the trans population. This can seriously interfere with open communications between trans people and service providers and can negatively impact trans people’s health outcomes and well-being, as well as interfere with their educational and career success and advancement. Having an authoritative, academic resource like The SAGE Encyclopedia of Trans Studies can go a long way toward correcting misconceptions and providing information that is otherwise not readily available. This encyclopedia, featuring more than 300 well-researched articles, takes an interdisciplinary and intersectional approach to trans studies. Entries address a wide range of topics, from broad concepts (e.g., the criminal justice system, activism, mental health), to specific subjects (e.g., the trans pride flag, the Informed Consent Model, voice therapy), to key historical figures, events, and organizations (e.g., Lili Elbe, the Stonewall Riots, Black Lives Matter). Entries focus on diverse lives, identities, and contexts, including the experiences of trans people in different racial, religious, and sexual communities in the United States and the variety of ways that gender is expressed in other countries. Among the fields of studies covered are psychology, sociology, history, family studies, K-12 and higher education, law/political science, medicine, economics, literature, popular culture, the media, and sports.

In2002, Nightwood published Where the Words Come From: Canadian Poets in Conversation , a successful first-of-its-kind collection of interviews with literary luminaries like Margaret Atwood, Michael Ondaatje, Margaret Avison, Patrick Lane, Lorna Crozier and P.K. Page, conducted by "the younger generation" of poets of the day. Sixteen years later, What the Poets Are Doing brings together two younger generations of poets to engage in conversations with their peers on modern-day poetics, politics and more. Together they explore the world of Canadian poetry in the new millennium: what's changed, what's endured and what's next. An exciting "turn of the century" has evolved into a century characterized by social and digital media, the Donald Trump presidency,#MeToo empowerment and scandal, and Indigenous Truth andReconciliation. Should we look to our poets as our most articulate analysts and critics of these times? Are they competing with social media or at one with socialmedia?

An urgent, powerful examination of place and the ways in which all kinds of identities exist and collide. GOVERNOR GENERAL'S LITERARY AWARD FOR POETRY, FINALIST PAT LOWTHER MEMORIAL AWARD, SHORTLIST J. M. ABRAHAM ATLANTIC POETRY AWARD, SHORTLIST GERALD LAMPERT MEMORIAL AWARD, LONGLIST The poems in sulphurtongue ask how to redefine desire and kinship across languages, and across polluted environments. An immigrant family scatters over a stolen continent. Oracles appear in public transit, and online. Bodies are transformed by nearby nickel mines. Doppelgangers, Catholic saints, and polyamorists alike pass on unusual inheritances. Deeply entangled in relations both emotional and ecological, this collection confronts the stories we tell about gender, queerness, race, religion, illness, and trauma, seeking new forms of care for a changing world.

It is 2013 and Calgary's Bow river is beginning to rise. Two homeless men stand by the bank and contemplate the death of another friend-an accident? Taking cover downtown that night, Shermeto intervenes in the attack on a bar patron, and finds himself laid up in the hospital. Outside, as the city reels from an unthinkable disaster, Shermeto finds himself away from the swelling river and face-to-face with the a part of past he is trying to hide from: his daughter Kendra.