Europa lebt. Die 8. Vollversammlung der Gemeinschaft Evangelischer Kirchen in Europa tagte im September 2018 mit ca. 200 Delegierten aus ganz Europa im Münster zu Basel. Der Dokumentationsband enthält Berichte, Beschlüsse und deren Begründungen, Vorträge, Predigten, Grußworte, Fotos und ein Friedenswort zum Ende des Ersten Weltkrieges vor 100 Jahren. Die Dokumente sind ein Abbild für die gelebte Kirchengemeinschaft der evangelischen Kirchen in Europa. Die Vollversammlung hat sich – weiterhin unter dem Leitgedanken der versöhnten Vielfalt - mit der innerkirchlichen Einheit wie auch mit den ökumenischen Partnern und dem Verhältnis zur Gesellschaft beschäftigt. Der Hauptvortrag von Andrea Riccardi, dem Gründer der Gemeinschaft von Sant'Egidio in Rom, ist neben wegweisenden Predigten von Mitgliedern des Präsidiums und dem Schlussbericht mit den Zukunftsthemen im Dokumentationsband enthalten. [liberated-connected-committed. Documents of the 8th General Assembly of the Community of Protestant Churches in Europe (CPCE) Basel, Switzerland, September 13-18, 2018] Bringing Europe alive. The 8th General Assembly of the Community of Protestant Churches in Europe brought together some 200 delegates from all over Europe in September 2018 to gather in Basle Cathedral. This volume of documents contains the reports, resolutions and their reasoning, speeches, sermons, addresses, photos and the message of peace commemorating the centenary of the end of the First World War. These records reflect the church communion experienced between the Protestant Churches in Europe. Continuing to move forward under the guiding principle of reconciled diversity, the General Assembly addressed unity between the churches and with their ecumenical partners as well as the relationship with society as a whole. The keynote speech by Andrea Riccardi, the founder of the Community of Sant'Egidio in Rome, is also included in this volume of documents, together with directional sermons from members of the Presidium and the Final Report outlining the key issues for the years ahead.

Kirchengemeinschaft – communio wurde zu einem Schlüsselbegriff ekklesiologischer Überlegungen in der Ökumene. Dieser Band dokumentiert ein Lehrgesprächsergebnis, das die Vollversammlung der GEKE sich 2018 zu eigen machte. Es zieht eine Bilanz der seit 1973 auf der Grundlage der Leuenberger Konkordie verwirklichten Kirchengemeinschaft und präzisiert das theologische Konzept von Kirchengemeinschaft unter Berücksichtigung der neuesten ökumenischen Diskussionen. Ferner diskutiert es die Herausforderungen, vor denen die GEKE als Gemeinschaft von Kirchen in Europa gegenwärtig steht, und zeigt Perspektiven für eine weitere Vertiefung dieser Gemeinschaft auf. Abgedruckt ist auch ein bislang kaum verfügbarer Text, der Vorüberlegungen zur Leuenberger Konkordie enthält und für das Verständnis ihres Modells wesentlich ist. Church communion – communio has become a key concept in ecclesiological deliberations in ecumenical contexts. This volume presents the result of a doctrinal conversation, adopted by the General Assembly of the CPCE in 2018, evaluating the church communion realised on the basis of the Leuenberg Agreement since its signing in 1973 and specifying the theological concept of church communion in the light of the latest ecumenical discussions. In addition, it contemplates the challenges that the CPCE currently faces as a communion of churches in Europe and suggests potential approaches to further intensifying this communion. This volume also contains a reprint of a previously scarcely available text revealing key considerations prior to the conclusion of the Leuenberg Agreement, which provides an invaluable tool for understanding this model of church fellowship.

Die erstmals 2001 veröffentlichte Studie widmet sich in exegetischen, historischen und systematischen Analysen sowie Fallbeispielen aus einzelnen Ländern dem spannungsvollen Verhältnis der evangelischen Kirchen zu Staat und Nation. Sie kommt zu dem Ergebnis, dass der Protestantismus gerade aufgrund seiner Vielfalt und seiner Verwurzelung in nationalen und territorialen Identitäten eine besondere Rolle bei der Einigung Europas zu spielen hat. In Zeiten von Europaskepsis und wachsendem Nationalismus hat sie neue Aktualität gewonnen. [Church – People – State – Nation. A Protestant Contribution on a Difficult Relationship] First published in 2001, this study deals with the fascinating relationship of Protestant churches to state and nation. This is shown in exegetical, historical and systematic analyses as well as case studies from different countries. It comes to the conclusion that Protestantism has a special role to play in the integration of Europe, precisely because of its diversity and roots in national and territorial identities. In times of Euroscepticism and growing nationalism, the study has only gained in relevance.

