With a foreward by Montek Singh Ahluwalia Beautiful Country is a journey towards understanding India. From the rarefied world of the Jalpaiguri tea estates to the crowded bylanes of Varanasi, from the pristine forests of Andamans to the seething valley of Manipur, from the scattered habitations of Ladakh to the flooded villages of Barmer - these are the roads less travelled. A woman and a girl set out to see India, lugging along the baggage of their pasts. On the way, they meet: Maimunisa, the ancillary weaver from Banaras who has only been able to feed her three-year-old son 'sabudane ka paani' (tapioca water); young doctors from AIIMS who have left behind hefty pay packages and the comfort of city life to provide health care to tribals in the hinterlands of Chhattisgarh; village women who have been able to significantly reduce the number of infant deaths in the tribal peripheries of Maharashtra. The duo chance upon the story of Bon Bibi and Shah Jangolee in the swamps of the Sundarbans, as also the natural, historical and cultural wonders that dot the Indian landscape. This book compels you to experience the hope and despair, misery and triumph, failures and innovations of 'real India' - an India that remains invisible to most Indians and does not make it to the front pages of newspapers, and has not been captured by the roving cameras of the 24x7 media channels.

A NEW YORK TIMES BEST SELLER • The moving story of an undocumented child living in poverty in the richest country in the world—an incandescent debut from an astonishing new talent • A TODAY SHOW #READWITHJENNA PICK In Chinese, the word for America, Mei Guo, translates directly to “beautiful country.” Yet when seven-year-old Qian arrives in New York City in 1994 full of curiosity, she is overwhelmed by crushing fear and scarcity. In China, Qian’s parents were professors; in America, her family is “illegal” and it will require all the determination and small joys they can muster to survive. In Chinatown, Qian’s parents labor in sweatshops. Instead of laughing at her jokes, they fight constantly, taking out the stress of their new life on one another. Shunned by her classmates and teachers for her limited English, Qian takes refuge in the library and masters the language through books, coming to think of The Berenstain Bears as her first American friends. And where there is delight to be found, Qian relishes it: her first bite of gloriously greasy pizza, weekly “shopping days,” when Qian finds small treasures in the trash lining Brooklyn’s streets, and a magical Christmas visit to Rockefeller Center—confirmation that the New York City she saw in movies does exist after all. But then Qian’s headstrong Ma Ma collapses, revealing an illness that she has kept secret for months for fear of the cost and scrutiny of a doctor’s visit. As Ba Ba retreats further inward, Qian has little to hold onto beyond his constant refrain: Whatever happens, say that you were born here, that you’ve always lived here. Inhabiting her childhood perspective with exquisite lyric clarity and unforgettable charm and strength, Qian Julie Wang has penned an essential American story about a family fracturing under the weight of invisibility, and a girl coming of age in the shadows, who never stops seeking the light.

For fans of Jasmine Warga and Thanhhà Lại, this is a stunning novel in verse about a young Taiwanese immigrant to America who is confronted by the stark difference between dreams and reality. Anna can’t wait to move to the beautiful country—the Chinese name for America. Although she’s only ever known life in Taiwan, she can’t help but brag about the move to her family and friends. But the beautiful country isn’t anything like Anna pictured. Her family can only afford a cramped apartment, she’s bullied at school, and she struggles to understand a new language. On top of that, the restaurant that her parents poured their savings into is barely staying afloat. The version of America that Anna is experiencing is nothing like she imagined. How will she be able to make the beautiful country her home? This lyrical and heartfelt story, inspired by the author’s own experiences, is about resilience, courage, and the struggle to make a place for yourself in the world.

A remarkable history of the two-centuries-old relationship between the United States and China, from the Revolutionary War to the present day From the clipper ships that ventured to Canton hauling cargos of American ginseng to swap Chinese tea, to the US warships facing off against China's growing navy in the South China Sea, from the Yankee missionaries who brought Christianity and education to China, to the Chinese who built the American West, the United States and China have always been dramatically intertwined. For more than two centuries, American and Chinese statesmen, merchants, missionaries, and adventurers, men and women, have profoundly influenced the fate of these nations. While we tend to think of America's ties with China as starting in 1972 with the visit of President Richard Nixon to China, the patterns—rapturous enchantment followed by angry disillusionment—were set in motion hundreds of years earlier. Drawing on personal letters, diaries, memoirs, government documents, and contemporary news reports, John Pomfret reconstructs the surprising, tragic, and marvelous ways Americans and Chinese have engaged with one another through the centuries. A fascinating and thrilling account, The Beautiful Country and the Middle Kingdom is also an indispensable book for understanding the most important—and often the most perplexing—relationship between any two countries in the world.

