When Pandora is warned by her mother not to open a box, her spirited curiosity trumps her obedience. Pandora harmlessly touches the box, innocently leans on the box, and eventually, albeit accidentally, bursts the box open! The cupcakes that were hidden inside are ruined, except for one last vestige, which Pandora presents in the hope that her mother still loves her. Leslie Patricelli’s depictions of this physical comedy bring a lively narrative to Joan Holub’s carefully crafted text. Includes a summary of the original Pandora’s Box myth at the end. Also available in the Mini Myths series: Don't Get Lost, Odysseus and Good Job, Athena! Praise for Mini-Myths: Be Patient, Pandora! "These adorable volumes feature the title characters learning important life lessons with slight allusions to their Greek mythology counterparts." --School Library Journal

Medusa refuses to care for her hair, her long locks getting knottier and dirtier with each passing page. Her hair rebellion elicits frozen expressions of shock from her family, but nothing will convince Medusa to brush. Only her hairdresser approaches Medusa with bravery and a blade, successfully solving the problem . . . with a short haircut! All are pleased with this drastic yet adorable solution. Leslie Patricelli’s depictions of this physical comedy bring a lively visual narrative to Joan Holub’s expertly focused text. Includes a summary of the original Medusa’s Wild Hair myth at the end. Also available in the Mini Myths series: Don't Get Lost, Odysseus and Good Job, Athena!

Young Midas, who loves the color yellow, makes an impulsive wish that has dire consequences for his beloved toy dinosaur. Includes a retelling of the original Midas's Wish myth.

An illustrated, easy-to-read retelling of the Greek myth of Pandora, whose curiosity leads her to disobey her mother and open a mysterious box. Full color.

Adventures, calamities, and conquests abound in stirring tales about Pandora's box, King Midas and his golden touch, the dreaded Cyclops, Narcissus and Echo, and many other familiar figures.

"Reproducible comic book-style retellings that introduce kids to these riveting classic stories ..."--Cover.

Sporting a quizzical nature that renders her famous at Mount Olympus Academy, Pandora is curious about a box in the possession of godboy Epimetheus and cannot resist opening the box when it falls in her lap.

The story about Pandora opening a box and releasing terrible evils into the world? Totally made up! Pandora couldn't have cared less about what was in that box. The one who was really dying to know was Zeus. Zeus gave Pandora a box alright. A box full of really nasty items. But disease? Pain? Greed? No way. Hades, King of the Underworld, reveals the true story behind the Pandora myth.

Story from Greek mythology, retold by Henriette Barkow and illustrated by Diana Mano. Bilingual English-Vietnamese edition. In Vietnamese/English. Distributed by Tsai Fong Books, Inc.

NEW YORK TIMES BESTSELLER “Funny, sharp explications of what these sometimes not-very-nice women were up to, and how they sometimes made idiots of . . . but read on!”—Margaret Atwood, author of The Handmaid's Tale The national bestselling author of A Thousand Ships returns with a fascinating, eye-opening take on the remarkable women at the heart of classical stories Greek mythology from Helen of Troy to Pandora and the Amazons to Medea. The tellers of Greek myths—historically men—have routinely sidelined the female characters. When they do take a larger role, women are often portrayed as monstrous, vengeful or just plain evil—like Pandora, the woman of eternal scorn and damnation whose curiosity is tasked with causing all the world’s suffering and wickedness when she opened that forbidden box. But, as Natalie Haynes reveals, in ancient Greek myths there was no box. It was a jar . . . which is far more likely to tip over. In Pandora’s Jar, the broadcaster, writer, stand-up comedian, and passionate classicist turns the tables, putting the women of the Greek myths on an equal footing with the men. With wit, humor, and savvy, Haynes revolutionizes our understanding of epic poems, stories, and plays, resurrecting them from a woman’s perspective and tracing the origins of their mythic female characters. She looks at women such as Jocasta, Oedipus’ mother-turned-lover-and-wife (turned Freudian sticking point), at once the cleverest person in the story and yet often unnoticed. She considers Helen of Troy, whose marriage to Paris “caused” the Trojan war—a somewhat uneven response to her decision to leave her husband for another man. She demonstrates how the vilified Medea was like an ancient Beyonce—getting her revenge on the man who hurt and betrayed her, if by extreme measures. And she turns her eye to Medusa, the original monstered woman, whose stare turned men to stone, but who wasn’t always a monster, and had her hair turned to snakes as punishment for being raped. Pandora’s Jar brings nuance and care to the millennia-old myths and legends and asks the question: Why are we so quick to villainize these women in the first place—and so eager to accept the stories we’ve been told?