When Lizzy Hershberger turns fourteen, her schooling ends at eighth grade, and she has no choice but to leave home to work as an unpaid maid for another family. To avoid being rejected by her ultra-conservative Swartzentruber Amish family and community, Lizzy is forced to abandon her dreams because they are "too worldly." After being raped by a man who becomes a deacon in her community, Lizzy makes her first attempt at "jumping the fence" to pursue a non-Amish lifestyle. But without any modern life experience or education, Lizzy considers whether the risks of this unpredictable and dangerous world are worth losing the ties to her Amish friends and family forever. Almost thirty years later, after she has created a new life for herself, her small community is rocked by disturbing sexual assault allegations. Lizzy must decide whether to keep silent for her newly-created family's sake or come forward against the church to advocate for the Amish children she left behind. In 2019, Lizzy Hershberger successfully brought her abuser to justice in an extraordinarily rare case addressing sexual abuse in the Amish church. She faced death threats and intense pressure to stop telling her story. Lizzy refused to back down, and she forged ahead to spark a national movement bringing awareness to the prevalence of sexual assault in isolated communities protected by religious liberties. This gripping true crime memoir reveals the truth behind one of America's most revered and secretive religious sects-hidden behind the blue curtains of the Amish lifestyle.

Jacqueline Keys was ostracized from her small hometown of Pine Springs, Texas when she was seventeen, sent away because she was gay. Her family was the largest employer in the county, owning Pine Springs Lumber, and her father was mayor of this small town. Her mother could not accept the fact that her only child was gay, could not tolerate the gossip about her family. So, with a hundred dollars in her pocket and a one-way bus ticket out of town, Jacqueline was told not to come back until she had come to her senses. And that included being prepared to marry the son of a business associate of the family. Fifteen years later—long after she'd hitch-hiked to Los Angeles, long after she'd worked nights to put herself through college, and long after she'd written her first best seller, No Place For Family—Jacqueline is persuaded to go back to the tiny town of Pine Springs after her father's death. The quick trip she'd envisioned for the funeral turns into weeks as she learns her father's business is suddenly hers to manage. And she is also again face-to-face with the woman who, as a teen, had been Jackie's first crush. She and Kay had been inseparable as kids, and later as teens. They find themselves falling back into their old habits, and Jackie is soon fighting the same feelings she'd had when she was seventeen. But living behind the pine curtain, Kay is afraid of her love for Jackie, afraid of what her family will say, afraid of how the town will react. Jackie refuses to hide, refuses to crawl back into the closet, so once again, she leaves Pine Springs...alone.

"My all-time favorite. Astonishing." (Stephen King) Down the Rabbit Hole is the first book in the Echo Falls mystery series by bestselling crime novelist Peter Abrahams. Perfect for middle school readers looking for a good mystery. Welcome to Echo Falls, home of a thousand secrets. In Down the Rabbit Hole, eighth grader Ingrid Levin-Hill is in the wrong place at the wrong time. Or at least her shoes are. And getting them back will mean getting tangled up in a murder investigation as complicated as the mysteries solved by her idol, Sherlock Holmes. With soccer practice, schoolwork, and the lead role in her town's production of Alice in Wonderland, Ingrid is swamped. But as things in Echo Falls keep getting curiouser and curiouser, Ingrid realizes she must solve the murder on her own—before it's too late. "Deft use of literary allusions and ironic humor add further touches of class to a topnotch mystery," said School Library Journal. "Intriguing twists." Publishers Weekly agreed: "The fresh dialogue and believable small-town setting will tempt fans to visit Echo Falls again." The next book in this Edgar Award-nominated series in Behind the Curtain, followed by Into the Dark.

Beginning in the 1930s, men and a handful of women came from India's many communities-Marathi, Parsi, Goan, North Indian, and many others--to Mumbai to work in an industry that constituted in the words of some, "the original fusion music." They worked as composers, arrangers, assistants, and studio performers in one of the most distinctive popular music and popular film cultures on the planet. Today, the songs played by Mumbai's studio musicians are known throughout India and the Indian diaspora under the popular name "Bollywood," but the musicians themselves remain, in their own words, "behind the curtain"--the anonymous and unseen performers of one of the world's most celebrated popular music genres. Now, Gregory D. Booth offers a compelling account of the Bollywood film music industry from the perspective of the musicians who both experienced and shaped its history. In a rare insider's look at the process of musical production from the late 1940s to the mid 1990s, before the advent of digital recording technologies, Booth explains who these unknown musicians were and how they came to join the film music industry. On the basis of a fascinating set of first-hand accounts from the musicians themselves, he reveals how the day-to-day circumstances of technology and finance shaped both the songs and the careers of their creator and performers. Booth also unfolds the technological, cultural, and industrial developments that led to the enormous studio orchestras of the 1960s-90s as well as the factors which ultimately led to their demise in contemporary India. Featuring an extensive companion website with video interviews with the musicians themselves, Behind the Curtain is a powerful, ground-level view of this globally important music industry.

Disagreeing with the beliefs of Amish traditions and upbringing, the pressure became too much for her to bear. Forced to make a personal decision, Emma found the courage to leave the only life she had ever known. She had no idea the emotional turmoil she'd inflict on her family and friends.

