This definitive biography of the silver screen legend is “a moving, lively, witty, sad book that revives once more the long dead Count Dracula” (Kirkus Reviews). Bela Lugosi won immediate fame for his starring role in the 1931 film Dracula—the role that would forever define his persona. After a decade of trying to broaden his range, Lugosi resigned himself to a career as the world's most recognizable vampire, often playing opposite his horror film rival Boris Karloff. When he died in 1956, Lugosi could not have known that vindication of his talent would come—his face would adorn theaters and his Hungarian accent would be instantly recognized across the globe. In 1974, silent film expert Arthur Lennig published The Count, a highly regarded biography of the unsung actor. Now Lennig returns to his subject with a completely revised volume more than twice the length of the original. The Immortal Count provides deeper insights into Lugosi's films and personality. Drawing upon personal interviews, studio memos, shooting scripts, research in Romania and Hungary, and his own recollections, Lennig has written the definitive account of Lugosi's tragic life.

Dracula and Frankenstein's Monster are horror cinema icons, and the actors most deeply associated with the two roles also shared a unique friendship. Bela Lugosi and Boris Karloff starred in dozens of black-and-white horror films, and over the years managed to collaborate on and co-star in eight movies. Through dozens of interviews and extensive archival research, this greatly expanded new edition examines the Golden Age of Hollywood, the era in which both stars worked, recreates the shooting of Lugosi and Karloff's mutual films, examines their odd and moving personal relationship and analyzes their ongoing legacies. Features include a fully detailed filmography of the eight Karloff and Lugosi films, full summaries of both men's careers and more than 250 photographs, some in color.

A scholarly, yet thoroughly entertaining study of Lugosi's entire life, focusing on the period between 1952-56 - his career, his marriages, his politics, and his close friendship with Richard Sheffield. This insightful hardcover edition contains previously unpublished research, interviews and hundreds of rare photos, many unseen until now. Includes details of newly discovered stage, newsreel, radio and TV work, as well as a filmography with new entries.

A biography chronicling the tumultuous personal and professional life of horror icon Bela Lugosi.

"Gary Rhodes and Bill Kaffenberger have added the final chapter to Bela Lugosi's career, combining fascinating unknown details of his film and stage activities with post-WWII film history. Superbly researched and written as an engrossing story of an actor's struggle against professional decline. A must-read!" - Robert Cremer, author of Lugosi: The Man Behind the Cape (Henry Regnery, 1976). "Gary Rhodes represents that elusive Gold Standard in narrative research into the full depth and breadth of Bela Lugosi's complicated career. Rhodes' devotion to the banishment of myth, and to its replacement with frank and humanizing truth, has provided a wealth of historical storytelling that, in turn, renders the actor's known body of work all the more fascinating and comprehensible. Just when I catch myself believing I know all there is to be known about Lugosi - along comes Gary Rhodes and Bill Kaffenberger with a fresh brace of revelations. The process advances immeasurably in No Traveler Returns: The Lost Years of Bela Lugosi." - Michael H. Price, coauthor of the Forgotten Horrors series. In No Traveler Returns, Bela Lugosi scholar extraordinaire Gary D. Rhodes and Bill Kaffenberger provide a fascinating time travel journey back to the late 1940s/early 1950s, when Lugosi - largely out of favor in Hollywood - embarked on a Gypsy-like existence of vaudeville, summer stock, and magic shows. While many historians have considered this era a limbo in Lugosi's career, with precious few facts unearthed, Rhodes and Kaffenberger take the reader along for a wide-eyed ride as Bela performs in a nightclub so notorious that armed guards keep watch on the roof, dresses as Dracula in a magic show where he and a gorilla (a man in a suit) play football with the guillotined head of a woman (a dummy), and races from one stock engagement to another without ever missing a cue. Never in his American career was Bela so busy, and never did his light shine so brightly as he valiantly troupes to support his family, dominate age and illness, and please his audiences. It's a fastidiously researched education in the show business world of the time - and a stirring tribute to the charm, brilliance and inexhaustible professionalism of the star who was Dracula. - Gregory William Mank, author of Bela Lugosi and Boris Karloff: The Expanded Story of a Haunting Collaboration (McFarland, 2009).

