A riveting tale of romantic suspense with a shocking twist ending set within the gates of a Fire Island colony of the super rich. Jean, a privileged, sometimes cruel, often insecure, and always envious girl, is accustomed to living in her glamorous older sister’s shadow. So when Gil Burke, a handsome newcomer with uncertain ties to one of the most powerful families in the exclusive enclave of Sunken Haven, notices Jean, she is smitten. Then Fritz, a girl from outside the gilded gates who humiliated Jean in the island’s tennis championship last year, falls for Gil herself. Soon the girls are competing for much more than a tennis trophy, with higher stakes than either of them can imagine. Through the alternating perspectives of Jean and Fritz against a backdrop of sunbathing, lobster bakes, and the Bicentennial summer, Adele Griffin captures the angst of feeling like you don’t belong and the urgency of first love with masterly prose and a sharp, intricate wit perfect for fans of E. Lockhart’s We Were Liars.

A riveting tale of romantic suspense with a shocking twist ending set within the gates of a Fire Island colony of the super rich. Jean, a privileged, sometimes cruel, often insecure, and always envious girl, is accustomed to living in her glamorous older sister’s shadow. So when Gil Burke, a handsome newcomer with uncertain ties to one of the most powerful families in the exclusive enclave of Sunken Haven, notices Jean, she is smitten. Then Fritz, a girl from outside the gilded gates who humiliated Jean in the island’s tennis championship last year, falls for Gil herself. Soon the girls are competing for much more than a tennis trophy, with higher stakes than either of them can imagine. Through the alternating perspectives of Jean and Fritz against a backdrop of sunbathing, lobster bakes, and the Bicentennial summer, Adele Griffin captures the angst of feeling like you don’t belong and the urgency of first love with masterly prose and a sharp, intricate wit perfect for fans of E. Lockhart’s We Were Liars.

Hear what the Bible says about how to be true to yourself. Our culture tells us that the way to be happy is to "be true to yourself". It’s posted on social media, promoted in adverts, taught in schools and, even, expressed in churches. But what does that mean, and does it actually work? Matt Fuller explores how true happiness, wholeness and freedom can be found not by turning inwards and listening to our fluctuating feelings, but by listening to our creator and allowing ourselves to be shaped by who the Bible says we are. In the process, this book draws on a broad range of fascinating research and examples to give us a fresh biblical take on some of today's biggest hot-button issues. By cutting through the confusion and showing us what the Bible says, this is a book to help every Christian live with confidence in today's culture.

From the bestselling author of Wish Me Home comes a breathtaking novel about the secrets that families keep and one woman's illuminating search for the truth. Quinn Maguire has a stable life, a fiancé, and what she thinks is a clear vision for her future. All of that comes undone by her mother's deathbed confession--the absentee father Quinn spent thirty years resenting is not her real father at all. With that one revealing whisper, Quinn embarks on a journey to Maui, her mother's childhood home, a storied paradise that holds the truth about her mother's past and all its secrets Quinn is determined to uncover. But settling on the island has its complications, and with the fiancé she left behind questioning every choice she makes, Quinn's quest for her truth is even more difficult than she expected. As time passes and she digs deeper into her family history and her own identity, one thing becomes clear: Maui is as beautiful as she'd always imagined, and its magic is helping uncover the woman that Quinn was always meant to be.

ONE LOVE STORY. TWO MARRIAGES. THREE VERSIONS OF THE TRUTH. Too Good to Be True is an obsessive, addictive love story for fans of Lisa Jewell and The Wife Upstairs, from Carola Lovering, the beloved author of Tell Me Lies. Skye Starling is overjoyed when her boyfriend, Burke Michaels, proposes after a whirlwind courtship. Though Skye seems to have the world at her fingertips—she’s smart, beautiful, and from a well-off family—she’s also battled crippling OCD ever since her mother’s death when she was eleven, and her romantic relationships have suffered as a result. But now Burke—handsome, older, and more emotionally mature than any man she’s met before—says he wants her. Forever. Except, Burke isn’t who he claims to be. And interspersed letters to his therapist reveal the truth: he’s happily married, and using Skye for his own, deceptive ends. In a third perspective, set thirty years earlier, a scrappy seventeen-year-old named Heather is determined to end things with Burke, a local bad boy, and make a better life for herself in New York City. But can her adolescent love stay firmly in her past—or will he find his way into her future? On a collision course she doesn’t see coming, Skye throws herself into wedding planning, as Burke’s scheme grows ever more twisted. But of course, even the best laid plans can go astray. And just when you think you know where this story is going, you’ll discover that there’s more than one way to spin the truth.

Explores the day-to-day struggles and challenges facing young girls, such as self-esteem and handling fights with friends, through a series of one-page essays for every day of the year. Original.

Béatrice Longuenesse presents an original exploration of our understanding of ourselves and the way we talk about ourselves. In the first part of the book she discusses contemporary analyses of our use of 'I' in language and thought, and compares them to Kant's account of self-consciousness, especially the type of self-consciousness expressed in the proposition 'I think.' According to many contemporary philosophers, necessarily, any instance of our use of 'I' is backed by our consciousness of our own body. For Kant, in contrast, 'I think' just expresses our consciousness of being engaged in bringing rational unity into the contents of our mental states. In the second part of the book, Longuenesse analyzes the details of Kant's view and argues that contemporary discussions in philosophy and psychology stand to benefit from Kant's insights into self-consciousness and the unity of consciousness. The third and final part of the book outlines similarities between Kant's view of the structure of mental life grounding our uses of 'I' in 'I think' and in the moral 'I ought to,' on the one hand; and Freud's analysis of the organizations of mental processes he calls 'ego' and 'superego' on the other hand. Longuenesse argues that Freudian metapsychology offers a path to a naturalization of Kant's transcendental view of the mind. It offers a developmental account of the normative capacities that ground our uses of 'I,' which Kant thought could not be accounted for without appealing to a world of pure intelligences, distinct from the empirical, natural world of physical entities.