Things are not always what they seem to be, but with wisdom like Solomon of long ago; Sir Lynden O. Pindling the great and awesome patriot drew back the curtains and opens the windows of progressive growth and crushed the myth of the islands of the Bahamas as beholding to the monarchy seeing the natives as "subjects" any more. With the dawn of daylight came a new hope of freedom and equality for all as the dark days of colonial rule for the beloved chain of islands was sunk into the ocean where never again Bahamians would be labelled "subjects" nor would "God save the Queen" would have to be sung by the people, as "Behind Grey Curtains" surfaced a new anthem begun; "Lift up your head to the rising sun, Bahama-land; March on to glory, your bright banners waving high. See how the world marks the manner of your bearing! Pledge to excel through love and unity. Pressing onward, march together to a common loftier goal; Steady sun ward, tho' the weather hide the wide and treacherous shoal. Lift up your head to the rising sun, Bahama land, 'Til the road you've trod lead unto your God, MARCH ON, BAHAMA LAND" Timothy Gibson Tasting freedom Bahamians quickly and judiciously governed while directing the destiny of the nation with dignity and honor. Meanwhile the aspirations of many people who had exhibited loyalty and maturity earlier for the independent country was being dissected and the true history of the people was in doubt; "Behind Grey Curtains' thrived to tell the story of how to restore admirably order and cohesive community endeavors for the long haul while bringing about domestic tranquility among the people and giving a face of the trials and issues associated with the developing history.

Growing up within the strictest order of the Amish community, Dena Hershberger struggled with all the rules and secrets. At six years old, she told her mother she was too tired to live anymore. Questions swirled in her young mind about why others had things that she did not and if life truly had a purpose. But her questions didn't always have answers and her spirit remained unsettled. In her first book, Dena describes in detail her journey through childhood and what it was like living in an Amish home. She tells about the customs and traditions as well as the rules and restrictions she lived under as she grew into a young woman and managed the heartaches and triumphs of life. From a young age, Dena recognized that God plays a part in our lives. Little did she know how big a part he would play in hers. Life changed forever the day Dena and her husband decided to follow their hearts, leave behind the only lifestyle they knew, and be shunned by family and friends. DENA SCHROCK was born into the Swartzentruber Amish community. When she was 23, Dena and her husband Joe left the Amish culture to raise their own family. Joe and Dena have been married for 18 years and have four children. Dena's passion is to share her journey with the world and inspire others who have chosen to leave everything behind to follow God's calling.

Misty Griffin's story ─ Surviving child abuse, parental betrayal, sexual assault, and Amish cruelty A true crime memoir: When Misty was six years old her family started to live and dress like the Amish. Misty and her sister were kept as slaves on a mountain ranch where they were subjected to almost complete isolation, sexual abuse and extreme physical violence. Their step-father kept a loaded rifle by the door at all times to make sure the young girls were too terrified to try to escape. They also knew that no rescue would ever come because only a couple of people even knew they existed and did not know them well enough to care. Amish Sexual abuse: When Misty reached her teens, her parents feared she and her sister would escape and took them to an Amish community where they were adopted and became baptized members. Misty was devastated to once again find herself in a world of fear, animal cruelty and sexual abuse. Going to the police was severely frowned upon. A few years later, Misty was sexually assaulted by the bishop. As Misty recalls, "Amish sexual abusers are only shunned by the church for six weeks, a punishment that never seems to work. After I was assaulted by the bishop I knew I had to get help and one freezing morning in early March I made a dash for a tiny police station in rural Minnesota. After reporting the bishop I left the Amish and found myself plummeted into the strange modern world with only a second-grade education and no ID or social security card. To all abuse survivors out there, please be encouraged, the cycle of abuse can be broken. Today, I am a nursing student working towards my master's degree and a child abuse awareness activist. This is my story." If you have read Scared Selfless, A Child Called It, The Sound of Gravel, or Etched In Sand, then Tears of the Silenced is a must read.

"Should appeal to all rugged individualists who dream of escape to the forest."—The New York Times Book Review Sam Gribley is terribly unhappy living in New York City with his family, so he runs away to the Catskill Mountains to live in the woods—all by himself. With only a penknife, a ball of cord, forty dollars, and some flint and steel, he intends to survive on his own. Sam learns about courage, danger, and independence during his year in the wilderness, a year that changes his life forever. “An extraordinary book . . . It will be read year after year.” —The Horn Book

In this clear-minded but sobering book, Michael M. Kaiser assesses the current state of arts institutions-orchestras; opera, ballet, modern dance, and theater companies; and even museums. According to Kaiser, new developments in the twenty-first century, including the Internet explosion, the death of the recording industry, the near-death of subscriptions, economic instability, the focus on STEM education in schools, the introduction of movie-theater opera, the erosion of newspapers, the threat to serious arts criticism, and the aging of the donor base have together created tremendous challenges for all arts organizations. Using Michael Porter's model of industry structure to describe how industries evolve, Kaiser argues persuasively that unless steps are taken now, midsized performing arts institutions will have all but evaporated by 2035. Only the largest arts organizations will survive, with tickets priced for the very wealthy and programming limited to the most popular and lucrative productions. Kaiser concludes with a call to arms. With three extraordinary decades' experience as an arts administrator behind him, he advocates passionately for risk-taking in programming and more creative marketing, and details what needs to happen now-building strong donor bases, creating effective boards, and collective action-to sustain the performing arts for generations to come.