In this modern version of Beauty and the Beast, unhappy fifteen-year-old Carlo has been living in the basement of his family's mansion ever since his father died--until beautiful fifteen-year-old Belle shows up to pay for the rose her father picked in the garden.

Garfield's knees start knocking when two frightened mice give him some terrible news--there's a beast living in the house.

A young man confined to his basement, a broken-down car, and surveillance video footage aren't normal elements in a fairy tale. But in this 21st-century retelling of Beauty and the Beast, Carlo Mostro must challenge himself to go beyond his comfort zone . . . the basement. Will he let Belle help him?

“Ursula Le Guin is more than just a writer of adult fantasy and science fiction . . . she is a philosopher; an explorer in the landscapes of the mind.” – Cincinnati Enquirer The recipient of numerous literary prizes, including the National Book Award, the Kafka Award, and the Pushcart Prize, Ursula K. Le Guin is renowned for her spare, elegant prose, rich characterization, and diverse worlds. "The Ones Who Walk Away from Omelas" is a short story originally published in the collection The Wind's Twelve Quarters.

A best book of the year from New York Public Library, NPR, the Financial Times, Book Riot, and the Sunday Times (London). A fascinating, revelatory portrait of the Metropolitan Museum of Art and its treasures by a former New Yorker staffer who spent a decade as a museum guard. Millions of people climb the grand marble staircase to visit the Metropolitan Museum of Art every year. But only a select few have unrestricted access to every nook and cranny. They’re the guards who roam unobtrusively in dark blue suits, keeping a watchful eye on the two million square foot treasure house. Caught up in his glamorous fledgling career at The New Yorker, Patrick Bringley never thought he’d be one of them. Then his older brother was diagnosed with fatal cancer and he found himself needing to escape the mundane clamor of daily life. So he quit The New Yorker and sought solace in the most beautiful place he knew. To his surprise and the reader’s delight, this temporary refuge becomes Bringley’s home away from home for a decade. We follow him as he guards delicate treasures from Egypt to Rome, strolls the labyrinths beneath the galleries, wears out nine pairs of company shoes, and marvels at the beautiful works in his care. Bringley enters the museum as a ghost, silent and almost invisible, but soon finds his voice and his tribe: the artworks and their creators and the lively subculture of museum guards—a gorgeous mosaic of artists, musicians, blue-collar stalwarts, immigrants, cutups, and dreamers. As his bonds with his colleagues and the art grow, he comes to understand how fortunate he is to be walled off in this little world, and how much it resembles the best aspects of the larger world to which he gradually, gratefully returns. In the tradition of classic workplace memoirs like Lab Girl and Working Stiff, All The Beauty in the World is a surprising, inspiring portrait of a great museum, its hidden treasures, and the people who make it tick, by one of its most intimate observers.

Enter the minds of a psychopath and a defenceless teenager in this mesmerising and timely page-turner, with its unforeseeable twists and edge-of-the-seat suspense.A man lurks in the shadows, spying on a girl in a red party dress. The girl, Libby, is trying to shrug off a bad date. Not for a moment does she suspect that this night is the end of life as she knows it. The man pounces; Libby is grabbed and driven away. Held prisoner in a basement, she grapples with constant fear, all the while sustaining herself with thoughts of escape. Meanwhile, her captor is engaged on another mission, that of abducting a young boy to complete his 'family'. Will Libby ever escape? Or will the man kill her? And what of the boy who refuses to submit to the man's demands? Can he possibly survive his merciless anger?

It’s Halloween 2019 in Mobile, Alabama. Jennifer Riley, CPS supervisor and her team, face a nightmare line-up of child abuse cases. A young boy, imprisoned by his mother, in the family basement, fights for his very life. A baby girl, whose parents are drug addicts, is on life support from a traumatic brain injury. Despite the signs and natural assumptions that could lead the team to the perpetrators, the investigators discovered that the truth is never that simple. The team must navigate the “who” and “why” of these cases, with guidance from Jennifer. But when a ghost from her past reappears, Jennifer is shaken to her very core. One of her former foster children, who had survived the system, is murdered. What follows challenges her beliefs. Will her own self-doubt derail the team? A romance is the last thing she wants. But maybe, it is just what she needs.

The lighthearted tale of a 12-year-old Jewish boy who befriends a British policeman in 1947 Israel, a friendship which leads his comrades to accuse him of treason. The boys have formed a secret liberation army to throw out the British.

Our hero, attending a Halloween party in an embarrassing pink bunny costume (he wanted to he a pirate) stumbles across a secret society of damaged, forgotten, and pissed-off toys in the basement of his friend's house--including the terrifying Amélie, not an adorable gamine played by Audrey Tautou --but a towering sentient assemblage of broken toy parts out for revenge! With appearances in such anthologies as Kramers Ergot and Blab, Stéphane Blanquet has been delighting and terrifying American readers with his superslick, ultradetailed creepiness. So it makes perfect sense that his first graphic novel to be published in the U.S. would be... a children's book? Yes indeed.