In Becoming the Tupamaros, Lindsey Churchill explores an alternative narrative of US-Latin American relations by challenging long-held assumptions about the nature of revolutionary movements like the Uruguayan Tupamaros group. A violent and innovative organization, the Tupamaros demonstrated that Latin American guerrilla groups during the Cold War did more than take sides in a battle of Soviet and US ideologies. Rather, they digested information and techniques without discrimination, creating a homegrown and unique form of revolution. Churchill examines the relationship between state repression and revolutionary resistance, the transnational connections between the Uruguayan Tupamaro revolutionaries and leftist groups in the US, and issues of gender and sexuality within these movements. Angela Davis and Eldridge Cleaver, for example, became symbols of resistance in both the United States and Uruguay. and while much of the Uruguayan left and many other revolutionary groups in Latin America focused on motherhood as inspiring women's politics, the Tupamaros disdained traditional constructions of femininity for female combatants. Ultimately, Becoming the Tupamaros revises our understanding of what makes a Movement truly revolutionary.

The President of Uruguay, José "Pepe" Mujica, has recently become a global icon. Among other things, he lives a notoriously austere lifestyle; eschews luxury and protocol like no other head of state; has legalized marijuana and same-sex marriage; has agreed to take in Guantánamo detainees and Syrian refugees, and more. According to Mujica himself, all of his conduct and ideology is rooted in his time as a guerrilla: as a Tupamaro. Beginning in the late 1960s, the uprising of the Tupamaros shook Uruguay and rippled across the Western world. Born in a middle-class, urbanized society, these guerrillas did not fight within the natural shelters of jungles and mountains, but rather in the concrete maze of the city. Infiltrating residences, bars, movie theaters, sewers, police stations, and mansions, the Tupamaros were everywhere and nowhere. Uruguay's under-resourced police had to face the world's most sophisticated urban insurgents. The Tupamaros employed diverse, though often contradictory, tactics: from hunger relief commandos and the armed propaganda that gave them the Robin Hood title, to taking hostages and descending into murderous terrorism. In doing so, they integrated women like no other guerrilla force before, and staged memorable prison escapes. This is the first complete English-language history of the Tupamaros and of Mujica, who under the codename Facundo was directly involved in many operations. As the president himself has said, the way to understand him as both man and politician is as a Tupamaro.

A "sublime and gripping novel ... about hope: that within the world's messy pain there is still room for transformation and healing" (Madeline Miller, New York Times bestselling author of Circe), from the acclaimed author of Cantoras. “In the president’s excruciating (and sometimes humorous) encounters with his strangely healing frog ... De Robertis daringly invites us to imagine a man’s Promethean struggle to wrest control of his broken psyche under the most dire circumstances possible.” —The New York Times Book Review At his modest home on the edge of town, the former president of an unnamed Latin American country receives a journalist in his famed gardens to discuss his legacy and the dire circumstances that threaten democracy around the globe. Once known as the Poorest President in the World, his reputation is the stuff of myth: a former guerilla who was jailed for inciting revolution before becoming the face of justice, human rights, and selflessness for his nation. Now, as he talks to the journalist, he wonders if he should reveal the strange secret of his imprisonment: while held in brutal solitary confinement, he survived, in part, by discussing revolution, the quest for dignity, and what it means to love a country, with the only creature who ever spoke back—a loud-mouth frog. As engrossing as it is innovative, vivid, moving, and full of wit and humor, The President and the Frog explores the resilience of the human spirit and what is possible when danger looms. Ferrying us between a grim jail cell and the president's lush gardens, the tale reaches beyond all borders and invites us to reimagine what it means to lead, to dare, and to dream.

Minimanual of the Urban Guerrilla is a call to action, no matter how small. It is a small book which gives advice on how to overthrow an authoritarian regime, aiming at revolution. Minimanual was written to be concise and and to describe the ways for successful revolution. This book has been fought over to keep in print time and time again after being banned in multiple countries, and while there are a few copies consistently recurring in print today, we wish to spread this important revolutionary text further. Eliminating its copyright. Do not let this minimanual be an isolated event, share it, keep it in your pocket to read, and spread it. If you have the means, print it from home as well from our zine library.

Magda, a young woman of privilege, is drawn into unexpected danger when she joins the underground struggle against the government of Uruguay.