"Hollywood, 1956. Journalist and war widow Evangeline Kilhooley is assigned to write a star profile of the fading actor Bela Lugosi, made famous by his role as Count Dracula. During a series of interviews, Lugosi draws Evi into his curious Eastern European background, gradually revealing the link between Old World shadows and the twilight realm of modern horror films. Along the way, Evi meets another English expatriate, Hugo Radelle, a movie buff who offers to help with her research. As their relationship deepens, Evi begins to suspect that he knows more about her and her soldier husband than he is letting on. Meanwhile, a menacing Darkness stalks all three characters as their histories and destinies mysteriously begin to intertwine."--Provided by publisher.

It’s the late 1980s, and Michael Fenton, editor of Ramboona (a magazine dedicated to forgotten films), is attempting to track down the lost test footage from the 1931 Frankenstein produced by Universal Studios. It’s the holy grail of horror film aficionados: the twenty-minute reel in which Bela Lugosi portrays Frankenstein’s Monster instead of Boris Karloff, who would go on to make cinematic history with his portrayal of Mary Shelley’s creation. In his attempt to locate this fifty-year-old film canister, Mike is led down a labyrinth of blind alleys amidst the topsy-turvy wonderland of Los Angeles and environs. When we first encounter Mike, he’s making a pilgrimage to Lugosi’s final resting place at Holy Cross Cemetery. This is where he meets Lucy Szilagyi, a struggling young actress who happens to be visiting Sharon Tate’s grave (located only a few tombstones away from Lugosi’s). Lucy, a film buff herself, joins Mike in his quixotic search, helping him track down such curious, real-life characters as Maila Nurmi (an out-of-work actress known more famously as “Vampira”), Bela Lugosi, Jr., science fiction novelist Curt Siodmak, and Manly P. Hall (master hypnotist, mystic, Lugosi confidant, and author of a strange occult encyclopedia entitled The Secret Teachings of All Ages). All of these individuals have valuable pieces of information that could lead Mike to the hidden location of the lost test reel. Lugosi’s grave is also where Mike encounters a mysterious old man who promises him the footage he so desperately desires. But the man offers the item only at a most unusual price…. Bela Lugosi’s Dead is one-third detective story, one-third Hollywood ghost story, and one-third pulp adventure tale…. ***** “In Robert Guffey's latest and greatest novel, dreams of old movies and nightmares of classic horror rack into sharp focus through the lens of a brave film historian, one determined to squint clearly at fleeting grains of film through the shifting sands of time. Never has the truth of Hollywood been so well revealed through fiction. As a result, Bela Lugosi's Dead delightfully and definitively proves that Bela Lugosi isn't dead.” --Gary D. Rhodes, author of LUGOSI and TOD BROWNING'S DRACULA

With the success of Dracula, starring Bela Lugosi, Universal Pictures was quick to capitalize on creating a new Lon Chaney in Bela Lugosi. Chaney had been the original choice to portray a duel role as both Dracula and Professor van Helsing, Dracula's adversary. Before production could begin Chaney died suddenly leaving Carl Laemmle Jr. without a star. Laemmle Jr. had seen Dracula on the stage in New York City, although he could not recall if he had seen Lugosi or Raymond Huntley in the role of Count Dracula. However Lugosi was performing in the touring company which happened to be in Los Angeles at that time. Was he the new Lon Chaney? Lugosi was not Carl Jr's first choice for the role. However he eventually won the part and now they needed more ideas for him. "Murders in the Rue Morgue," "Cagliostro," "The Invisible Man" and "Frankenstein" were top on the list. One day in March 1931 Robert Florey, recently returned to Hollywood from Europe, was having lunch at the Musso and Frank Restaurant on Hollywood Boulevard. He was approached by an old acquaintance, Richard Schayer, head of Universal's story department. Schayer told him that his studio was looking for ideas for a new horror film to star Bela Lugosi and he knew Florey was involved with The Theatre du Grand-Guignol de Paris, (a small theater, in an obscure alley in Paris which specialized in sadistic, shocking, explicit, violent melodramas and became known as the "Theater of Horrors." It opened in 1897 and closed in 1962.) They both agreed on "Frankenstein" being the best choice. Schayer suggested that Florey would stand a better chance at being asigned writer and director if he were to present the idea to Carl Laemmle Jr. We present now the script for"Frankenstein" as it would have been had Bela Lugosi starred; and Rober Florey directed.