"A deeply moving, funny, and brilliantly written account from one of India’s most original new voices." —Katherine Boo Like Dave Eggers’s Zeitoun and Alexander Masters’s Stuart, this is a tour de force of narrative reportage. Mohammed Ashraf studied biology, became a butcher, a tailor, and an electrician’s apprentice; now he is a homeless day laborer in the heart of old Delhi. How did he end up this way? In an astonishing debut, Aman Sethi brings him and his indelible group of friends to life through their adventures and misfortunes in the Old Delhi Railway Station, the harrowing wards of a tuberculosis hospital, an illegal bar made of cardboard and plywood, and into Beggars Court and back onto the streets. In a time of global economic strain, this is an unforgettable evocation of persistence in the face of poverty in one of the world’s largest cities. Sethi recounts Ashraf’s surprising life story with wit, candor, and verve, and A Free Man becomes a moving story of the many ways a man can be free.

Chosen by The New York Times Book Review as one of the best books of 1986, this volume of stories, selected by the author from her own early work, represents the essence of her Indian experience. Bearing Jhabvala's hallmark of balance, subtlety, wry humor, and beauty, these stories present characters that prove to be as vulnerable to the contradictions and oppressions of the human heart as to those of India itself.

When Skanda's father Toby dies, estranged from Skanda's mother and from the India he once loved, it falls to Skanda to return his body to his birthplace. This is a journey that takes him halfway around the world and deep within three generations of his family, whose fractures, frailties and toxic legacies he has always sought to elude. Both an intimate portrait of a marriage and its aftershocks, and a panoramic vision of India's half-century - in which a rapacious new energy supplants an ineffectual elite - 'The way things were' is an epic novel about the pressures of history upon the present moment. It is also a meditation on the stories we tell and the stories we forget; their tenderness and violence in forging bonds and in breaking them apart. Set in modern Delhi and at flashpoints from the past four decades, fusing private and political, classical and contemporary to thrilling effect, this book confirms Aatish Taseer as one of the most arresting voices of his generation.

The PEN Award–winning chronicle of the Indian diaspora told through the stories of the author’s own family. In this “rich, entertaining and illuminating story,” Minal Hajratwala mixes history, memoir, and reportage to explore the collisions of choice and history that led her family to emigrate from India (San Francisco Chronicle). “Meticulously researched and evocatively written” (The Washington Post), Leaving India looks for answers to the eternal questions that faced not only Hajratwala’s own Indian family but all immigrants, everywhere: Where did we come from? Why did we leave? What did we give up and gain in the process? Beginning with her great-grandfather Motiram’s original flight from British-occupied India to Fiji, where he rose from tailor to department store mogul, Hajratwala follows her ancestors across the twentieth-century to explain how they came to be spread across five continents and nine countries. As she delves into the relationship between personal choice and the great historical forces—British colonialism, apartheid, Gandhi’s salt march, and American immigration policy—that helped shape her family’s experiences, Hajratwala brings to light for the very first time the story of the Indian diaspora. A luminous narrative from “a fine daughter of the continent, bringing insight, intelligence and compassion to the lives and sojourns of her far-flung kin,” Leaving India offers a deeply intimate look at what it means to call more than one part of the world home (Alice Walker).

India is not just a geography or history. It is not only a nation, a country, a mere piece of land. It is something more: it is a metaphor, poetry, something invisible but very tangible. It is vibrating with certain energy fields that no other country can claim. For almost ten thousand years, thousands of people have reached to the ultimate explosion of consciousness. Their vibration is still alive, their impact is in the very air; you just need a certain perceptivity, a certain capacity to receive the invisible that surrounds this strange land. It is strange because it has renounced everything for a single search, the search for the truth. In these pages, we are treated to a spellbinding vision of what Osho calls "the real India," the India that has given birth to enlightened mystics and master musicians, to the inspired poetry of the Upanishads and the breathtaking architecture of the Taj Mahal. We travel through the landscape of India's golden past with Alexander the Great and meet the strange people he met along the way. We are given a front-row seat in the proceedings of the legendary court of the Moghul Emperor Akbar, and an insider's view of the assemblies of Gautama the Buddha and his disciples. In the process, we discover just what it is about India that has made it a magnet for seekers for centuries, and the importance of India's unique contribution to our human search for truth.