Daily Mail Showbiz Memoir of the Year 'A beautiful book' Chris Evans 'Terrifically entertaining' Mail on Sunday 'An arresting photographic voyage through the life and loves of this enigmatic English star' S magazine 'Though not a conventional autobiography, we learn what makes the national treasure tick' Daily Express In the early days of my career, I didn't think I stood a hope in hell. Look at me: I'm short, stocky, slightly overweight, deep of voice, passionate, dark haired, olive skinned, hardly your typical Englishman. What chance did I have, going into the world of British theatre? David Suchet has been a stalwart of British stage and screen for fifty years. From Shakespeare to Oscar Wilde, Freud to Poirot, Edward Teller to Doctor Who, Harold Pinter to Terence Rattigan, Questions of Faith to Decline and Fall, right up to 2019's The Price, David has done it all. Throughout this spectacular career, David has never been without a camera, enabling him to vividly document his life in photographs. Seamlessly combining photo and memoir, Behind the Lens is the story of David's remarkable life, showcasing his wonderfully evocative photographs and accompanied by his insightful and engaging commentary. In Behind the Lens, David discusses his London upbringing and love of the city, his Jewish roots and how they have influenced his career, the importance of his faith, how he really feels about fame, his love of photography and music, and his processes as an actor. He looks back on his fifty-year career, including reflections on how the industry has changed, his personal highs and lows, and how he wants to be remembered. And, of course, life after Poirot and why he's still grieving for the eccentric Belgian detective. An autobiography with a difference, this is David Suchet as you've never seen him before - from behind the lens. 'The book offers more insight into the mind and philosophy of this remarkable man than a more conventional biographical approach could have achieved' Country Life

Photojournalist Annie Hawkins Green barely survived a Taliban ambush that left her military escort dead and a young Afghan girl dying in her arms. She returns to Afghanistan to teach a photography workshop at a secondary school for girls.

Filmmaker Jay Holben has been battling in the production trenches for most of his life. For the past 17 years, he’s chronicled his adventures in the pages of American Cinematographer, Digital Video, Videography, and TV Technology. Now, in Behind the Lens: Dispatches from the Cinematic Trenches, he’s compiled nearly 100 of his best articles on everything from camera technology and lenses to tips and techniques for better lighting. Whether you’re making independent films, commercials, music videos, documentaries, television shows, event videos, or industrials, this full color collection provides the tools you need to take your work to the next level and succeed in the world of digital motion imaging. Featured topics include: *Tech, including the fundamentals of how digital images are formed and how they evolved to match the look of a film, as well as image compression and control *Optics, providing a thorough examination of lenses and lens interchangeability, depth of field, filters, flare, quality, MTF, and more *Cameras, instructing you in using exposure tools, ISO, white balance, infrared, and stabilizers *Lighting, featuring advice on using lighting sources and fixtures and how to tackle common lighting problems Additional tips and tricks cover improving audio, celestial photography, deciding if film school is right for you, and much more. For over a decade Jay Holben has worked as a director of photography in Los Angeles on features, commercials, television shows, and music videos. He is a former technical editor and frequent contributing writer for American Cinematographer, the current technical editor and columnist for Digital Video, and the lighting columnist for TV Technology. The author of A Shot in the Dark: A Creative DIY Guide to Digital Video Lighting on (Almost) No Budget, Holben is also on faculty for the Global Cinematography Institute. He is now an independent producer and director.

With both training and preparation, a street photographer needs to make rapid decisions; there may only be a fraction of a second to immortalize a moment in time that has never happened before and will never happen again. This is where Street Photography: Creative Vision Behind the Lens comes in. Follow Valérie Jardin on an inspiring photo walk around the world. After an overview of the practical and technical aspects of street photography, Valérie takes you along on a personal photographic journey as she hits the streets of her favorite urban haunts. She shows you the art of storytelling through her photographs, from envisioning the image to actually capturing it in the camera. Learn about the technical and compositional choices she makes and the thought process that spurred the click of the shutter. Perfect for both the new photographer excited to capture the world around them and for the experienced street photographer wishing to improve their techniques and images, Street Photography requires no special equipment, just a passion for seeing and capturing the extraordinary in the ordinary.

Try to picture Mark Twain, or Uncle Remus, or even Theodore Roosevelt. More than likely, you have a Frances Benjamin Johnston image in your mind. Johnston was a significant—and arresting—figure in early twentieth-century photography. Beautifully illustrated with forty examples of her work, this first full-length biography explores the surprising range of Johnston's talent, as well as her high-stepping, controversial character. Johnston produced a good deal of the usual society portraiture of the time—including a nude photograph of a debutante that prompted the girl's outraged father to file a lawsuit—but she was also an important photodocumentarian. Students of African American history can reexamine life at Hampton Institute (now Hampton University) or Tuskegee using hundreds of photographs made by Johnston at the turn of the last century. Through Johnston's work we can see Admiral Dewey on the deck of the USS Olympia, the Roosevelt children playing with their pet pony at the White House, and the gardens of Edith Wharton's famous villa near Paris. Johnston's major project on early vernacular architecture of the American South preserves scores of buildings that no longer exist except on her film. However, while many are familiar with Johnston's photographs, most know little about the woman who made them. And without the context of her life, which Bettina Berch gives us in all its contradiction and color, Johnston's subjects may seem inchoate, her choices part feminist and part reactionary, part radical and part retrograde. Johnston entered photography when the field was relatively new, and professional gender boundaries were still being defined. The invention of lighter equipment and changing technologies in developing meant that photography could be moved from the studio and darkroom—male provinces—out into the street or the home. But the repressiveness of late nineteenth-century society sometimes cast a shadow: there were a host of prescriptions governing proper female behavior, and certainly the sensuality of the human body as a subject caused many to argue that this new art form should remain a male preserve. Within these boundaries, Johnston defined herself as an artist. Raised in an upper-middle-class household in Washington, D.C., she declined to "marry money" and instead made her living as an artist, although she enjoyed the cushion of her family's wealth and connections. In the course of her career, she moved through a series of interests, from portraiture to historic preservation. It is her restlessness, her resistance to easy categorizing, that makes this upper-class bohemian photographer such a fascinating subject herself.