This book examines a generation of leftist militants who in the 1960s advocated revolutionary violence for social change in South America.

Robert J. Sierakowski's Sandinistas: A Moral History offers a bold new perspective on the liberation movement that brought the Sandinista National Liberation Front to power in Nicaragua in 1979, overthrowing the longest-running dictatorship in Latin America. Unique sources, from trial transcripts to archival collections and oral histories, offer a new vantage point beyond geopolitics and ideologies to understand the central role that was played by everyday Nicaraguans. Focusing on the country’s rural north, Sierakowski explores how a diverse coalition of labor unionists, student activists, housewives, and peasants inspired by Catholic liberation theology came to successfully challenge the legitimacy of the Somoza dictatorship and its entrenched networks of power. Mobilizing communities against the ubiquitous cantinas, gambling halls, and brothels, grassroots organizers exposed the regime’s complicity in promoting social ills, disorder, and quotidian violence while helping to construct radical new visions of moral uplift and social renewal. Sierakowski similarly recasts our understanding of the Nicaraguan National Guard, grounding his study of the Somozas’ army in the social and cultural world of the ordinary soldiers who enlisted and fought in defense of the dictatorship. As the military responded to growing opposition with heightened state terror and human rights violations, repression culminated in widespread civilian massacres, stories that are unearthed for the first time in this work. These atrocities further exposed the regime’s moral breakdown in the eyes of the public, pushing thousands of previously unaligned Nicaraguans into the ranks of the guerrilla insurgency by the late 1970s. Sierakowski’s innovative reinterpretation of the Sandinista Revolution will be of interest to students, scholars, and activists concerned with Latin American social movements, the Cold War, and human rights.

Conceptualism played a different role in Latin American art during the 1960s and 1970s than in Europe and the United States, where conceptualist artists predominantly sought to challenge the primacy of the art object and art institutions, as well as the commercialization of art. Latin American artists turned to conceptualism as a vehicle for radically questioning the very nature of art itself, as well as art's role in responding to societal needs and crises in conjunction with politics, poetry, and pedagogy. Because of this distinctive agenda, Latin American conceptualism must be viewed and understood in its own right, not as a derivative of Euroamerican models. In this book, one of Latin America's foremost conceptualist artists, Luis Camnitzer, offers a firsthand account of conceptualism in Latin American art. Placing the evolution of conceptualism within the history Latin America, he explores conceptualism as a strategy, rather than a style, in Latin American culture. He shows how the roots of conceptualism reach back to the early nineteenth century in the work of Símon Rodríguez, Símon Bolívar's tutor. Camnitzer then follows conceptualism to the point where art crossed into politics, as with the Argentinian group Tucumán arde in 1968, and where politics crossed into art, as with the Tupamaro movement in Uruguay during the 1960s and early 1970s. Camnitzer concludes by investigating how, after 1970, conceptualist manifestations returned to the fold of more conventional art and describes some of the consequences that followed when art evolved from being a political tool to become what is known as "political art."

This novel was the major inspiration for the Women's Movement and continues to be a powerful and illuminating analysis of the position of women in Western society___

A “devastating” exposé of the United States’ Latin American policy and the infamous career and assassination of agent Dan Mitrione (Kirkus Reviews). In 1960, former Richmond, Indiana, police chief Dan Mitrione moved to Brazil to begin a new career with the United States Agency for International Development. During his ten years with the USAID, Mitrione trained and oversaw foreign police forces in extreme counterinsurgency tactics—including torture—aimed at stomping out communism across South America. Though he was only a foot soldier in a larger secret campaign, he became a symbol of America’s brutal interventionism when he was kidnapped and executed by Tupamaro rebels in Montevideo, Uruguay. In Hidden Terrors, former New York Times Saigon bureau chief A. J. Langguth chronicles with chilling detail Mitrione’s work for the USAID on the ground in South America and Washington, DC, where he shared his expertise. Along the way, Langguth provides an authoritative overview of America’s efforts to destabilize communist movements and prop up military dictators in South America, presenting a “powerful indictment of what the United States helped to bring about in this hemisphere” (The New York Times). Even today, the tactics Mitrione helped develop continue to influence operations in Guantanamo Bay, Cuba, and black sites around the globe.