Explores the imagery of woman in Mexican art and visual culture. Examines how woman signified a variety of concepts, from modernity to authenticity and revolutionary social transformation, both before and after the Mexican Revolution.

Contemporary society has seen an unprecedented rise in both the demand and the desire to be creative, to bring something new into the world. Once the reserve of artistic subcultures, creativity has now become a universal model for culture and an imperative in many parts of society. In this new book, cultural sociologist Andreas Reckwitz investigates how the ideal of creativity has grown into a major social force, from the art of the avant-garde and postmodernism to the ‘creative industries’ and the innovation economy, the psychology of creativity and self-growth, the media representation of creative stars, and the urban design of ‘creative cities’. Where creativity is often assumed to be a force for good, Reckwitz looks critically at how this imperative has developed from the 1970s to the present day. Though we may well perceive creativity as the realization of some natural and innate potential within us, it has rather to be understood within the structures of a very specific culture of the new in late modern society. The Invention of Creativity is a bold and refreshing counter to conventional wisdom that shows how our age is defined by radical and restrictive processes of social aestheticization. It will be of great interest to those working in a variety of disciplines, from cultural and social theory to art history and aesthetics.

This book analyses modernity and tradition in China today and how they combine in striking ways in the Chinese school. Paul Willis – the leading ethnographer and author of Learning to Labour – shows how China has undergone an internal migration not only of masses of workers but also of a mental and ideological kind to new cultural landscapes of meaning, which include worship of the glorified city, devotion to consumerism, and fixation upon the smartphone and the internet. Massive educational expansion has been a precondition for explosive economic growth and technical development, but at the same time the school provides a cultural stage for personal and collective experience. In its closed walls and the inescapability of its ‘scores’, an astonishing drama plays out between the new and the old, with a tapestry of intricate human meanings woven of small tragedies and triumphs, secret promises and felt betrayals, helping to produce not only exam results but cultural orientations and occupational destinies. By exploring the cultural dimension of everyday experience as it is lived out in the school, this book sheds new light on the enormous transformations that have swept through China and created the kind of society that it is today: a society that is obsessed with the future and at the same time structured by and in continuous dialogue with its past.

In this important and pioneering book, Kwame Gyekye examines postcolonial African experience from a viewpoint receptive to aspects of both traditional African cultures and Western political and moral theory. African people, in their attempt to evolve ways of life compatible with an increasingly globalized world cultural, intellectual, and political scene, face a number of unique societal challenges, some stemming, Gyekye argues, from traditional African values and practices, others representing the legacy of European colonialism. Enlisting Western political and philosophic concepts to clear, comparative advantage, Gyekye addresses a wide range of concrete problems afflicting postcolonial African states, such as ethnicity and nation- building, the relationship of tradition to modernity, the relationship of the nation-state to community, the nature of political authority and political legitimation, political corruption, and the threat to traditional moral and social values, practices, and institutions in the wake of rapid social change. With striking flexibility and rare insight, Gyekye assesses the value of both traditional and non-African cultural components for the future of African societies and proposes alternative social and political models capable of forging a modernity appropriate for Africa. The resulting book, Tradition and Modernity: Philosophical Reflections on the African Experience, is a brilliant new contribution to postcolonial theory and will be of deep interest to scholars of political and moral philosophy, cultural studies, and African philosophy and politics, and to anyone else concerned with the efforts of non-Western societies to properly modernize.

Focuses on costumbrismo, a cultural trend in Latin America and Spain toward representing local customs, types, and scenes of everyday life in the visual arts and literature, to examine the shifting terms of Mexican identity in the nineteenth century.

In their study of social practices deemed traditional, scholars tend to use the concept and idea of tradition as an element of meaning in the practices under investigation. But just whose meaning is it? Is it a meaning generated by those who study tradition or those whose traditions are being studied? In both cases, particular criteria for traditionality are employed, whether these are explicated or not. Individuals and groups will no doubt continue to uphold their traditional practices or refer to their practices as traditional. While they are in no way obliged to explicate in analytical terms their criteria for traditionality, the same cannot be said for those who make the study of traditions their profession. In scholarly analysis, traditions need to be explained instead of used as explanations for apparent repetitions and replications or symbolic linking in social practice, values, history, and heritage politics. This book takes a closer look at ‘tradition’ and ‘folklore’ in order to conceptualize them within discourses on modernity and modernism. The first section discusses ‘modern’ and ‘traditional’ as modern concepts and the study of folklore as a modern trajectory. The underlying tenet here is that non-modernity cannot be represented without modern mediation, which therefore makes the representations of non-modernity epistemologically modern. The second section focuses on the nation-state of Finland and the nationalistic use of folk traditions in the discursive production of Finnish modernity and its Others. The insights are applicable worldwide in discussions on cultural representation.

