Peter Greenaway has an international reputation as one of the most innovative, stylish and intelligent of contemporary film-makers. His eight feature films, from The Draughtsman's Contract to The Pillow Book, have variously, and sometimes simultaneously, prompted controversy, infamy, acclaim and delight. However, Greenaway is an artist whose work also includes painting; collage; experimental TV; the novel/opera Rosa; and numerous exhibitions/installations, including The Stairs, a continuing series of ten projects in ten cities exploring the basic components of cinema. Being Naked Playing Dead explores the complete oeuvre, but centres firmly on Greenaway's insistence that his is 'a cinema of ideas not plots'. Each film is discussed within a thematic analysis of the full range of Greenaway's output and the wider contexts within which it is conceived. In conclusion there are two extended interviews, making this book essential reading for all Greenaway enthusiasts.

A perfect marriage unravels on their honeymoon in this shocking thriller from the bestselling author and creator of the hit Netflix drama Fool Me Once. Laura Ayars' perfect world is shattered at a time which should have been the happiest of her life. On her honeymoon, her husband goes for a swim - and never returns. But what has happened to David - can he really be dead? Whilst struggling to cope with her almost overwhelming grief, Laura is plagued by questions and doubts. Was it an accident? Or suicide? As events begin to unfold, Laura starts to question David's mysterious disappearance. She begins to uncover a conspiracy which reaches deep into the past, and is now slowly beginning to destroy everyone involved. Someone will do anything to keep Laura away from the awful truth - and she has no idea who she can trust . . .

“A compelling family mystery that kept me turning the pages. Highly recommended.”—Margaret Maron, New York Times bestselling author of Three Day Town “Dear Tommie: Have you ever wondered about who you are?” The letter that turns Tommie McCloud’s world upside down arrives from a stranger only days after her father’s death. The woman who wrote it claims that Tommie is her daughter—and that she was kidnapped as a baby thirty-one years ago. Tommie wants to believe it’s all a hoax, but suddenly a girl who grew up on a Texas ranch finds herself linked to a horrific past: the slaughter of a family in Chicago, the murder of an Oklahoma beauty queen, and the kidnapping of a little girl named Adriana. Tommie races along a twisting, nightmarish path while an unseen stalker is determined to keep old secrets locked inside the dementia-battered brain of the woman who Tommie always thought was her real mother. With everything she has ever believed in question, and no one she can trust, Tommie must discover the truth about the girl who vanished—and the very real threats that still remain. “[Julia Heaberlin’s] voice is pitch perfect, and her story of one woman’s fierce struggle to reconcile her past with her present is gripping and powerful. An outstanding debut.”—Carla Buckley, author of Invisible

Today's #1 New York Times bestselling thriller writers agree: Ryan Brown's compulsively readable first novel is unbeatable-a darkly humorous, rich and pungent zombie shocker that melds our national obsession with football and the newest wave of fascination with the undead. For the first time in Killington High School history, the Jackrabbits football team is one win away from the district championship where it will face its most vicious rival, the Elmwood Heights Badgers. On the way to the game, the Jackrabbits's bus plunges into a river, killing every player except for bad-boy quarterback Cole Logan who is certain the crash was no accident-given that Cole himself was severely injured in a brutal attack by three ski-masked men earlier that day. Bent on payback, Cole turns to a mysterious fan skilled in black magic to resurrect his teammates. But unless the undead Jackrabbits defeat their murderous rival on the field, the team is destined for hell. In a desperate race against time, with only his coach's clever daughter, Savannah Hickman, to assist him, Cole must lead his zombie team to victory . . . in a final showdown where the stakes aren't just life or death-but damnation or salvation. Boundlessly imaginative and thrillingly satisfying, Play Dead gives small-town Texas an electrifying jolt of the supernatural, and is unquestioningly The Zombie Novel of the Year!

DEAD MAN RUNNING Sentenced to death for crimes he didn’t commit, ex-cop Tom O’Brien is now a hunted fugitive. After fifteen years in prison, he’s determined to prove his innocence–but first he must convince his daughter, whose testimony helped put him behind bars, that he has damning evidence of a plot to frame him. Claire is no longer the naïve teenager who arrived home to find her mother and her mother’s lover shot dead and her father holding the murder weapon. She’s a successful fraud investigator who assumes everyone lies. Though Claire is convinced of her father’s guilt, curiosity propels her to look into the disappearance of a law student who claimed to have proof of Tom’s innocence. But seeking answers only leads to more questions, reinforcing Claire’s belief that there’s no one left to trust. Obsessed with the O’Brien case, FBI agent Mitch Bianchi befriends Claire under false pretenses, certain that Tom is not only innocent but in grave danger–and not just from the cops. As the three race toward the truth, a murderous conspiracy tightens its noose–and Claire becomes the target of an ice-cold psychopath who will kill to protect his secrets.

Literature and film studies students will find plenty of material to support their courses and essay writing on how the film versions provide different readings of the original text. Focussing on numerous film versions, from Percy Stow's 1908 adaptation to Peter Greenaway's Prospero's Books, the book discusses: the literary text in its historical context, key themes and dominant readings of the text, how the text is adapted for screen and how adaptations have changed our reading of the original text. There are numerous excerpts from the literary text, screenplays and shooting scripts, with suggestions for comparison. The book also features quotations from authors, screenwriters, directors, critics and others linked with the chosen film and text.

In The Postmodern Animal, Steve Baker explores how animal imagery has been used in modern and contemporary art and performance, and in postmodern philosophy and literature, to suggest and shape ideas about identity and creativity. Baker cogently analyses the work of such European and American artists as Olly and Suzi, Mark Dion, Paula Rego and Sue Coe, at the same time looking critically at the constructions, performances and installations of Robert Rauschenberg, Louise Bourgeois, Joseph Beuys and other significant late twentieth-century artists. Baker's book draws parallels between the animal's place in postmodern art and poststructuralist theory, drawing on works as diverse as Jacques Derrida's recent analysis of the role of animals in philosophical thought and Julian Barnes's best-selling Flaubert's Parrot.

In this imaginative legal thriller for dog lovers, an attorney tries to free an innocent man by convincing an incredulous jury to take the testimony a golden retriever seriously. Few can rival attorney Andy Carpenter's affection for golden retrievers, especially his own beloved Tara. After he astonishes a New Jersey courtroom by successfully appealing another retriever's death sentence, Andy discovers that this gentle dog is a key witness to a murder that took place five years earlier. It will take all the tricks Andy's fertile mind can conceive to get to the bottom of a remarkable chain of impersonations and murder -- and hopefully save not only a dog's life but also his own in the process.

This book is a collection of essays that examine the work of filmmakers whose concern is not just for the eye, but also for the ear.

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