At last! The epic story you've been dying to see is here, a galaxy and timeline-spanning saga bringing the two very different (and yet so very much alike) crews of the Battlestar Galactica series together. But don't expect this historic meeting of heroes to be friendly: they have no idea why they have been brought together, or what the result of this unprecedented meeting is. And it starts here as the legendary Commander Cain and the crew of the Pegasus are revealed to be alive and have encountered an individual they never thought they would meet: the last Cylon. All this has happened before, but there will NEVER be anything like it again!

"A collection of essays exploring philosophical, political, and cultural themes of the television show Battlestar Galactica"--Provided by publisher.

Just when the two Galactica crews are becoming adjusted to each other, a brand new surprise comes through the wormhole. Meanwhile the match that fans have been demanding happens: Starbuck fraks Starbuck. Which you know is going to lead to nothing but trouble. While that's going on, Baltar gets a most unexpected visitor.

At last! The epic story you've been dying to see is here, a galaxy and timeline-spanning saga bringing the two very different (and yet so very much alike) crews of the Battlestar Galactica series together. But don't expect this historic meeting of heroes to be friendly: they have no idea why they have been brought together, or what the result of this unprecedented meeting is. And it starts here as the legendary Commander Cain and the crew of the Pegasus are revealed to be alive and have encountered an individual they never thought they would meet: the last Cylon. All this has happened before, but there will NEVER be anything like it again!

Looking at a television franchise like Battlestar Galactica (BSG) is no longer news within the discipline of International Relations. A growing number of scholars in and out of IR are studying the importance of cultural artifacts – popular or otherwise – for the phenomena that make up the core of our discipline. The genre of science fiction offers the analyst an opportunity that cannot be matched by more mimetic genres, namely the chance to look at how sets of widely-circulating expectations of the social serve to constrain authors as they work to introduce as yet unexplored problematiques, the fantasy aspect in much of science fiction storytelling is premised simply on a material difference. As such, while the physical setting of a science fiction tale might appear novel, its imaginative life world will likely retain many elements of the world we already live in and which we can readily recognize as similar to our own. For Critical IR scholarship then, BSG presents an opportunity to examine how these purported homologies or elements of redundancy between the fantastic and the real have been drawn and perhaps to consider, too, whether the show can teach us things about world politics, its various logics and structures, which we might not otherwise be sensitive to. Tackling some of the key contemporary issues in IR, the writers of BSG have taken on a range of important political themes and issues, including the legitimacy of military government, the tactical utility of genocide, and even the philosophical implications of artificial intelligence technologies for the very category of what it means to be 'human'. The contributors in this book explore in depth the argument that one of the most important aspects of popular culture is to naturalize or normalise a certain social order by further entrenching the expectations of social behaviour upon which our mentalities of rule are founded. This work will be of interest to student and scholars of international relations, popular culture and security studies.

When the space drama Battlestar Galactica debuted on ABC in 1978, it was expected to be the most popular new program of the year. Instead, it was attacked as a Star Wars rip-off and canceled after a mere 17 stories. The author acknowledges the show was full of dramatic cliches and scientific inaccuracies, but despite these shortcomings, Battlestar Galactica was a dramatically resonant series full of unique and individual characters, such as Commander Adama (Lorne Greene) and ace warrior Captain Apollo (Richard Hatch). The author contends that Battlestar Galactica was a memorable attempt to make science fiction accessible to mainstream television audiences. The brilliant work of artist John Dykstra brought a new world of special effects to network television. Battlestar Galactica also skillfully exploited legends and names from both the Bible and ancient mythology, which added a layer of depth and maturity to the weekly drama.

The ultimate showdown has begun! When a compromise can’t be reached, distrust has reached its peak, and the crews of the Galacticas square off in battle, pitting hero against hero! The fury of the Battlestars unleashed upon each other unless the treachery set against them can be discovered in time!

At last! The epic story you've been dying to see is here, a galaxy and timeline-spanning saga bringing the two very different (and yet so very much alike) crews of the Battlestar Galacticas series together. But don’t expect this historic meeting of heroes to be friendly: they have no idea why they have been brought together, or what the result of this unprecedented meeting is. And it starts here as the legendary Commander Cain and the crew of the Pegasus are revealed to be alive, and have encountered an individual they never thought they would meet: the last Cylon. All this has happened before, but there will NEVER be anything like it again!

Battlestar Galactica, recognized as one of the most provocative, and socially relevant series of the new millennium, earned its status as a classic American drama series after its very first, Peabody Award-winning season. Here, for the first time in one volume, are all three original Battlestar Galactica novels--based on the highly-lauded TV series that took the country by storm. In The Cylons' Secret, by Craig Shaw Gardner, a ship, scavenging the outer settlements for valuable Cylon technologies after the first human-Cylon war, stumbles on a super-secret scientific outpost beyond charted space. Mere hours later, Battlestar Galactica receives a one-word distress call from the scavenging ship: "Cylons," causing the young Colonel William Adama to investigate. Sagittarius Is Bleeding, by Peter David, concerns President Laura Roslin, whose prophetic dreams have infused her people with hope that they will find Earth, humanity's cradle. But her new dreams of a galaxy overrun by the Cylons disturb her even as they energize an extremist political group. The threat of violent revolt puts Roslin at personal risk and endangers the fleet. In Unity by Steven Harper, Peter Attis, a rock star adored by all the fleet, including Starbuck, has recently been rescued from a Cylon prison ship. But after his first post-return concert, crewmembers are stricken by a strange malady that threatens to lay the fleet open to Cylon attack. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

The first novel based on the SCI FI Channel's biggest hit series ever!