Inventing the Way of the Samurai examines the development of the 'way of the samurai' - bushido; - which is popularly viewed as a defining element of the Japanese national character and even the 'soul of Japan'. Rather than a continuation of ancient traditions, however, bushido; developed from a search for identity during Japan's modernization in the late nineteenth century. The former samurai class were widely viewed as a relic of a bygone age in the 1880s, and the first significant discussions of bushido at the end of the decade were strongly influenced by contemporary European ideals of gentlemen and chivalry. At the same time, Japanese thinkers increasingly looked to their own traditions in search of sources of national identity, and this process accelerated as national confidence grew with military victories over China and Russia. Inventing the Way of the Samurai considers the people, events, and writings that drove the rapid growth of bushido, which came to emphasize martial virtues and absolute loyalty to the emperor. In the early twentieth century, bushido; became a core subject in civilian and military education, and was a key ideological pillar supporting the imperial state until its collapse in 1945. The close identification of bushido; with Japanese militarism meant that it was rejected immediately after the war, but different interpretations of bushido; were soon revived by both Japanese and foreign commentators seeking to explain Japan's past, present, and future. This volume further explores the factors behind the resurgence of bushido, which has proven resilient through 130 years of dramatic social, political, and cultural change.

In Becoming the People of the Talmud, Talya Fishman examines ways in which circumstances of transmission have shaped the cultural meaning of Jewish traditions. Although the Talmud's preeminence in Jewish study and its determining role in Jewish practice are generally taken for granted, Fishman contends that these roles were not solidified until the late eleventh and early twelfth centuries. The inscription of Talmud—which Sefardi Jews understand to have occurred quite early, and Ashkenazi Jews only later—precipitated these developments. The encounter with Oral Torah as a written corpus was transformative for both subcultures, and it shaped the roles that Talmud came to play in Jewish life. What were the historical circumstances that led to the inscription of Oral Torah in medieval Europe? How did this body of ancient rabbinic traditions, replete with legal controversies and nonlegal material, come to be construed as a reference work and prescriptive guide to Jewish life? Connecting insights from geonica, medieval Jewish and Christian history, and orality-textuality studies, Becoming the People of the Talmud reconstructs the process of cultural transformation that occurred once medieval Jews encountered the Babylonian Talmud as a written text. According to Fishman, the ascription of greater authority to written text was accompanied by changes in reading habits, compositional predilections, classroom practices, approaches to adjudication, assessments of the past, and social hierarchies. She contends that certain medieval Jews were aware of these changes: some noted that books had replaced teachers; others protested the elevation of Talmud-centered erudition and casuistic virtuosity into standards of religious excellence, at the expense of spiritual refinement. The book concludes with a consideration of Rhineland Pietism's emergence in this context and suggests that two contemporaneous phenomena—the prominence of custom in medieval Ashkenazi culture and the novel Christian attack on Talmud—were indirectly linked to the new eminence of this written text in Jewish life.

This lively and engaging text offers a panorama of modern Chinese history through compelling biographies of the famous and obscure. Spanning five hundred years, they include a Ming dynasty medical pioneer, a Qing dynasty courtesan, a nineteenth-century Hong Kong business leader, a Manchu princess, an arsenal manager, a woman soldier, and a young maid in contemporary Beijing. Through the lives of these diverse people, readers will gain an understanding of the complex questions of modern Chinese history: What did it mean to be Chinese, and how did that change over time? How was learning encouraged and directed in imperial and post-imperial China? Was it possible to challenge entrenched gender roles? What effects did European imperialism have on Chinese lives? How did ordinary Chinese experience the warfare and political upheaval of twentieth-century China? What is the nature of the gap between urban and rural China in the post-Mao years? These richly researched biographies are written in an accessible and appealing style that will engage all readers interested in modern China. Contributions by: Daria Berg, John M. Carroll, Kenneth J. Hammond, Joshua H. Howard, Fabio Lanza, Oliver Moore, Pan Yihong, Hugh Shapiro, Kristin Stapleton, and Shuo Wang

Subtitle: On Being a Modern Woman in an Ancient Tradition From Catholic schoolgirl to punk rocker to emergent church planter, Angela Doll Carlson traveled a spiritual path that in many ways mirrors that of a whole generation. She takes us with her on a deep and revealing exploration of the forces that drove her toward Orthodoxy and the challenges that long kept her from fully entering in. About the author: Angela Doll Carlson is a poet and essayist whose work has appeared in Burnside Writer's Collective, Image Journal's "Good Letters," St. Katherine Review, Rock & Sling Journal, Ruminate Magazine's blog, and Art House America. You can also find her writing online at Mrsmetaphor.com, NearlyOrthodox.com, and DoxaSoma.com. Angela and her husband, David, currently raise their four chaos-makers in the wilds of Chicago with some measurable success.