Adele Reinhartz engages in five different "readings" of the fourth Gospel. Each approach views the Beloved Disciple differently: as

"The Beloved Disciple" is the trade book adaptation of the bestselling, video-based, interactive Bible study "Beloved Disciple." It shows readers that John was uniquely chosen to be the one who received the Revelation of Jesus Christ, and that Christ still desires to reveal Himself to His disciples today.

Since the advent of the cinema, Jesus has frequently appeared in our movie houses and on our television screens. Indeed, it may well be that more people worldwide know about Jesus and his life story from the movies than from any other medium. Indeed, Jesus' story has been adapted dozens of times throughout the history of commercial cinema, from the 1912 silent From the Manger to the Cross to Mel Gibson's 2004 The Passion of the Christ. No doubt there are more to come. Drawing on a broad range of movies, biblical scholar Adele Reinhartz traces the way in which Jesus of Nazareth has become Jesus of Hollywood. She argues that Jesus films both reflect and influence cultural perceptions of Jesus and the other figures in his story. She focuses on the cinematic interpretation of Jesus' relationships with the key people in his life: his family, his friends, and his foes. She examines how these films address theological issues, such as Jesus' identity as both human and divine, political issues, such as the role of the individual in society and the possibility of freedom under political oppression, social issues, such as gender roles and hierarchies, and personal issues, such as the nature of friendship and human sexuality. Reinhartz's study of Jesus' celluloid incarnations shows how Jesus movies reshape the past in the image of the present. Despite society's profound interest in Jesus as a religious and historical figure, Jesus movies are fascinating not as history but as mirrors of the concerns, anxieties, and values of our own era. As the story of Jesus continues to capture the imagination of filmmakers and moviegoers, he remains as significant a cultural figure today as he was 2000 years ago.

As the Roman-appointed high priest who had a hand in orchestrating Jesus's Crucifixion, Caiaphas secured his place in infamy alongside Pontius Pilate. Viewing Caiaphas as more than just a one-dimensional villain, Adele Reinhartz offers a thorough reconsideration of representations of Caiaphas in the Gospels and other ancient texts as well as in subsequent visual arts, literature, film, and drama. The portrait that emerges challenges long-held beliefs about this New Testament figure by examining the background of the high priesthood and exploring the relationships among the high priest, the Roman leadership, and the Jewish population. Reinhartz does not seek to exonerate Caiaphas from culpability in the Crucifixion, but she does expand our understanding of Caiaphas's complex religious and political roles in biblical literature and his culturally loaded depictions in ongoing Jewish-Christian dialogue.

Unnamed characters--such as Lot's wife, Jephthah's daughter, Pharaoh's baker, and the witch of Endor--are ubiquitous in the Hebrew Bible and appear in a wide variety of roles. Adele Reinhartz here seeks to answer two principal questions: first, is there a "poetics of anonymity," and if so, what are its contours? Second, how does anonymity affect the readers' response to and construction of unnamed biblical characters? The author is especially interested in issues related to gender and class, seeking to determine whether anonymity is more prominent among mothers, wives, daughters, and servants than among fathers, husbands, sons and kings and whether the anonymity of female characters functions differently from that of male characters.

Om amerikanske film som tolkes ud fra tekster i Bibelen

Current scholarship in the study of ancient Christianity is now available to nonspecialists through this collection of essays on anti-Judaism in the New Testament and in New Testament interpretation. While academic writing can be obscure and popular writing can be uncritical, this group of experts has striven to write as simply and clearly as possible on topics that have been hotly contested. The essays are arranged around the historical figures and canonical texts that matter most to Christian communities and whose interpretation has fed the negative characterizations of Jews and Judaism. A select annotated bibliography also gives suggestions for further reading. This book should be an excellent resource for academic courses as well as adult study groups.

The Theologically Formed Heart invites the reader to consider the role of theology in the formation of virtues and passions, and, conversely, the role of virtues and passions in understanding Scripture, theology, and living a Christian life. The essays in this volume are offered in appreciation of the teaching, scholarship, and service to the church and world of Professor of Theology David J. Gouwens. They are organized in three sections: theological reflections, Reformed theology in service to the church, and studies in the thought of Soren Kierkegaard. Four important issues are explored from multiple perspectives: the Church's coming to terms with religious pluralism in mission, inter-religious dialogue, theological education, and ecclesial life; the gospel's invitation to welcome communities of difference; Reformed aesthetics in Calvin's rhetoric and in contemporary hymnody; and Kierkegaard's contribution to theology and ecclesial practice. The aims of the book go beyond academic confines. Through reading the different essays, a personality will emerge who illustrates a life of scholarship that yields itself gladly to the God made known in Jesus Christ. Thus, beyond imparting new information, the book may inspire its readers to their own practice of theologically forming their hearts.

Jean Vanier celebrates the gospel of John in his highly anticipated latest work, Drawn into the Mystery of Jesus through the Gospel of John. Thoroughly personal and inspiring, it challenges all Christians to encounter the fullness of life lived in close communion with God. Vanier writes: "These insights that I share in this book come from the life of Jesus in me ... They also flow from my life with people who are weak and who have taught me to welcome Jesus from the place of the poverty in me." Jean Vanier was a friend and influential mentor to the late Henri Nouwen. Toward the end of his life, Nouwen left Harvard to live and work at one of Jean Vanier's L'Arche communities. This was perhaps the most profound experience of Christianity Nouwen experienced. The thought and spiritual direction/discipleship of Jean Vanier is available to all in Drawn into the Mystery of Jesus through the Gospel of John.

Around the turn of the fifth century, Christian theologians and churchmen contested each other's orthodoxy and good repute by hurling charges of "Origenism" at their opponents. And although orthodoxy was more narrowly defined by that era than during Origen's lifetime in the third century, his speculative, Platonizing theology was not the only issue at stake in the Origenist controversy: "Origen" became a code word for nontheological complaints as well. Elizabeth Clark explores the theological and extra-theological implications of the dispute, uses social network analysis to explain the personal alliances and enmities of its participants, and suggests how it prefigured modern concerns with the status of representation, the social construction of the body, and praxis vis--vis theory. Shaped by the Trinitarian and ascetic debates, and later to influence clashes between Augustine and the Pelagians, the Origenist controversy intersected with patristic campaigns against pagan "idolatry" and Manichean and astrological determinism. Discussing Evagrius Ponticus, Epiphanius, Theophilus, Jerome, Shenute, and Rufinus in turn, Clark concludes by showing how Augustine's theory of original sin reconstructed the Origenist theory of the soul's pre-existence and "fall" into the body. Originally published in 1992. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.