'Papi says it is wrong of parents to presume that they know better, or know more than their child does. They may be biologically older than their child, but in their experience as parents, they're of the same age. So if I was his two-year-old daughter, he was my two-year-old father. And we were both learning and evolving together -- he as my father and me as his daughter.' All of us know Gulzar as a film-maker, screenplay and dialogue writer, lyricist par excellence, author and poet. Because He Is... presents a facet of the icon that none of us are aware of -- as a father. In iridescent prose, his daughter, Meghna, documents his life, revealing the man behind the legend: in every way a hands-on father, who prepared her for school without fail every day, braiding her hair and tying her shoelaces, and who despite his busy career in cinema, always made it a point to end his workday at 4 p.m. because her school ended at that time, and who wrote a book for her birthday every year till she was thirteen. From her earliest memories of waking up in the morning to the strains of him playing the sitar to him writing the songs for her films now, Meghna presents an intimate portrait of a father who indulged her in every way and yet raised her to be independent and confident of the choices she made. She also records his phenomenal creative oeuvre, the many trials and tribulations of his personal and professional life, through all of which she remained a priority. Beautifully designed and illustrated with never-before-seen photographs, Because He Is... offers an incredible insight into the bond between a father and a daughter.

Back when twenty-three-year-old Annalisa became a mother, she longed for a way to tell her daughter who she was long before the world could. She prayed for her daughter’s identity to be based in Christ and not culture. So came the divine words that she spoke over her daughter from her first few months of life and beyond. When looking for who we are, what truth are we finding? Raising girls, Annalisa knew she wanted to give them solid truths about who they were from the very beginning of their lives. Within You Are Because He Is are the powerful Christ-inspired words Annalisa used, along with Biblical reasons why they are true. As she and her husband had more daughters, they continued speaking sweet truths over them. She now shares with readers that they are made, loved, and guided by God—and have been since birth. Our Messiah gifted us with a spirit of truth, but we must choose to be molded by His words as opposed to the earthly words that constantly surround us.

This collection invites us to think about how African-descended men are seen as both appealing and appalling, and exposed to eroticized hatred and violence and how some resist, accommodate, and capitalize on their eroticization. Drawing on James Baldwin and Frantz Fanon, the contributors examine the contradictions, paradoxes, and politico-psychosexual implications of Black men as objects of sexual desire, fear, and loathing. Kitossa and the contributing authors use Baldwin’s and Fanon’s cultural and psychoanalytic interpretations of Black masculinities to demonstrate their neglected contributions to thinking about and beyond colonialist and Western gender and masculinity studies. This innovative and sophisticated work will be of interest to scholars and students of cultural and media studies, gender and masculinities studies, sociology, political science, history, and critical race and racialization. Contributors: Katerina Deliovsky, Delroy Hall, Dennis O. Howard, Elishma Khokhar, Tamari Kitossa, Kemar McIntosh, Leroy F. Moore Jr., Watufani M. Poe, Satwinder Rehal, John G. Russell, Mohan Siddi

What is my purpose? Why am I here? What is my destiny? How do I know? Everyone I know has contemplated these questions at one time or another. This book is about the journey into the revelation of who we are as believers. It's about the realization that we, as believers in Jesus Christ, are God's vessels of honor--placed here in earth for the sole purpose of accomplishing His "Course of Destiny," for our lives. Regardless of our definition of success, it doesn't happen until we accomplish our purpose for being here. And the only way to accomplish that is to connect with our Creator. The One who created us for a specific purpose, and the One who shared that purpose with us before we entered our mothers womb. Once we are on track with our "Course of Destiny," the floodgates open up. The resources, whatever they may be, flood in because we are not working for ourselves, we are not striving for our own personal material gain (wealth, power, influence, happiness) but because we are working for our Creator, serving His purpose for our lives. And just like when Solomon asked for wisdom to judge the people, God not only gave him the wisdom he asked for, but riches, power and influence as well. It's the same with the Believer. When we are walking in our "Course of Destiny," accomplishing His purpose, instead of our own, God will bless us with the desires of our heart and fulfill every one of those desires, exceedingly, abundantly above all we could ever ask or think; according to the power that works in us.

In this book a well-known biblical counselor points you to your true identity as God's beloved child and teaches you how to become who you already are, without legalism or lawlessness. --from publisher description.

