This volume contains the first English translation of Bede's allegorical commentary on the tabernacle of Moses, which he interpreted as a symbolic figure of the Christian Church. Written in the early 720s at the monastery of Wearmouth-Jarrow in Northumbria, On the Tabernacle (De tabernaculo) was the first Christian literary work devoted entirely to this topic and the first verse-by-verse commentary on the relevant portions of the Book of Exodus. On the Tabernacle was one of Bede's most popular works, appearing in a great many manuscripts from every period of the Middle Ages.

This volume examines the use of the image of the Jewish temple in the writings of the Anglo-Saxon theologian and historian, Bede (d. 735). The various Jewish holy sites described in the Bible possessed multiple different meanings for Bede and therefore this imagery provides an excellent window into his thought. Bede's Temple: An Image and its Interpretation examines Bede's use of the temple to reveal his ideas of history, the universe, Christ, the Church, and the individual Christian. Across his wide body of writings Bede presented an image of unity, whether that be the unity of Jew and gentile in the universal Church, or the unity of human and divine in the incarnate Christ, and the temple-image provided a means of understanding and celebrating that unity. Conor O'Brien argues that Bede's understanding of the temple was part of the shared spirituality and communal discourse of his monastery at Wearmouth-Jarrow, in particular as revealed in the great illuminated Bible made there: the Codex Amiatinus. Studying the temple in Bede's works reveals not just an individual genius, but a monastic community engaged actively in scriptural interpretation and religious reflection. O'Brien makes an important contribution to our understanding of early Anglo-Saxon England's most important author, the world in which he lived, and the processes that inspired his work.

Biblical Exegesis and Mystical Theology in the Venerable Bede brings together 17 essays by Arthur Holder exploring the theology and spirituality found in Bede’s biblical commentaries and homilies. The volume shows that Bede was both a masterful student of received tradition and a creative thinker concerned to address the needs and interests of his audience of Christian pastors and teachers in the eighth-century Northumbrian church. Although Bede is best known as the author of The Ecclesiastical History of the English People, the last half-century of scholarship has demonstrated the sophistication and vast influence of his work in the fields of grammar, biblical interpretation, hagiography, poetry, computus, natural science, and theology. The chapters in this volume show how Bede’s exegesis was integrally connected with his work in all those genres and with the monumental artistic productions of his monastery such as the illuminated bible manuscript known as the Codex Amiatinus. The five parts of the book deal with Bede as teacher and biblical scholar, his interpretations of the tabernacle and the temple, his commentary on the Song of Songs, his attitudes toward philosophy and heresy, and his mystical theology. This book will be of interest to students of Christian theology, mysticism, the development of biblical interpretation, and the history of early medieval England.

Medieval art is wordy; inscriptions and poems, commentaries and chronicles accompany and adorn it. The Art of Words presents a series of detective stories by a renowned explorer of medieval philological evidence who here examines the thought and objects of the Venerable Bede and Theodulf of Orleans. What physical objects did Bede have in mind, for example, when writing about the paintings of his monastic churches? How did he conceive of the division of biblical books into chapters? Why was the famous Libri Carolini made for Charlemagne never published? Indeed what did it mean in the Middle Ages to publish something? Pursuing the story of Bede's calendar shows how Valentine's Day began with a reference to birds. To unravel the meaning of the image of Ezra in the Codex Amiatinus the author then demonstrates the importance of knowing the books that Bede knew and wrote. The final topic is the celebrated Apse mosaic of Germigny-des-Prés, how it was saved from destruction and how Theodulf's words explain what we see. Words matter and, in these studies Paul Meyvaert constantly delights the reader with careful excavations of that place in medieval art and thought where images and words connect and collide.

This commentary on Ezra & Nehemiah provides guidance to pastors and academics in reading the Bible under the rule of faith.

Did King Alfred the Great commission the Old English translation of Bede’s Historia Ecclesiastica Gentis Anglorum, probably the masterpiece of medieval Anglo-Latin Literature, as part of his famous program of translation to educate the Anglo-Saxons? Was the Old English Historia, by any chance, a political and religious manifesto for the emerging ‘Kingdom of the Anglo-Saxons’? Do we deal with the literary cornerstone of a nascent English identity at a time when the Anglo-Saxon kingdoms were threatened by a common enemy: the Vikings? Andreas Lemke seeks to answer these questions – among others – in his recent publication. He presents us with a unique compendium of interdisciplinary approaches to the subject and sheds new light on the Old English translation of the Historia in a way that will fascinate scholars of Literature, Language, Philology and History.

As the major writer and thinker of the Anglo-Saxon period, the Venerable Bede is a key figure in the study of the literature and thought of this time. This Companion, written by an international team of specialists, is a key introductory guide to Bede, his writings, and his world. The first part of the volume focuses on Bede's cultural and intellectual milieu, covering his life, the secular-political contexts of his day, the foundations of the Latin learning he inherited and sought to perpetuate, the ecclesiastical and monastic setting of early Northumbria, and the foundation of his home institution, Wearmouth-Jarrow. The book then considers Bede's writing in detail, treating his educational, exegetical and historical works. Concluding with a detailed assessment of Bede's influence and reception from the time of his death up to the modern age, the Companion enables the reader to view Bede's writings within a wider cultural context.

When she died in 2016, Dr Jennifer O’Reilly left behind a body of published and unpublished work in three areas of medieval studies: the iconography of the Gospel Books produced in early medieval Ireland and Anglo-Saxon England; the writings of Bede and his older Irish contemporary, Adomnán of Iona; and the early lives of Thomas Becket. In these three areas she explored the connections between historical texts, artistic images and biblical exegesis. This volume brings together seventeen essays, published between 1984 and 2013, on the interplay of texts and images in medieval art. Most focus on the manuscript art of early medieval Ireland and England. The first section includes four studies of the Codex Amiatinus, produced in Northumbria in the monastic community of Bede. The second section contains seven essays on the iconography and text of the Book of Kells. In the third section there are five studies of Anglo-Saxon Art, examined in the context of the Benedictine Reform. A concluding essay, on the medieval iconography of the two trees in Eden, traces the development of a motif from Late Antiquity to the end of the Middle Ages.(CS1080)