A collection of 23 riveting essays on aspects of contemporary French culture by the superstars of the field.

A collection of 23 riveting essays on aspects of contemporary French culture by the superstars of the field.

'Being Contemporary' emerges from a sense of critical urgency to probe the notion of 'the contemporary', and the place of the contemporary critic, in French literary and cultural studies today. Consisting of twenty-two critical essays written by scholars in the field of French studies, the volume offers a sustained reflection on the status of the contemporary in French culture and takes a close look at the contemporary moment itself, as well as its concomitant discourse of crisis.

This book explores the 'colonial fortune' in light of contemporary concerns with issues of fate, economics, legacy, and debt and the persistence of the colonial in today’s political and cultural conversation.

Montmartre: A Cultural History offers an engaging tour of one of the most fascinating areas of Paris, exploring a rich history from the Belle Epoque to the Occupation. The work explores many iconic areas of Paris, such as the Moulin-Rouge and Sacré-Coeur.

Race on Display in 20th- and 21st-Century France argues that the way France displayed its colonized peoples in the twentieth century continues to inform how minority authors and artists make immigrants and racial and ethnic minority populations visible in contemporary France.

This exhaustive reading of the review Lignes provides the first in depth study of a French intellectual periodical publication form the 1980s to the contemporary moment. It demonstrates the preservation and development of 'French Theory' into the new millennium, and provides a new cultural history of France, from the fall of the Berlin Wall to the 2016 terror attacks.

"The New North-African Trend, Coming Out áa l'Orientale"--Cover.

In considering cultural works from French-speaking North Africa and the Middle East all published or released in France from 1962-2011, Solheim’s study of listening across cultural genres will be of interest to any scholar curious about contemporary postcolonial France.

Bringing together a diverse corpus of over 60 documentaries, short films, téléfilms, and feature films released in France between 1979 and 2014, this book represents the first comprehensive study of cinematic representations of first-generation Muslim women from the Maghreb (Algeria, Morocco, Tunisia) in France.