Pope John XXIII called the Second Vatican Council so that the Church's doctrine might be "more widely known, more deeply understood, and more penetrating in its effects." However, since the close of the Council in 1965, the results are wanting. Rather than announcing the gospel boldly in the present age, the Church has been seemingly reduced to silence. How did she lose her voice? How did the structures of proclamation, intended to hand on the Catholic faith, devolve and even contribute to vaporizing a Catholic culture? Because He Has Spoken to Us traces such developments from fixed points drawn from the fluid theology of Karl Rahner to their postmodern condition--successive steps that usher in the crisis by subduing, dismissing, and silencing the tradition. This postconciliar anthropocentric structure can now be better understood, critiqued, and displaced by a Ratzingerian approach. Rather than embracing a "given" demanded by contemporary context, Ratzinger proposes the revelation of the Logos in Jesus Christ as the "given," the true object of Christian faith. His alternate proposal requires the courage to face the full scope of the Christian structure, accessed through the Church's tradition, and a willingness to proclaim the gospel personally and with humble confidence.

An irreverent yet deeply researched biography about the always offbeat, suddenly meme-able, and wildly popular actor When did you first encounter Jeff Goldblum? Maybe as a deranged killer in his 1974 screen debut in Death Wish? Maybe as a cynical journalist in 1983s The Big Chill? Or a brilliant if egotistical scientist-turned-fly in 1986s The Fly? Perhaps as the wise-cracking skeptical mathematician in 1993s Jurassic Park? Or maybe you’re not a film buff but noticed his face as part of one of the Internet’s earliest memes. Who knows? Whenever it was, you’ve probably noticed that Goldblum has become one of Hollywood’s most enduring actors, someone who only seems to grow more famous, more heralded, more beloved through the decades, even though he’s always followed his own, strange muse. The guy primarily plays jazz music these days, but is more famous than ever. Actor, pianist, husband, father, style icon, meme. Goldblum contains multitudes, but why? What does he mean? The Washington Post’s Travis M. Andrews decided to find out. And so he set out on a journey through Goldblum's career, talking to directors like Lawrence Kasdan and Philip Kaufman, colleagues like Harry Shearer and Billy Crudup, and pop culture experts like Chuck Klosterman and Sean Fennessey, to get to the bottom of this whole Goldblum thing. And then he took what he learned and he wrote this book, which is titled Because He’s Jeff Goldblum and is the best thing written since The Brothers Karamazov and slightly easier to follow. But you should already know that. In this new semi-biography, semi-rumination, and semi-ridiculous look at the career of Goldblum, Andrews takes you behind the scenes of his iconic movies, explores the shifting nature of fame in the twenty-first century, and spends far too much time converting Goldblum’s name into various forms of speech. Want to hear how Goldblum saved a script supervisor from an amorous baboon? Or what he would write on the mirror after taking showers when he was a teenager? How about his feelings on various brands of throat lozenges? (That one could be an entire book unto itself.) Then this is the book for you!

Physical healing and delivery from mental and emotional torment are impossible through our own power but not improbable with God. God is in the healing business, and business is good. Believers have access today to the same power that Jesus used to heal all who were afflicted by the Devil. All physical sickness and mental or emotional torment are from the Devil. Jesus came to destroy the works of the Devil and finished the job. We can co-labor with God to do the things Jesus did. Now is the time to change your way of thinking and believe the good news. The experiences described in this book are available to all believers. You can participate with God in miracles, signs, and wonders through the renewing of your mind. Take Jesus at His word, and amazing things will happen in your church, your work and your home. Why? Because He Said So.

[BookStrand Regency Romance, HEA] Stranded at a wayside inn, Amanda Shaw must work as a serving girl to pay her bill--and that includes warming the bed of Blake Mallory, Duke of Halstead, when he spends a snowy night. Though Amanda desires the handsome duke who takes her with him the next day, she flees upon hearing she's to be his mistress. Blake, meanwhile, can't forget the fiery serving girl with her refined airs and speech, especially after learning she's a viscount's granddaughter. When their paths cross again months later in London, Blake tells Amanda he feels obliged to offer marriage. He's shocked but fascinated that she doesn't leap at the chance to become his duchess, while she's disheartened he didn't feel so obliged when she was a mere serving girl. As Blake continues his pursuit, Amanda risks losing her heart on the hope he's seducing her not because he's a duke who can have or do whatever he wants...but because he's in love. ** A BookStrand Mainstream Romance