Being Viking provides a rigorous ethnographic account of the Asatru religion in America, also known as Heathenry or Heathenism. Arising from five years of original ethnographic fieldwork among American Asatru adherents, the book expands our understanding of this religious movement as part of the American religious context.

Long ago in a fierce and frosty land, there lived a small and lonely Viking and his name was Hiccup. Read superbly by Alan Davies.

The definitive history of the Vikings -- from arts and culture to politics and cosmology -- by a distinguished archaeologist with decades of expertise The Viking Age -- from 750 to 1050 -- saw an unprecedented expansion of the Scandinavian peoples into the wider world. As traders and raiders, explorers and colonists, they ranged from eastern North America to the Asian steppe. But for centuries, the Vikings have been seen through the eyes of others, distorted to suit the tastes of medieval clerics and Elizabethan playwrights, Victorian imperialists, Nazis, and more. None of these appropriations capture the real Vikings, or the richness and sophistication of their culture. Based on the latest archaeological and textual evidence, Children of Ash and Elm tells the story of the Vikings on their own terms: their politics, their cosmology and religion, their material world. Known today for a stereotype of maritime violence, the Vikings exported new ideas, technologies, beliefs, and practices to the lands they discovered and the peoples they encountered, and in the process were themselves changed. From Eirík Bloodaxe, who fought his way to a kingdom, to Gudrid Thorbjarnardóttir, the most traveled woman in the world, Children of Ash and Elm is the definitive history of the Vikings and their time.

"In the tenth century, when pagan holy women rule the Viking lands, Gudrid turns her back on her training as a seeress to embrace Christianity. Clinging to her faith, she joins her husband, Finn, on a voyage to North America. But even as Gudrid faces down murderous crewmen, raging sickness, and hostile natives, she realizes her greatest enemy is herself--and the secrets she hides might just tear her marriage apart"--Page 4 of cover.

He's the son of a chieftain and a princess--yet Halfdan was born a slave. Now he is becoming a man and it is time for him to meet his destiny. Though raised a slave who could only dream of freedom, young Halfdan's fate may be about to change. If freed, he may train as a Viking warrior, and come to know the glories of true brotherhood and the horrors of unspeakable evil. In the world of Vikings, a warrior's destiny is forged in the heat of battle. If the fates decree it, Hafdan may emerge as a new hero . . . a new myth . . . and perhaps a new legend.

‘Donald is a writer not only at the top of his game, but of the game’ Giles Kristian, author of the Raven series ‘Donald delivers a masterclass’ Theodore Brun, author of A Burning Sea 'A gory, gleeful treat' The Times The greatest warriors are forged in the flamesTwo pagan fighters 771AD, Northern Europe. Bjarki Bloodhand and Tor Hildarsdottir are journeying south into Saxony. Their destination is the Irminsul, the One Tree that links the Nine Worlds of the Middle-Realm. In this most holy place, they hope to learn how to summon their animal spirits so they can enter the ranks of the legendary berserkir: the elite frenzied fighters of the North. One Christian king Karolus, newly crowned King of the Franks, has a thorn in his side: the warlike Saxon tribes on his northern borders who shun the teachings of the Church, blasphemously continuing to worship their pagan gods. An epic battle for the soul of the North The West’s greatest warlord vows to stamp out his neighbours’ superstitions and bring the light of the True Faith to the Northmen – at the point of a sword. It will fall to Bjarki, Tor and the men and women of Saxony to resist him in a struggle for the fate of all Europe. Praise for The Last Berserker ‘Donald has taken the legendary berserkers, those frothing-at-the-mouth shield-biters, and made them human, which once again proves that Donald is a writer not only at the top of his game, but of the game ... It is a wonderful, rich and violent brew. I welcome Angus Donald to the shield wall of Viking fiction like a thirsty man welcomes a mead-brother to the feast ... A tale worthy of the skalds’ Giles Kristian, author of the Raven series ‘With The Last Berserker, Donald has given us the first cut of some serious Dark Age beef. By turns heart-racing, intriguing, and touching, this is not a book for the faint-hearted – I can’t wait for more’ Theodore Brun, author of A Burning Sea ‘The Last Berserker strikes with the thundering power of Thor's hammer... rich with the earthy depth, historical detail, intrigue, violence and adventure that we expect from Donald. But it is Bjarki and Tor that make The Last Berserker stand out... Donald's masterful creations will live on in the imagination long after the final page’ Matthew Harffy, author of the Bernicia Chronicles 'A wonderful, blood-soaked tale of redemption and revenge, set amidst the eighth century clash of civilisations between Pagan Vikings and Christian Franks, by a master of the genre’ Saul David, author of Zulu Hart 'Loved this tale of a berserker facing up against the tidal wave of Charlemagne’s expansion. Great characters, brilliantly paced and explosive, gritty battle-scenes. Highly recommended' John Gwynne, author of Malice ‘Well researched detail and stunning battle scenes make The Last Berserker a white knuckle ride. A thrilling, up-all-night read’ C. R. May, author of The Day of the Wolf 'I loved it. Bjarki and Tor are great characters, instantly relatable. The depth of the immersion in their world and their values gives the book authenticity and weight' Cecelia Holland, author of The Soul Thief

Scoular Anderson gives tips on how to be a viking. Practical teaching notes are included at the back of the book.

The viking berserkr is an iconic warrior normally associated with violent fits of temper and the notorious berserksgangr or berserker frenzy. This book challenges the orthodox view that these men went ‘berserk’ in the modern English sense of the word. It examines all the evidence for medieval perceptions of berserkir and builds a model of how the medieval audience would have viewed them. Then, it extrapolates a Viking Age model of berserkir from this model, and supports the analysis with anthropological and archaeological evidence, to create a new and more accurate paradigm of the Viking Age berserkr and his place in society. This shows that berserkir were the champions of lords and kings, members of the social elite, and that much of what is believed about them is based on 17th-century and later scholarship and mythologizing: the medieval audience would have had a very different understanding of the Old Norse berserkr from that which people have now. The book sets out a challenge to rethink and reframe our perceptions of the past in a way that is less influenced by our own modern ideas. The Myths and Realities of the Viking berserkr will appeal to researchers and students alike studying the Viking Age, Medieval History and Old Norse Literature.

In this extensively revised third edition of The Viking Age: A Reader, Somerville and McDonald successfully bring the Vikings and their world to life for twenty-first-century students and instructors. The diversity of the Viking era is revealed through the remarkable range and variety of sources presented as well as the geographical and chronological coverage of the readings. The third edition has been reorganized into fifteen chapters. Many sources have been added, including material on gender and warrior women, and a completely new final chapter traces the continuing cultural influence of the Vikings to the present day. The use of visual material has been expanded, and updated maps illustrate historical developments throughout the Viking Age. The English translations of Norse texts, many of them new to this collection, are straightforward and easily accessible, while chapter introductions contextualize the readings.

Presents a light-hearted approach to what life was like as a Viking explorer.