Each purchase directly benefits America's Warfighters through Infidel Inc. and other Veteran nonprofits.A Memoir detailing the US involvement in Somalia, the first known confrontations with Al Qaeda, Al Shabaab, a unique account of October 3rd & 4th, and the beginning of the War on Terror. The book follows the 87th Infantry Regiment of the 10th Mountain Division from the start of Operation Restore Hope through it's climactic finish on October 3rd and 4th 1993, and the Battle of Mogadishu. This is the story that America never heard, and the story America needs to hear.This book began as self-therapy for the author in his battle against PTSD, and morphed into a true American odyssey of military history.Infidel Inc. has spent 2 years helping veterans help themselves and has worked to prevent veteran suicide, while also providing direct financial assistance to America's warfighters. Their goal is to build a retreat as they continue to help our warriors find peace after returning from war. Follow Bravo Charles from Behind the Gun across Somalia. - Stephen Slane (Bravo Charles)

In Fort Morgan, Sam Starr, Jack Pate, and Roger Beemis arrive in town with their saddlebags bulging with the loot of their most recent robbery. Fort Morgan seems like the perfect sanctuary for them, especially when they learn that the town marshal has just died and there's no hurry to replace him.The only trouble the community faces is constant rustling. This doesn't concern the strangers until their own horses are rustled, and they set out to get their horses back. After all, who is in a better position to know just how thieves operate? In Man Behind the Gun, Jason and Arty Swift's lives change suddenly when they find their father murdered. Jason knows who did it, and sets out to settle the score. With no witnesses, Sheriff Whitney is unlikely to do anything to help him. Arty is left alone not only to see to their father's burial but to run the ranch all by himself, an all but impossible task. But Arty refuses to give up, no matter how much Jason's reign of vengeance brings trouble to the ranch.

The author, a New York Times reporter, traces the invention and mass distribution of the AK-47 assault rifle, and its effects on war. He traces the invention of the assault rifle, following the miniaturization of rapid-fire arms from the American Civil War, through World War I and Vietnam, to present-day Afghanistan, where Kalashnikovs and their knockoffs number as many as 100 million, one for every seventy persons on earth. It is the weapon of state repression, as well as revolution, civil war, genocide, drug wars, and religious wars; and it is the arms of terrorists, guerrillas, boy soldiers, and thugs. From its inception to its use by more than fifty national armies around the world, to its role in modern-day Afghanistan, he discusses how the deadly weapon has helped alter world history.

"Readers will learn about Samuel Colt, the revolver, and mass production"--Provided by publisher.

After spending more than twenty-years years as a Special Agent with the FBI, Kathy Stearman recounts the global experiences that shaped her life—and the mixed feelings that she now holds about the sacrifices she had to make to survive in a man’s world. When former FBI Agent Kathy Stearman read in the New York Times that sixteen women were suing the FBI for discrimination at the training academy, she was surprised to see the women come forward—no one ever had before. But the truth behind their accusations resonated. After a twenty-six-year career in the Bureau, Kathy Stearman knows from personal experience that this type of behavior has been prevalent for decades. Stearman’s It’s Not About the Gun examines the influence of attitude and gender in her journey to becoming FBI Legal Attaché, the most senior FBI representative in a foreign office. When she entered the FBI Academy in 1987, Stearman was one of about 600 women in a force of 10,000 agents. While there, she evolved into an assertive woman, working her way up the ranks and across the globe to hold positions that very few women have held before. And yet, even at the height of her career, Stearman had to check herself to make sure that she never appeared weak, inferior, or afraid. The accepted attitude for women in power has long been cool, calm, and in control—and sometimes that means coming across as cold and emotionless. Stearman changed for the FBI, but she longs for a different path for future women of the Bureau. If the system changes, then women can remain constant, valuing their female identity and nurturing the people they truly are. In It's Not About the Gun, Stearman describes how she was viewed as a woman and an American overseas, and how her perception of her country and the FBI, observed from the optics of distance, has evolved.

"It rips to shreds every argument of the anti-gun crowd and has opened my eyes to the mentality of those people." Jan Morgan, FOX News Analyst/Certified NRA Instructor Go behind the lies of the Anti-Gun Radicals. Find out what they hoped you would never know. Dan Wos explains the tactics and strategies of Anti-2nd Amendment Radicals and uncovers the motivation behind their mission to vilify guns and gun owners. Understand the psychology behind those who want to see an unarmed and helpless America. TABLE OF CONTENTS 1. FEAR OF GUNS 2. FALSE NARRATIVE 3. RECRUITING THEIR MINIONS 4. SIT AT THE POPULAR TABLE 5. IGNORANCE IS BLISS 6. GUN FREE ZONES 7. THE RESPONSIBILITY OF FREEDOM 8. LIES, LIES AND MORE LIES 9. I'M RIGHT, YOU'RE WRONG 10. BUILDING UTOPIA 11. THE TRUTH ABOUT GUNS

