Who would have thought that working behind the scenes at Radio Caroline would involve smuggling money from one country to another, proving to the police that a body wasn't buried in your garden, knowing that 'Bob the Mole' from the Home Office was listening in to all your phone conversations, that you'd be taking part in a controversial launch of a band or working with George Harrison as he set up Hand Made Films? A sane person might have run for the hills. But being naïve (and perhaps not entirely sane) these were just a few of the shenanigans that the author encountered as she embarked on years of working with Ronan O'Rahilly - the main founder of Radio Caroline. In the 1970s Radio Caroline listeners would, if they were lucky and everything was running smoothly, hear presenters playing great album tracks that couldn't be heard on any other station. Behind the scenes though, others were beavering away to ensure Caroline stayed on the air. Australian Lyn Gilbert, living in the UK is a teacher, but did a lot of side jobs in her youth, working at bars and restaurants and helping Ronan O'Rahilly producing movies and running his pirate radio station.

Radio Caroline was the world's most famous pirate radio station during its heyday in the 1960s and '70s, but did the thousands of people tuning in realise just what battles went on behind the scenes? Financed by respected city money men, this is a story of human endeavour and risk, international politics, business success and financial failures. A story of innovation, technical challenges, changing attitudes, unimaginable battles with nature, disasters, frustrations, challenging authority and the promotion of love and peace while, at times, harmony was far from evident behind the scenes. For one person to tell the full Radio Caroline story is impossible, but there are many who have been involved over the years whose memories and experiences bring this modern day adventure story of fighting overwhelming odds to life. Featuring many rare photographs and unpublished interviews with the 'pirates' who were there, Ray Clark, once a Radio Caroline disc jockey himself, tells the captivating story of the boat that rocked!

This fascinating selection of photographs illustrates the ‘golden years’ of radio when pirates ruled the airwaves.

At times it appears that a whole industry exists to perpetuate the myth of origin of the Beatles. There certainly exists a popular music (or perhaps 'rock') origin myth concerning this group and the city of Liverpool and this draws in devotees, as if on a pilgrimage, to Liverpool itself. Once 'within' the city, local businesses exist primarily to escort these pilgrims around several almost iconic spaces and places associated with the group. At times it all almost seems 'spiritual'. One might argue however that, like any function myth, the music history of the Liverpool in which the Beatles grew and then departed is not fully represented. Beatles historians and businessmen-alike have seized upon myriad musical experiences and reworked them into a discourse that homogenizes not only the diverse collective articulations that initially put them into place, but also the receptive practices of those travellers willing to listen to a somewhat linear, exclusive narrative. Other Voices therefore exists as a history of the disparate and now partially hidden musical strands that contributed to Liverpool's musical countenance. It is also a critique of Beatles-related institutionalized popular music mythology. Via a critical historical investigation of several thus far partially hidden popular music activities in pre- and post-Second World War Liverpool, Michael Brocken reveals different yet intrinsic musical and socio-cultural processes from within the city of Liverpool. By addressing such 'scenes' as those involving dance bands, traditional jazz, folk music, country and western, and rhythm and blues, together with a consideration of partially hidden key places and individuals, and Liverpool's first 'real' record label, an assemblage of 'other voices' bears witness to an 'other', seldom discussed, Liverpool. By doing so, Brocken - born and raised in Liverpool - asks questions about not only the historicity of the Beatles-Liverpool narrative, but also about the absence o

Radio is the original mass electronic medium and it continues to be critical for audiences wanting news, information, music and entertainment. For over a century enthusiasts, scholars, practitioners, governments, businesses and listeners have developed and influenced radio, making it a fascinating medium to explore today. There is still no mass medium as ubiquitous as radio and the Internet has extended its geographical and temporal reach even further. Radio remains a key media form and technology, not only surviving the challenges of the screen and digital ages, but developing despite and because of them. This book is a collection of contemporary research by radio scholars from the United Kingdom, Canada, Australia and New Zealand. It explores different aspects of this both simple and complex medium, from early radio histories to the contemporary developments of radio on the Internet. Chapters engage with critical debates about the role of government, business and communities in how radio is used in our societies. Some chapters provide important new insights into making radio, and radio as a cultural force. Other chapters explore developments in research methodologies that enable deeper insights into contemporary radio and its audiences. This book provides a range of platforms for engaging with radio and radio research as a rich, vibrant and fruitful way to further our understandings of the media and ultimately, ourselves.

"... Steve Conway tells of his time aboard the Ross Revenge : the excitement, and danger, of living on board ship for long spells, the constant challenge of keeping complex electronic equipment working in sometimes treacherous conditions (including the collapse of the ship's main mast in November 1987), and the camaraderie of working alongside people who, like him, were completely committed to the radio station"--P. [4] of cover.

Far Out at Sea tells the story of Radio Seagull and how a bunch of renegades created a truly alternative radio station. Lavishly illustrated with photographs and featuring exclusive interviews with the people involved, Far Out at Sea is a must read for all fans of offshore radio.

"Stealing all transmissions is a love story. Its the story of how The Clash fell in love with America, and how America loved them back. The romance began in full in 1977, when select rock journalists and deejays aided the bands quest to depose the rock of indolence that dominated American airwaves. This history situates The Clash amid the cultural skirmishes of the 1970s, and culminates with their September 1979 performance at the Palladium, in New York City. This concert was broadcast live on WNEW, and it concluded with Paul Simonon treating his Fender bass like a woodsmans ax. This performance produced one of the most exhilarating Clash bootleg recordings, and the photo of Simonons outburstwhich graced the cover of the London Calling LPwas recently deemed the greatest rocknroll photograph of all time. That night marked one of the last opportunities for American audiences to see The Clash as a punk band, vying between conviction and uncertainty, before they became a seriously brilliant rock group. Stealing represents a distinctive take on the history of punk, for no other book gives proper attention to the forces of free-form radio, long-form rock journalism, or Clash bootleg recordingsmany of which are now widely available on the web."--Publisher description.

Did you ever wonder why so much fantastic music started coming out of Britain in the 60s? Pirates did it. That's right, Pirates. The story of how they did it seems unbelievable, but it really happened. This book tells of Radio Caroline, and how a band of pirates changed the world of music forever.