Ruth is such a gift to us—her voice is strong and honest, yet believably grace-filled and kind. We learn and grow into who we want to be when Ruth's words and art lead us. —Annie F. Downs, bestselling author of 100 Days to Brave and host of That Sounds Fun podcast Become What You Behold You are in the process of becoming. Every day is an opportunity to be shaped and formed by what moves your heart…drives your thoughts…captures your gaze. Is it any wonder that where you direct your eyes and your heart matter in your day-to-day? We become what we behold when we set our hearts and minds on Christ and His redemption story here in the details of our daily lives. Not just on Sunday, not just on holidays, not just when extraordinarily hard or wonderful things happen…but today. Bestselling author and artist Ruth Chou Simons invites you on a new journey to Beholding and Becoming. With more than 850 pieces of intricate, original artwork, Ruth encourages you to elevate your gaze to the One who created all things. Today is an opportunity for God to demonstrate His love and His faithfulness in the midst of your mundane. No circumstance is too ordinary or too forgotten for Him to meet you there in worship. His transforming grace turns your “everyday ordinary” into a holy place of becoming.

Be Holding is a love song to legendary basketball player Julius Erving—known as Dr. J—who dominated courts in the 1970s and ‘80s as a small forward for the Philadelphia ‘76ers, as well as over his career in both the NBA and ABA. But this book-length poem is more than just an ode to a magnificent athlete. Through a kind of lyric research, or lyric meditation, Ross Gay connects Dr. J’s famously impossible move from the 1980 NBA Finals against the Los Angeles Lakers to pick-up basketball and the flying Igbo and the Middle Passage, to photography and surveillance and state violence, to music and personal histories of flight and familial love. Be Holding wonders how the imagination, or how our looking, might make us, or bring us, closer to each other. How our looking might make us reach for each other. And might make us be reaching for each other. And how that reaching might be something like joy.

"A fine collection of probing and imaginative discussions on the relation between the Incarnation and the arts." --Nicholas Wolterstorff, Yale Divinity School

2018 Christian Book Award® This Journey Is as Perennial as the Seasons GraceLaced is about more than pretty florals and fanciful brushwork—it's about flourishing. With carefully crafted intention, this beautiful volume of 32 seasonal devotions from artist and author Ruth Chou Simons encourages readers in any circumstance to become deeply rooted in God's faithful promises. GraceLaced extends a soul-stirring invitation to draw close to God while... resting in who He is rehearsing the truth He says about you responding in faith to those truths remembering His provision to sustain you, time and time again More than 800 individual pieces of art came together in the crafting of this book, including dozens of new, hand-painted Scripture vignettes that Ruth is known for. Who we are and who God is never changes, even though everything else rarely stays the same. Let this book point you to truth as you journey through the changing seasons of your heart.

Beholding His Glory, a twenty-two session course, shows us how all Scripture points us to our Redeemer, Jesus Christ. As we look at Old Testament people and events, we'll encounter problems that only Christ will solve, needs that only He will satisfy, and promises that only He can deliver. We'll learn to recognize and appreciate God's plan for our own lives, His awe-inspiring majesty, and His desire for personal intimacy with each one of us.

a nine-lesson course, picks up where Beholding His Glory ends. The story of salvation history is continued as we look at King David, select Psalms, the temple, and many Old Testament prophets and they ways in which they all point to the coming King of kings, Jesus Christ. A series of three DVDs, which includes supplemental talks for selected lessons in the study guide, accompanies the course.

Move from a transactional experience with God to a transformational friendship with Him through prayer. How can time with God be a source of peace in a loud and distracting world? In Beholding, spiritual director and poet Strahan Coleman invites readers to discover the joy of being with God, not just working for Him. As they inhabit the art of resting in God’s presence, prayer becomes not only a place of seeking, but becoming. Beholding calls Christians to understand how: Prayer is so much more than spoken conversation between us and God; it’s a way of existing together. Beholding God in prayer is profoundly connected to beholding and dignifying others. Embracing prayer practices from different Christian traditions digs a deep well of peace in the soul. Our everyday ordinary lives can become the meeting place for God through silence, solitude, community, creation, and hospitality.

How very easy and natural it is to become absorbed in the problems that bombard us daily. These difficulties may range from personal turmoils, heartbreaks with our children or marital conflicts to world dilemmas in general. Such distresses are real. They can hurt despicably and require and deserve answers and solutions.Time, energy, and general wear and tear can be saved if we learn to look straight through our immediate circumstances and behold our God as reigning King, working everything for our good as we learn to respond to Him rather than to situations or people. We can look beyond the immediate to the real reason we are on Planet Earth. We see that our Lord wants to use everything that enters our lives to get us ready to live with Him as His bride forever. Our sorrows and everyday experiences are no longer wasted, but they are used to draw us into a vital love relationship with the Lord Jesus Christ in which we receive and display His very life.As such a relationship is developed with Christ, we are blessed - every aching abyss of our inner beings is satisfied - and He is honored and glorified. We learn to enjoy life and others rather than abusing them by trying to make them meet needs and function in ways in which they were never intended.As I write this book I am painfully aware that I have only scratched the surface of the areas of which I write. However, I know if Jesus is lifted up and becomes our Lord and Lover, and if we seek Him with all our hearts, He will make Himself known to us and bring us into a level of living far beyond our greatest expectations.The purpose of this book is to start us on or aid us in that delightful journey back into the heart of God, with Jesus as our Companion, King, Lord, Lover - our all! When He is our God, all else takes its proper perspective. Each problem, whether great or small, can be successfully worked through as we behold Him. His peace and contentment or overflowing joy will then begin saturating us as a way of life.

Interested in the ways in which medieval and early modern communities have acted as participants, observers, and interpreters of events and how they ascribed meaning to them, the essays in this interdisciplinary collection explore the concept of beholding and the experiences of individual and collective beholders of violence during the period. Addressing a range of medieval and early modern art forms, including visual images, material objects, literary texts, and performances, the contributors examine the complexities of viewing and the production of knowledge within cultural, political, and theological contexts. In considering new methods to examine the process of beholding violence and the beholder's perspective, this volume addresses such questions as: How does the process of beholding function in different aesthetic conditions? Can we speak of such a thing as the 'period eye' or an acculturated gaze of the viewer? If so, does this particularize the gaze, or does it risk universalizing perception? How do violence and pleasure intersect within the visual and literary arts? How can an understanding of violence in cultural representation serve as means of knowing the past and as means of understanding and potentially altering the present?

“Fans of Kate DiCamillo, Jennifer Holm, and Polly Horvath will find this an enjoyable and engrossing read.” —School Library Journal Bee is an orphan who lives with a carnival and sleeps in the back of a truck. Every day she endures taunts for the birthmark on her face, though she prefers to think of it as a precious diamond. Then one day a scruffy dog shows up, as unwanted as she, and Bee realizes she must find a home for them both. She discovers a cozy house with gingerbread trim that reminds her of frosting, where two mysterious women, Mrs. Swift and Mrs. Potter, take her in. Whoever these women are, they matter. They matter to Bee. And they are helping Bee realize that she, too, matters to the world—if only she will let herself be a part of it.