A former firearms executive pulls back the curtain on America's multibillion-dollar gun industry, exposing how it fostered extremism and racism, radicalizing the nation and bringing cultural division to a boiling point. As an avid hunter, outdoorsman, and conservationist-all things that the firearms industry was built on-Ryan Busse chased a childhood dream and built a successful career selling millions of firearms for one of America's most popular gun companies. But blinded by the promise of massive profits, the gun industry abandoned its self-imposed decency in favor of hardline conservatism and McCarthyesque internal policing, sowing irreparable division in our politics and society. That drove Busse to do something few other gun executives have done: he's ending his 30-year career in the industry to show us how and why we got here. Gunfight is an insider's call-out of a wild, secretive, and critically important industry. It shows us how America's gun industry shifted from prioritizing safety and ethics to one that is addicted to fear, conspiracy, intolerance, and secrecy. It recounts Busse's personal transformation and shows how authoritarianism spreads in the guise of freedom, how voicing one's conscience becomes an act of treason in a culture that demands sameness and loyalty. Gunfight offers a valuable perspective as the nation struggles to choose between armed violence or healing.

This “wickedly pacey page-turner” (Total Film) unfurls the behind-the-scenes story of the making of The Godfather, fifty years after the classic film’s original release. The story of how The Godfather was made is as dramatic, operatic, and entertaining as the film itself. Over the years, many versions of various aspects of the movie’s fiery creation have been told—sometimes conflicting, but always compelling. Mark Seal sifts through the evidence, has extensive new conversations with director Francis Ford Coppola and several heretofore silent sources, and complements them with colorful interviews with key players including actors Al Pacino, James Caan, Talia Shire, and others to write “the definitive look at the making of an American classic” (Library Journal, starred review). On top of the usual complications of filmmaking, the creators of The Godfather had to contend with the real-life members of its subject matter: the Mob. During production of the movie, location permits were inexplicably revoked, author Mario Puzo got into a public brawl with an irate Frank Sinatra, producer Al Ruddy’s car was found riddled with bullets, men with “connections” vied to be in the cast, and some were given film roles. As Seal notes, this is the tale of a “movie that revolutionized filmmaking, saved Paramount Pictures, minted a new generation of movie stars, made its struggling author Mario Puzo rich and famous, and sparked a war between two of the mightiest powers in America: the sharks of Hollywood and the highest echelons of the Mob.” “For fans of books about moviemaking, this is a definite must-read” (Booklist).

“An intense snapshot of the chain reaction caused by pulling a trigger.” —Booklist (starred review) “Astonishing.” —Kirkus Reviews (starred review) “A tour de force.” —Publishers Weekly (starred review) A Newbery Honor Book A Coretta Scott King Honor Book A Printz Honor Book A Time Best YA Book of All Time (2021) A Los Angeles Times Book Prize Winner for Young Adult Literature Longlisted for the National Book Award for Young People’s Literature Winner of the Walter Dean Myers Award An Edgar Award Winner for Best Young Adult Fiction Parents’ Choice Gold Award Winner An Entertainment Weekly Best YA Book of 2017 A Vulture Best YA Book of 2017 A Buzzfeed Best YA Book of 2017 An ode to Put the Damn Guns Down, this is New York Times bestselling author Jason Reynolds’s electrifying novel that takes place in sixty potent seconds—the time it takes a kid to decide whether or not he’s going to murder the guy who killed his brother. A cannon. A strap. A piece. A biscuit. A burner. A heater. A chopper. A gat. A hammer A tool for RULE Or, you can call it a gun. That’s what fifteen-year-old Will has shoved in the back waistband of his jeans. See, his brother Shawn was just murdered. And Will knows the rules. No crying. No snitching. Revenge. That’s where Will’s now heading, with that gun shoved in the back waistband of his jeans, the gun that was his brother’s gun. He gets on the elevator, seventh floor, stoked. He knows who he’s after. Or does he? As the elevator stops on the sixth floor, on comes Buck. Buck, Will finds out, is who gave Shawn the gun before Will took the gun. Buck tells Will to check that the gun is even loaded. And that’s when Will sees that one bullet is missing. And the only one who could have fired Shawn’s gun was Shawn. Huh. Will didn’t know that Shawn had ever actually USED his gun. Bigger huh. BUCK IS DEAD. But Buck’s in the elevator? Just as Will’s trying to think this through, the door to the next floor opens. A teenage girl gets on, waves away the smoke from Dead Buck’s cigarette. Will doesn’t know her, but she knew him. Knew. When they were eight. And stray bullets had cut through the playground, and Will had tried to cover her, but she was hit anyway, and so what she wants to know, on that fifth floor elevator stop, is, what if Will, Will with the gun shoved in the back waistband of his jeans, MISSES. And so it goes, the whole long way down, as the elevator stops on each floor, and at each stop someone connected to his brother gets on to give Will a piece to a bigger story than the one he thinks he knows. A story that might never know an END…if Will gets off that elevator. Told in short, fierce staccato narrative verse, Long Way Down is a fast and furious, dazzlingly brilliant look at teenage gun violence, as could only be told by Jason Reynolds.