Bee and Puppycat visit the Lost and Found.

"Originally published in single magazine form as Bee and Puppycat No. 9-11."

Finn and Jake find themselves in the middle of a secret war when they inadvertently take out Peppermint Butler's secret agent, Candy Bar! There is something amiss with the King of Ooo and the weird bears that he's hanging out with. It's up to Finn and Jake to get to the bottom of the King's dastardly plot! ... If only they weren't being accused of treason in the process.

The latest adventures of PuppyCat and Bee see the duo visiting a local carnival, racing to find a late library book, and trying to find Bee a new uniform.

Bee and Puppycat attend a carnival, help Deckard with some domestic chores, and get sick.

The female gaze is used by writers and readers to examine narratives from a perspective that sees women as subjects instead of objects, and the application of a female gaze to male-dominated discourses can open new avenues of interpretation. This book explores how female manga artists have encouraged the female gaze within their work and how female readers have challenged the male gaze pervasive in many forms of popular media. Each of the chapters offers a close reading of influential manga and fancomics to illustrate the female gaze as a mode of resistant reading and creative empowerment. By employing a female gaze, professional and amateur creators are able to shape and interpret texts in a manner that emphasizes the role of female characters while challenging and reconfiguring gendered themes and issues.

Indie Cinema Online maps out a cultural history of American independent cinema online from 1999 to the present, from Netflix and its use of online streaming to the first feature film released on YouTube to Sundance's creation of digital shorts and web series intended for cell phone viewing.