McGraw-Hill's Big Books not only include more verbs and a better selection than their competitors, but they also provide ample contextual examples that show you how the verbs are actually used. Features include: 555 fully conjugated verbs Extensive examples illustrating basic meanings for the top 50 verbs Verb exercises Clear coverage of the unique aspects of the language's verbs And more

When World War I breaks out, a young architecture student in Munich does everything in his power to avoid being enlisted into the German military in this perceptive, wickedly humorous novel by a prominent twentieth-century writer, journalist, and film critic. Siegfried Kracauer’s Ginster is the great World War I novel you’ve never heard of. Here, the sheer horrors are kept offstage, as in Greek tragedy, and merely reported from time to time. The setting is the German home front. Its Chaplinesque antihero—Ginster—spends the war gumming up the German war machine as he maneuvers to stay out of its clutches and save his own skin. Which he does; however, there is a deeper struggle going on between Ginster’s dreamy self-absorption and the pitiless organization of society, war or no war. Ginster has no wish to do anything. Alas, his reveries are forever being interrupted by the demands of an other-minded world. All the scenes of Ginster are well to the rear of the military action, yet with Kracauer narrating, military language saturates all aspects of civilian life in the homeland. Ginster’s nearest and dearest are so gung-ho, he feels that he’s at the front when he visits them. War, the author seems to say, is merely ordinary life seen from the back instead of the front. As a new European war darkens our horizon, one no more expected than was World War I, Kracauer’s novel feels timelier than ever.

A comprehensive narrative overview and analysis of the criticism of the controversial German author's works. When the Swedish Academy announced that Günter Grass had been awarded the 1999 Nobel Prize for Literature, it singled out his first novel The Tin Drum (1959, English translation 1963) as a seminal work that had signaled thepostwar rebirth of German letters, auguring "a new beginning after decades of linguistic and moral destruction." Nearly fifty years after its publication, the novel's significance has been generally acknowledged: it is the uncontested favorite among Grass's works of fiction on the part of reading public and critics alike, yet its canonical status tends to obscure the decidedly mixed and even hostile reactions it initially elicited. Along with The Tin Drum, Grass's impressive body of literary work since the 1950s has spawned a cottage industry of Grass criticism, making a reliable guide through the thicket of sometimes contradictory readings a definite desideratum. SiegfriedMews fills this lacuna in Grass scholarship by way of a detailed but succinct, descriptive as well as analytical and evaluative overview of the scholarship from 1959 to 2005. Grass's politically motivated interventions in publicdiscourse have kept him highly visible, blurring the boundaries between politics and aesthetics. Mews therefore examines not only academic criticism but also the daily and weekly press (and other news media), providing additionalinsight into the reception of Grass's works. Siegfried Mews is Professor of German at the University of North Carolina at Chapel Hill.

The fourteen chapters in this anthology feature original analyses of contemporary German-language literary texts, films, political cartoons, cabaret, and other types of performance. The artworks display a wide spectrum of humor modes, such as irony, satire, the grotesque, Jewish humor, and slapstick, as responses to unification with the accompanying euphoria, but also alienation and dislocation. Kerstin Hensel’s Lärchenau, Christoph Hein’s Landnahme, and vignette collections by Jakob Hein (Antrag auf ständige Ausreise und andere Mythen der DDR) and Wladimir Kaminer (Es gab keinen Sex im Sozialismus) are interpreted as examples of the grotesque. The popular films Lola rennt, Sonnenallee, Herr Lehmann, NVA, Alles auf Zucker!, and Mein Führer—Die wirklich wahrste Wahrheit über Adolf Hitler are reexamined through the lens of traditional and more recent humor or comic book theories. The contributors focus on how each artwork enriches four prominent postwall German cultural trends: post-unification identity reconstruction, Vergangenheitsbewältigung (including Hitler humor), New German Popular Literature (Christian Kracht’s ironic subtexts), and immigrant perspectives (a “third voice” in the East-West binary reflected here pointedly in Eulenspiegel cartoons). To date, no other scholarly work provides as comprehensive an overview of the diverse strategies of humor used in the past two decades in German-speaking countries.

This is the first book to offer a concentrated look at the work of the Düsseldorf photographer. His photographs develop into a conglomerate of self-organising biological material and a topography constructed out of itself.

A massive, long-overdue retrospective on the multimedia image critique of Hito Steyerl, influential artist and author of Duty-Free Artand The Wretched of the Screen Over the past 30 years, through video and installation, the immensely influential German artist and writer Hito Steyerl (born 1966) has been tracking the ways that images have mutated--from the analogue image and its manifold possibilities for montage to the fluidity of the split digital image--and the implications these mutations have had for the representation of wars, genocides and the flow of capital. "We are no longer dealing with the virtual but with a confusing and possibly alien concreteness that we are only beginning to understand," writes Brian Kuan Wood of the digital visual worlds that the artist presents. At nearly 500 pages, this book--the first substantial overview on Steyerl--looks at multimedia installations and film projects of the past ten years, as well as earlier works, all of which are united by the artist's unflagging interrogation of the politics of the image.