A Life Behind the Lens is a collection of the very best work of Richard `Dickie' Pelham, the multi award-winning chief sports photographer of The Sun for the past 30 years. He has covered six Olympic Games, six World Cups, any number of Test matches and many championship boxing bouts, capturing the moments of triumph and despair, the great goals, the knockout punches, the key wickets and the gold-medal glory. He has been trackside, ringside, pitchside and poolside as well as in the studio and on the training grounds with the biggest names in world sport, including Usain Bolt, Mo Farah, Jessica Ennis-Hill, Andy Murray, Paul Gascoigne, David Beckham, Tom Daley, Lennox Lewis and Anthony Joshua. His pictures have featured on memorable front and back pages and centre spreads. The images are accompanied by Dickie's own recounting of the human stories behind the pictures and the technical secrets of a master of his trade.

Shooter is a visual portrait of war--the perseverance, heroism, and survival--narrated through stunning photographs and powerful essays from a female combat photographer.

Packed with gems of wisdom from the current 'masters of light’, this collection of conversations with twenty leading contemporary cinematographers provides invaluable insight into the art and craft of cinematography. Jacqueline Frost’s interviews provide unprecedented insight into the role as cinematographers discuss selecting projects, the conceptual and creative thinking that goes into devising a visual strategy, working with the script, collaborating with leading directors such as Martin Scorcese, Spike Lee, and Ava DuVernay, the impact of changing technology, and offer advice for aspiring cinematographers. Interviews include Maryse Alberti, John Bailey, Robert Elswit, Kirsten Johnson, Kira Kelly, Ellen Kuras, Edward Lachman, Matthew Libatique, John Lindley, Seamus McGarvey, Reed Morano, Polly Morgan, Rachel Morrison, Rodrigo Prieto, Cynthia Pusheck, Harris Savides, Nancy Schrieber, John Seale, Sandi Sissel, Dante Spinotti, Salvatore Totino, Amy Vincent and Mandy Walker. Filled with valuable information and advice for aspiring cinematographers, directors, and filmmakers, this is essential reading for anyone interested in the art and craft of cinematography.

Learn to train your eye and improve your timing in order to capture the decisive moment!

Whether it’s due to social media or the introduction of great rangefinder-style digital cameras over a decade ago, street photography has experienced a remarkable resurgence in recent years. You can be roaming the streets of a classic urban environment (New York, Paris, Tokyo) or on a simple photo walk around a quiet neighborhood—it has never been more popular to pursue the art of capturing those candid, fleeting moments that happen throughout the day, of freezing a moment in time and transforming the ordinary into an extraordinary photograph.

But learning to see light and moment, to make quick decisions, and to nail a photographic composition are all crucial skills you must master in order to become a good street photographer. Photographer, instructor, and author Valerie Jardin has been teaching photographers how to take better photographs for years, and in Street Photography Assignments: 75 Reasons to Hit the Streets and Learn, she provides dozens of prompts for you to practice in order to refine and improve your craft.

These activities focus on themes such as:

 • Street portraits
 • Gesture
 • Shadows
 • Silhouettes
 • Rim light
 • Humor
 • Abstract
 • Tension
 • Motion
 • Reflections
 • Leading lines
 • Creative framing
 • Juxtapositions
 • Double exposures
 • And much, much more!

Each assignment includes a description of the technique, various tips and tricks to practice, technical and compositional considerations, and an example photo that Jardin has captured when practicing the same exercise. Whether you have 30 minutes or 3 hours, each assignment is an opportunity for you to take your camera and hit the streets. No more excuses!

For the past thirty years, Chuck Quinzio has been filming life on the streets of Chicago as a television news cameraman. "Life Behind the Camera" is his vividly colorful memoir; a chronicle of the news stories of the last three decades, told from a cameraman's perspective. *Stand alongside a young gangbanger lying on the streets of Chicago, struggling to stay alive. *Chase down celebrities (Michael Jackson, Princess Diana, Michael Jordan, Harry Caray), politicians (Harold Washington, Rod Blagojevich), and criminals (including mob bosses). *Cheat death as you hang out of a helicopter, or slink out of a housing project amid a flurry of flying bullets, or maneuver your way around the gruesome underbelly of Chicago. *Hang out in Chicago's television newsrooms--and learn the behind the scenes machinations of assignment editors, reporters, news directors, anchors, and crew. *Spend time with a network television news crew, flying into such hotspots as Iowa, Nebraska, and Ohio. *And of course, experience the joy and splendor of the city of Chicago. Quinzio's storytelling paints a picture of Chicago and the television news business you'll never forget; tragic, gritty, frightening, and laugh-out-loud hilarious.