"Behind the Line" is a completely unique written by way of Ralph Henry Barbour, a prolific American writer seemed for his works inside the young man or woman and sports activities fiction genres. This novel offers reader a compelling glimpse into the area of university soccer at some level in the early 20th century. The tale revolves around the studies of Hal Paine, a university soccer participant who faces annoying conditions each on and rancid the field. As Hal navigates the rigorous needs of soccer exercise and the competitive nature of the game, he additionally grapples with non-public and academic struggles. The novel provides a vibrant portrayal of the camaraderie among teammates, the pressures of collegiate athletics, and the boom of the protagonist as he confronts numerous barriers. "Behind the Line" captures the spirit of American university existence inside the context of early 20th-century football life-style. Barbour skillfully combines factors of sportsmanship, friendship, and private development, growing a story that resonates with readers inquisitive about the dynamics of collegiate sports and the approaching-of-age adventure of its characters.

Looks at the 1967 football season leading up to that year's black college championship between Grambling College and Florida A & M, and how it fit into the civil rights struggles of the time.

The story of Yardley Hall and Kendall Burtis, a player on the college team. When an unknown informer sells the team's signals to the rival school team, Broadwood, Burtis comes under suspicion.

The author's journey as an athlete and lawyer provides a behind-the-scenes glimpse of what goes on behind closed doors in the world of professional sports and collegiate athletic programs. It is also a not often told chronicle of growing up black and male in white suburban America. While black athletes are ubiquitous on the playing field and front pages of tabloids, the challenge remains to gain true power in the multibillion-dollar sports industry. Huyghue details that struggle play by play.

***Includes a new foreword by Gary Lineker about football in lockdown*** Shortlisted for The Telegraph Sports Book Awards 'Lineker is nearly as good a presenter as I was a footballer' DIEGO MARADONA 'Hilarious, almost as funny as me' ALAN SHEARER 'This is Lineker unleashed. As a non-football nut I didn't expect to enjoy it, but between laddish anecdotes are passages of sudden tenderness. . . Lineker opens up, dislodging memories and reflections, not just about football but his whole life.' THE TIMES _______________________________________________________________ 'Football is a simple game. 22 players chase a ball for 90 minutes, and at the end the Germans always win.' This book is inspired by the stories Danny and I have shared with each other about what life in football is really like: in the dressing room, in the commentary box, on the pitch and - with the appropriate pixellation - in the showers afterwards. What's it really like to play with Messi? I wouldn't know, but I have starred alongside him in an advert for Walkers crisps. And, well, his performance was world-class. And what is a life in football really like? You won't learn much from the dull-as-dishwater post-match interviews - it's a world of secrets, superstitions, laughs and personalities, and let me tell you, half of it you won't believe. I've looked back at my playing days, from England to Leicester, Everton to Barcelona, Tottenham to, er, Nagoya Grampus Eight, and shared the chaotic behind-the-scenes secrets of Match of the Day - and Danny has chipped in with stories from a lifetime following the game as a fan. From Italia '90 to Leicester's Premier League fairytale, from yellow cards to World Cup trophies (I've never been awarded either), from Gascoigne to Maradona, you'll find it all here - everything you always wanted to know about football, but didn't realise that you did. Inspired by the No.1 podcast Behind Closed Doors

A riveting account of life as a closeted professional athlete from gay NFL player O’Callaghan, against the backdrop of depression, opioid addiction, and the threat of suicide. “[O’Callaghan’s] story is one of beautiful vulnerability, and it further shows the importance of knowing you aren’t alone.” —Oprah Daily, recommended by Gayle King Ryan O’Callaghan’s plan was always to play football and then, when his career was over, kill himself. Growing up in a politically conservative corner of California, the not-so-subtle messages he heard as a young man from his family and from TV and film routinely equated being gay with disease and death. Letting people in on the darkest secret he kept buried inside was not an option: better death with a secret than life as a gay man. As a kid , Ryan never envisioned just how far his football career would take him. He was recruited by the University of California, Berkeley, where he spent five seasons, playing alongside his friend Aaron Rodgers. Then it was on to the NFL for stints with the almost-undefeated New England Patriots and the often-defeated Kansas City Chiefs. Bubbling under the surface of Ryan’s entire NFL career was a collision course between his secret sexuality and his hidden drug use. When the league caught him smoking pot, he turned to NFL-sanctioned prescription painkillers that quickly sent his life into a tailspin. As injuries mounted and his daily intake of opioids reached a near-lethal level, he wrote his suicide note to his parents and plotted his death. Yet someone had been watching. A member of the Chiefs organization stepped in, recognizing the signs of drug addiction. Ryan reluctantly sought psychological help, and it was there that he revealed his lifelong secret for the very first time. Nearing the twilight of his career, Ryan faced the ultimate decision: end it all, or find out if his family and football friends could ever accept a gay man in their lives.

The story of Yardley Hall and Kendall Burtis, a player on the college team. When an unknown informer sells the team's signals to the rival school team, Broadwood, Burtis comes under suspicion.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.